This isn't a track per se. I made a video of progress with an instrument and this is the soundtrack. It's something of a mishmash of strange noises. That will come as little to surprise regular listeners.
The instrument is an evolution of my…
Very tight! More jaw harp! Love the guitar riff and bass.
Sorry about your fall, but at least your only chair broke the impact a bit. Can't wait to see the video.
I wrote this with two of my friends Diego (aka Mr. Napkinhead on alonetone) and Annie. an ode to pasta since my family is all about pasta. we had fun with the lyrics. wrote it in about 15 minutes, recorded it in an hour, and sang it that night…
I write a Vikings parody song for every game of the Minnesota Vikings season for my blog, which is found at http://www.thevikingship.net
This is a parody of Help! by The Beatles
This is a track from my retrospective album Heptadecaphilia.
Details, online play, PDF that has background on the music, images, and links to videos are to be found here:
http://chrisvaisvil.com/?p=1007
Well, I'm not Greek, but I think "Heptadecaphilia" means "to love 17".
Quite an impressive collection of "17 equal tones per octave" songs (20!).
If one wants to immerse themselves in an environment of tonality that is in stark contrast to the conventional "12 tones per octave" standard that has dominated human ears since the 17th century, this a great collection to explore.
It takes a bit of courage to give microtonal music a shot - at times it sounds blasphemous and dizzyingly disorientating to me. Stretching the definition of the established custom probably always feels like that.
The surprise is how quickly my ear adapts to it but it takes a bit of immersion for me to get to that point.
Strong work, Chris. I philia it.
I abuse Jeff Lynn's (ELO) wonderful song.
I sing it a minor 3rd lower then originally recorded by ELO since I wanted to use my 12-string guitar and it is a lot easier to play tuned down to reduce the tension a bit.
voice
12 string rhythm…
Hello, I thought I'd upload a track from 1993's Strange Beauty today. It was reviewed by the WMR (Weekly Module Reviews) team (in 1996 I'm guessing.) These reviews were published on "uesnet" about music posts to the same system - Usenet is an…
This is a Gibson Epiphone Roadie 1/2 scale guitar I picked up used at Guitar Center for $30. It was on the block because no one set it up. The intonation was horrific. And to top it off the bridge is ever so slightly too close to the nut. But…
Rick! I am thrilled to hear something from you again! I've missed the shimmering guitar work from the island. I figured that no news is good news - the surf must be good. That or you are hanging out with Jack Johnson...
Love it.
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
Ha! Well, you have a point. In Reg's world, there is a woman named "Ilesa". But I have not been in the pantry with her. Most of the women in Reg's world scare me to death!
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
but I have to admit that my hot-chili tomato oatmeal-with-pickles pasta I made after this was pretty good. (The bottle of cabernet probably helped too).
The island of Cuba was a Spanish possession for almost 400 years (1511-1898). The land-owning elite held social and economic power, supported by slaves, both indigenous and of South American and African descent, until slavery was abolished…
This is finger picked (quasi – classical guitar) improvisation with my wife’s Seagull acoustic guitar with Dean Markley soundhole pick up and AKG microphone with mastering.
Comments on Norm's stuff
Well it don't stink my place up....hang on.....er,nope !
reminds me of my trip to Egypt.. some cool street beats. great sounds here
This track takes me somewhere awesome in my mind!
Sweet Sweet Beats bro! faved
I liked this from the off...dunno why just got to me rhythmn spot..." Man Dig that Crazy Beat"(attributable @ Baloo the Bear)
dig em new digs.
Ace percussion. :)
Grade A Fancy! I really dig this one, bro!
SWEET!!!!!! I know how it feels to be in a new studio enviroment. Takes a bit of tweaking to get it right, sounds very good though!
Nice one Norm, i was missing some good grooves. ;)
Beatmaster general. I'm sure I've said that before! Just awesome, Norm.
Nicely done Norm great beat. Thanks for your recent comment mate.
Groo - oooo- ooovy. That's a foot tapper.
You make it sound so effortless. Real nice playing. Good to hear you back around.
@ Chris: Excellent! Good ear - yes, it's a 4vs.6 cross-over.
Normy!!! He lives! Excellent melodic beat - Very tasty to the ears!
Im glad to see you back ! tight rhythm and cool new Fx's. the new room sounds good - almost like cherry wood...
cool rhythm, sounds like some FX on the bass drum too?
I like this one even better - infectious rhythm!
Sounds like a cross-over rhythm? Nice to hear your work again, its been missed.
Comments made by Norm
The video is essential to even approach comprehension of this. Wild stuff!
Very tight! More jaw harp! Love the guitar riff and bass. Sorry about your fall, but at least your only chair broke the impact a bit. Can't wait to see the video.
Excellent. The outro IS incredible.
Fight club is a perfect description of this! Excellent.
Delicious!
Very clever!
This is really fun!
Well, I'm not Greek, but I think "Heptadecaphilia" means "to love 17". Quite an impressive collection of "17 equal tones per octave" songs (20!). If one wants to immerse themselves in an environment of tonality that is in stark contrast to the conventional "12 tones per octave" standard that has dominated human ears since the 17th century, this a great collection to explore. It takes a bit of courage to give microtonal music a shot - at times it sounds blasphemous and dizzyingly disorientating to me. Stretching the definition of the established custom probably always feels like that. The surprise is how quickly my ear adapts to it but it takes a bit of immersion for me to get to that point. Strong work, Chris. I philia it.
Well done. I love the synth work.
Great fun!
Wild stuff.
Reg is right.
I've never seen a guitar like that. Cool!
Rick! I am thrilled to hear something from you again! I've missed the shimmering guitar work from the island. I figured that no news is good news - the surf must be good. That or you are hanging out with Jack Johnson... Love it.
Beautiful! (You must have slipped this one by me during one of your particularly productive times)
Ha! Well, you have a point. In Reg's world, there is a woman named "Ilesa". But I have not been in the pantry with her. Most of the women in Reg's world scare me to death!
"Ilesa" is a percussion pattern, not a woman! Otherwise I would have not taken the risk of being caught with her in the pantry!!
but I have to admit that my hot-chili tomato oatmeal-with-pickles pasta I made after this was pretty good. (The bottle of cabernet probably helped too).
2SS: Domestic? Yes. Barely. Goddess? Uh, no.
Great graphic for this one! Ha!