This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
Something completely different- Uilleann pipes(Irish bagpipes) and synth. I wrote this tune over 20 years ago in the style of traditional Irish slow airs. It was recorded way back in 1991 for an album that's been out of print for over 15 years…
Something completely different- Uilleann pipes(Irish bagpipes) and synth. I wrote this tune over 20 years ago in the style of traditional Irish slow airs. It was recorded way back in 1991 for an album that's been out of print for over 15 years…
Sitting around in my shop a couple of days ago with the Goodall and the Zoom H4N. First time I've really messed with using the internal mics on the H4N in multitrack mode
This is gorgeous ... many, many take-your-breath-away moments. I didn't want it to end. And what a warm, shimmering tone you captured - great recording!
Kinda rough. I'm uploading this mainly to share a guitar technique I've been working on. I'm wearing a slide on my picking hand and using it to alter pitches in single line phrases. There's a lot more can be done with this technique that I've…
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
Straight ahead stone city electric blues for an old friend who used to spend hours spinning BB King and Mike Bloomfield records for me. Recorded back sometime at the end of 2006 on old analog equipment
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
Straight ahead stone city electric blues for an old friend who used to spend hours spinning BB King and Mike Bloomfield records for me. Recorded back sometime at the end of 2006 on old analog equipment
An unusual traditional tune from the first Scartaglen album way back in 1984. Going through stuff the other day and ran across the LP and couldn't even remember the tune or having recorded it. I played guitar on this track
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
What happened after too much time on youtube watching live vids of "voodoo chile" Noisy obnoxious and very cathartic for me! Live to 2tracks with the Jamman
the first multi track piece that I actually finished "in the box" in Cubase. An ambient kinda thing that grew out of playing around with the Line 6 DL4. Not sure I like the bow parts, but I may re do it later
music by Bryan Baker & Joe Maki. Rhythm guitar, electric piano, synth strings, percussion, drums, vocals by Bryan Baker. Lead guitars, bass by Joe Maki.
Something you don't often hear from me and that's
straight drummin'. On this track I left the
original L/R kit track because it just sounded
more raw and nasty. Listen close and you'll hear different levels on the high hat. Plus, you can…
This is inspired by Frippitronics. Frippontroncis is I call non-traditional mood music invented by Robert Fripp master guitarist for King Crimson. It involves loops of sustained guitars, in this case using an e-bow. I usually do one of these…
Hey Kids, Happy RPM. Surf's up! I played this one for my lady, she said she wants to move to California. I'm not sure if that's because I've been wired up in the Dog House for 9 days or if she wishes to try some surfing. Go figure....
Anyway…
Well I *had* intended to try doing something different this week.
So technically I succeeded.
It's solo piano again, but I had to teach my left hand how to play this somewhat syncopated bass line, before I could actually compose against it…
When I uploaded this last night I thought it was a failure, this morning I am not so sure. I've just listened to it again and, while it fails to live up to my expectations when I started, there's something about it that I like.
The initial…
Dark and sinister indeed! I like the use of your voice and the fact this it's incoherent makes it better. OOOOOH! That laughter at the end just caps it off!
Written and Recorded: Feb 07, 2010
Details: Epiphone Les Paul (DADGAD - capo VII), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, EBow, Audacity...all fingers, no picks.
2010 RPM Challenge
War is tough. War is tough on everyone. and War has it's dues. So without further ado I entreat our men and women of the US Military an awesome Electronica piece that will rock your heart out.
just finished this one, represents a slightly new direction i am taking i think.
i am particuarly proud of the polyrhythmic sound i achieved. i was worried it mite become too cluttered (at the beginning) but i think i achieved clarity.
Comments on kirklynch's stuff
Wow - I closed my eyes and it became a soundtrack to a most beautiful and wonderful movie!
Wow! That's beautiful.
This is beautiful. It gets right into the center and tugs away.
Oh wow, this is fantastic ... heart-voice captured by music. Not many pieces bring a tear to my eye.
This is gorgeous ... many, many take-your-breath-away moments. I didn't want it to end. And what a warm, shimmering tone you captured - great recording!
Great technique, love the feel of it.
always my fav!!!
excellent track!!!!!
thanks for your support; MASTER KIRK!!!!!
Did you ever listen to John Renborne?
Wow got a real Blue eyed American approach to it . organ back + bass is spot on . Loved the stumbling drum kit
Got a Classic feel! Counterpoint, with triplets is really cool.
glorious as usual, Kirk. Glorious. Your stuff always hits a soft spot in my soul.
I think i need to go analog if it would make me play like this.......
more delay... :) missed this one....really nice
...And back again to listen to this little piece of perfection. Just magnificently played.
Outstanding track!
Fantastic! Wow!
Totally pro. Dig it!
Oh and the bow works just fine, i really dig it.
Comments made by kirklynch
Great song man!
Really beautiful!
Nice one man! Love the drums!
Yes- Very different for you and very cool. Love this sort of thing!
What a riot! That had to have been big fun to do!
Lovely meditative quality about it!
Nice!
Dark and sinister indeed! I like the use of your voice and the fact this it's incoherent makes it better. OOOOOH! That laughter at the end just caps it off!
Yes! Very good tune!
Hooked after the first 10 seconds!
Beautiful man! You must be recording at least partly using a pickup- has that distinctive sound
Lovely layered vocals!
Love cool! Love those harmonics in the outro. Great stuff man!
Had a productive weekend I see! Really nice. Your tracks all have such a distinctive sound
Nice moody one guys!
Nice! Intense!
Haunting!
I can't imagine what it took to put this together. It's so dense, but it works really well!
I'm loving the way this is slowly developing at about the 5 and 6 minute marks. I'm still jealous of your clean guitar sounds!
Wow! Great stuff! This would be a blast to improvise over