This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Nice! In terms of textures and space, it's a little like some of Bill Frisell's work. The foreground guitar has a nice, natural, non-piezo-acoustic-electric sound that is appealing.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
I'm digging this. Reminds me a bit of the Valley Of the Giants album "Westworld".
The backwards guitar is awesome. Was that done in post or was it all live with a pedal? If it's the latter which pedal did you use?
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Psychedelic Blues - A plant grown from the roots of Robert Johnson, treated by Koko Taylor, cared for by John Lennon, continued growing in the hands of Tom Waits and finally adopted and infused as a hybrid by Morgan Hill. Something new that somehow…
The song that really kicked off this second album of 2009.
"In time all the stars will fade away
Our kind won't get to see it anyway
No shine, just endless black between the gray
I won't be going out in that way"
This spooky track utilizes the "Paulstretch" program to stretch recordings of gongs, chimes and bells to 8.04 times their native length: no other effects were made to these acoustic recordings other than to stretch them. The gongs utilized are…
written on a Bad day with Chicken pox....
But Spent a Great Day with my Son who also had it.
Jim Called later that day.
He added a vocal/Lyric the day after as my voice is shot...
This is a song about good times with your wee ones..
A Song I wrote about a friend of mine who used to Jump out of planes a lot.
This is one of the hidden tracks on my new album "Black Cat" which features Beth, Keith and Reewfwalker from alonetone and Geir and Jim from Songcrafters.
Here is a…
This traditional Cuban rhythm is the well established "go-to" pattern for 4/4 songs. It is perhaps the most commonly heard conga pattern in 4/4 music. The bongo pattern that accompanies the congas is referred to as "martillo" (the hammer…
"Luna":
Ir, nunca volver al viento sur...
Ni dejar marcas de arena o rastros.
Yo estaré bien en la marea.
Luna, guía mis pasos
encauzados por lágrimas de mar.
Ir, nunca volver al viento sur, perfecto y frío
Surcaré grises cuerpos…
This is about the free spirit soaring high above the seas, forests, cities and times.
~There is no dark side in the moon, really. As a matter of fact it's all dark~
Comments on kirklynch's stuff
Great stuff! The screams are a very ominous way to keep the beat :)
Very nice. Great flow
Wow! I'm normally not into acapella, but that intro got me hooked until the instruments came in! Awesome piece!
Great tone, very full sounding! Did you mic an amp, or was this straight into a computer?
Spooky sounds and good playing!
Nice! In terms of textures and space, it's a little like some of Bill Frisell's work. The foreground guitar has a nice, natural, non-piezo-acoustic-electric sound that is appealing.
dynamite! making that guitar really talk.
excellent!
Very nice guitar work here , this one sure takes on a real cool trip into the sounds my Friend, "G"
Hell yeah!
In-cre-di-ble!!
Outstanding Kirk! Beautiful work.
Piece, full of fading lights. Is an ambient blues.
I'm digging this. Reminds me a bit of the Valley Of the Giants album "Westworld". The backwards guitar is awesome. Was that done in post or was it all live with a pedal? If it's the latter which pedal did you use?
Amazingly beautiful piece, Kirk..!!!
Instantly faved!
I'd have you score my crazy campy psychedelic westerns. Well, if I had any. Diggin the reverse guitars and overall atmosphere.
very esoteric!certainty feels like walking on a trail in solitude
Grand piece of Gaelic music. Great vocals. Great playing. I expect Fiona Ritchie to return after these messages.
Loving the vocals.
Comments made by kirklynch
Great take on a classic! Cool guitar sounds!
Wild effects! You add some new toys to the rig?
Cool sounds!Dig the bass line!
What a beautiful jam! Great stuff Richard!
What a beauty! Missed this one of yours
Great song writing!
Wow! One of your best yet! Love that ending!
Great guitar sounds!
Just Gorgeous!
WOW! I may have to get that program. Fascinating sounds!
Nice! Great sounding production on this one! The strings add a really cool dimension
Very cool! Love the violin work!
Not familiar with the original, but this is beautiful!
Another beautiful beat man!
Beautiful Richard!
Lovely jam you had there with yourself!
Great Rocking tune!
Beautiful! This really deserves to be developed further!
That was 10 minutes well spent. Thank you sir!
These will be fun to jam over one of these days!