This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Nice! In terms of textures and space, it's a little like some of Bill Frisell's work. The foreground guitar has a nice, natural, non-piezo-acoustic-electric sound that is appealing.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
I'm digging this. Reminds me a bit of the Valley Of the Giants album "Westworld".
The backwards guitar is awesome. Was that done in post or was it all live with a pedal? If it's the latter which pedal did you use?
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Middle age sux. You wake up and realize you're not the rebel novelty of your self image. You've grown cowardly, protective and conservative. What the hell happened?
The vodka, ahhh. One of 3 that I recorded to a dimming flashlight during a power outage.
One take into the Micro BR hole with some harmony and noodle overdubs.
Vodka
I want the vodka
'Cause I know it's gonna make me play better…
Just a basic dance track because its just fun to bounce around sometimes. Also another excuse to use a growly bass sound... a "60 Hz Hum Bass" soundfont I had clearly neglected for too long.
Written and Recorded: Feb 28, 2010
Details: Epiphone Les Paul (FBbEbGCF, FBbEbGDbF, Capo III), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, Audacity...all fingers, no picks.
Last track for RPM 2010, and by far my favorite of the batch…
The turning point for my RPM Challenge recordings this year - I'd planned out a bunch of songs to record with just vocals and an acoustic. After several of these sketches presented themselves to my brain, I threw the old plan out.
Bit of a waltz.
Everything I know about dancing I learned from watching.
This is my piano debut.
Bethan deserves some of the blame for this one somehow. Thanks.
Groove music style
Featuring Irina Panfilova, Piano Solo
I love Penguins...
Groovin Penguin by Pasha is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License.
Comments on kirklynch's stuff
Great stuff! The screams are a very ominous way to keep the beat :)
Very nice. Great flow
Wow! I'm normally not into acapella, but that intro got me hooked until the instruments came in! Awesome piece!
Great tone, very full sounding! Did you mic an amp, or was this straight into a computer?
Spooky sounds and good playing!
Nice! In terms of textures and space, it's a little like some of Bill Frisell's work. The foreground guitar has a nice, natural, non-piezo-acoustic-electric sound that is appealing.
dynamite! making that guitar really talk.
excellent!
Very nice guitar work here , this one sure takes on a real cool trip into the sounds my Friend, "G"
Hell yeah!
In-cre-di-ble!!
Outstanding Kirk! Beautiful work.
Piece, full of fading lights. Is an ambient blues.
I'm digging this. Reminds me a bit of the Valley Of the Giants album "Westworld". The backwards guitar is awesome. Was that done in post or was it all live with a pedal? If it's the latter which pedal did you use?
Amazingly beautiful piece, Kirk..!!!
Instantly faved!
I'd have you score my crazy campy psychedelic westerns. Well, if I had any. Diggin the reverse guitars and overall atmosphere.
very esoteric!certainty feels like walking on a trail in solitude
Grand piece of Gaelic music. Great vocals. Great playing. I expect Fiona Ritchie to return after these messages.
Loving the vocals.
Comments made by kirklynch
Sweet! Great guitar work
I can totally relate! Nice one!
Wild overdrive sound on the lead. Like it!
Ah Yes- it's not just a breakfast drink! Great fun!
Very Cool! Like how it develops after the 2 minute mark
Oooohh! Nice! Love that transition to a more western feel at about 4 minutes!
Aptly titled! Dig the bass sound!
Wow! My favorite of the batch too! Great stuff man!
That slide solo is just too damn funky! Great stuff!
Gorgeous melodies! Liking your style
Beautiful!
Great fun man! At least she didn't stick your toothbrush in the turpentine!
If Bethan is to blame- well- Thanks Bethan
Very Nice! Love your use of the bass as a melodic instrument. Reminds me a bit of some old Renaissance cuts from back in the 70's
Unusual and cool! Like it!
I'm digging that funky stuff with the octave pedal. Cool!
Great version of a classic!
Groovy! Love that piano solo!
HAHA! Love that ending!
Great stuff! I think Ennio would approve!