*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a solo piano performance using an M-Audio 88es midi controller, Pianoteq, and a tuning I devised that is based on a harmonic series segment reduced to one octave.
Online play and download plus scala formatted tuning are here:
http…
Great to hear some other Virginia musucians on this great website. You rock strong. I'm proud that you are from the Commonwealth. Look me up when you are in Roanoke if you would like to jam with a percussionist. Strong work!
Mining the archives a bit. This is an alternate take of my "Jimi Jam" from a couple of years ago. Live to 2 tracks with the Jamman. Really only sounds OK when cranked up loud enough that your eardrums threaten to meet in the middle. LOL!!
Percussion by Norm
Lyrics by Rat-Hybrids
It's been tough to keep up lately, hope everyone is well.
Something I was working on as part of a larger project. When it's done I'll link it.
This is a lovely song with great lyrics. It stands on it's own without any percussion - to my ear it was too delicate to put any percussion to except just a touch of shaker. Nice work! As usual from you, great vox.
All of this is performed - Norm's many percussion devices, Fender Mustang, and GR-20 driven by the guitar for the rest of the voices excepting a bit of a choir at the end.
Ha! This was great fun for me generating a large number of interesting spooky noises -all acoustically- in my laboorratory. The chilling errie wind sound was created with a long spring, attached to the head of a small hand drum (known as a “spring drumâ€, of course) and the “opening crypt†sound was generated by running my thumb nail down the spring under tension. And any time I get to hit the 30†Paiste gong, you know I’m smiling –evilly in this case.
This is a rough mix of a track I did with the one & only Norm Harris. I've got some vocals in mind, but it may take some time to put it together, so meanwhile here's the instrumental version. Big thanks & major props to Norm…
Yes, RW's sitar works very well here. Nice! I confess that I don't know what a tenpura is, but then I thought a hurdy-gurdy had something to do with a busking monkey... now I realize its a wheel fiddle, which I've never come close to seeing or hearing.
I still want one of those things with the monkey hitting folks up for change in his little cup, whatever it's called.
I extended my very short Halloween piece - doubled it in length - not too hard considering it still is only a minute long.
This is using the Garritan Personal Orchestra sample set.
2 organs, piano, flute, bassoon.
This is my first musical expedition into the midi keyboard. Having never played the piano its a fun learning experience. Thanks to Norm for lending me Stinkbug!
In Argentina they say "in Argentina everything may change - except the tango", but I couldn't resist adding some percussion to this beautiful nuevo tango by Vincent Voois, composed in the style of Astor Pantaleon Piazzolla.
Check out Vincent…
@Jarvis:
A bandoneon is a type of concertina, sort of like an accordion, popular in Argentina... Piazolla is considered to be one of the masters of this instrument, (good question... I had to look it up myself).
http://en.wikipedia.org/wiki/Bandoneon
Ha! That's rich. All he wants is a regular cello, "like all the other cello people". But you gave a nice pitch for the electric bitchin' cello... I feel your pain, brother! A million drums and my kids want to play sax, flute and piano!
Very nice work here, Dylan!
When I put these last 3 songs on itunes, my computer did something weird. It told me that these songs were already out there on the internet somewhere. So, in order not to infringe on any copyright laws, I would like to assure everyone that NONE…
A Song About an old Saying......
Sh*t Happens......
Lyrics
T.Mokbul 2010
-In A Day-
Half a Glass of Gasoline
Mixed with Some Kerosene
Stirred in with Coffee
Laced with amphetamine
All That it Takes in A Day
To get by…
Thanks to Sister Savage for helping us debut our new project. As busy as she is, Sister managed a bit of time and some great Jovian vox for us.
This piece or art is unique, sublime, and psychedelic.
Lyrics:
?
2010 Savigear-Reyes-Lennon
So Jim of "Movement to Contact" asked me a couple of weeks ago to send him something...
I had no idea how ridiculously good the final result would come out.
KL: Vocals, lyrics, left side rhythm guitar and picking
MTC: Lead guitar, bass…
Written August 29, 2009 and Recorded March 22, 2010
Details: Epiphone Les Paul (DADGAD, Capo III), Seymour Duncan Pickups, POD XT, Boss RC-20 Looper, Audacity...all fingers, no picks.
I don't normally repeat myself, but when I sat down tonight…
Comments on Norm's stuff
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
Love that rhythm Norm! What's the 3 repeated, quiet scraping sounds made by? Sounds a bit like a chicken! Interesting!
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
If I could play drums like this my rhythm tracks would be much better. Enjoy just sitting back and listening to the many tones and varied rhythms.
thanks Norm - I bet Francis would have loved the persistent introspection of this groove! "..illumina le tenebre de lo core mio...
Excellent organic percussion! Solid gold.
Very, very interesting and addictive pattern here Norm.
Thanks Norm!!
thanks for the listen and rating!
I hear that
Very cool! I can explain the beer being gone!!
Oooo, 2.30 ish the little bit of quiver comes in. Nice! And, gets louder. Like it!
"4" does it for me. I like the, "I mean business" beats.
Ive done a collab with Mark , but never Tharek , this is a dream team , your percussion fits like a glove with this amazing song , i love it
I don't understand the Math behind it but I know it sounds Amazing! It is impressive the story you are able to tell with beats bro.
Very cool groovin' man
This is great mate really cool.
Dandy beat...I sort of got lost in it.
I like this just as a rhythm, mellow
Lovely swaying rhythm, O King of Ze Beats!
Comments made by Norm
Keep pushing that envelope! Tell me again, as you recorded this, are you listening to the tuning as we hear it in the recording?
Lovely!
Provocative and powerful.
Great to hear some other Virginia musucians on this great website. You rock strong. I'm proud that you are from the Commonwealth. Look me up when you are in Roanoke if you would like to jam with a percussionist. Strong work!
Oh, how did I miss this rocker? Strong on many levels.
Yes! This rocks hard.
This is a lovely song with great lyrics. It stands on it's own without any percussion - to my ear it was too delicate to put any percussion to except just a touch of shaker. Nice work! As usual from you, great vox.
Ahh, Vibraphone & Piano: 2 of my favorite *percussion* instruments. I'll go on an expedition with you any time! (Way hip kite surfing photo)
Ha! This was great fun for me generating a large number of interesting spooky noises -all acoustically- in my laboorratory. The chilling errie wind sound was created with a long spring, attached to the head of a small hand drum (known as a “spring drumâ€, of course) and the “opening crypt†sound was generated by running my thumb nail down the spring under tension. And any time I get to hit the 30†Paiste gong, you know I’m smiling –evilly in this case.
Yes, RW's sitar works very well here. Nice! I confess that I don't know what a tenpura is, but then I thought a hurdy-gurdy had something to do with a busking monkey... now I realize its a wheel fiddle, which I've never come close to seeing or hearing. I still want one of those things with the monkey hitting folks up for change in his little cup, whatever it's called.
Which ferret is the witch ferret?
I agree with Beth: definite Spanish flavor to this one. Very nice!
@Jarvis: A bandoneon is a type of concertina, sort of like an accordion, popular in Argentina... Piazolla is considered to be one of the masters of this instrument, (good question... I had to look it up myself). http://en.wikipedia.org/wiki/Bandoneon
Ha! That's rich. All he wants is a regular cello, "like all the other cello people". But you gave a nice pitch for the electric bitchin' cello... I feel your pain, brother! A million drums and my kids want to play sax, flute and piano! Very nice work here, Dylan!
Still fresh and new, once again. Outstanding.
This is still fantastic. I'm sorry about your toothbrush.
Still awesome!
Exotic.
Wow great song. Your inspiration must be something else! Well done! Great collaboration.
Most excellent!