You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it!
Thanks, bro - Perfectly done.
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly.
I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
This song was inspired from all the snowstorms we have been having this winter, another on the way tonight.....I decided to prog it out for this one....prog-rock.....lets bring it back.
Nothing like getting behind the skins when you are sentimental. Happens to me all the time. The skins don't mind tears.
Nice skin work here (the pattern is "Tumbao").
I just heard the Ramen #3 version of this and it totally blew me away!
Furthermore, I sickenly realized that I have posted a piece by the same name, a long time after you posted this one. I apologize for this and have changed the name of my posting (but a similar story to yours... first recording in a new house!!)
Strong work team. I'm a big fan!
Outland (The Ballad of Jarrod X)
words and music by VIVIAN CIRCLE
Mother, why did you lie to me?
I didn't have to make the same mistakes as you.
Father, why did you run away?
There was so many things left unspoken with you.
Jarrod walks…
Chris sent me this great tune playing his 17 ET guitar and fretless bass, and for some reason i thought Mafia instantly. Sammy the Bull was the under-boss to John Gotti back in the 80's and 90's and he turned informer to bring John Gotti down…
On Growing Old
by John Masefield - an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
>Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the…
This is me live....
No frills....
I Play a classical because my fingers are too big... Lol!!
Sorry if it is a bit rough...
was a tough night...
30/12/10
I like it though...
Peace
T
It's always tough for the manager when a "walk-in" steals the show and the crowd clearly prefers him to the scheduled act! Well done! Very soulful bro!
Van Gogh, On the Threshold of Eternity
Gary from music by computer suggested a re-master with less drum volume - your choice http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3
I've had severe computer trouble…
Reg has been up to his womanizing ways and has ended up dancing on his own. reg came up with another great funky tune and Reg had to jump all over again. Hope you Funk IT.........
**instantly stikes the bait, swallows deeply for the gut hook - can't help myself**
Bethan: It is asking too much to expect either Reg to behave himself. Funkmasters, by definition, can't behave.
Now this is just perfect. Funk is what you were born to do. Please provide much more like this.
Comments on Norm's stuff
Okay, so this is awesome fellas - you're like some explosive cocktail of cool. Kicking major butt, three times!
Each of you kick ass. Together you three are magical! Excellent work fellas. JR
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it! Thanks, bro - Perfectly done.
wow, what a cool collab. the 3 musicians and instrument sounds mix well. I would crash into this late night show any day of the week
excellent!! I really like this collab! The voice perhaps could be a touch louder other than that this is excellent!
Damn that's a tough count. Super job man. Super.
This is fantastic Norm. Keep bringing me the lessons. I love it. Gotta go try this one now!!!!
I like all your tracks, so excellent sounding.
This is fantastic, seriously.
complex pattern and really good timing. Great percussion track S to F
Hey..call me at st. john Lutheran. we need to talk! I love this sound!
that's sooooo voodoo! technique's great yes, but the vibe is simply excellent! and your timing is just getting better and better O_o
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
LOVE IT!
Excellent!!
Crazy great.
Oh my, sublime, El Norm! Would you be terribly offended if I had a play around with this?
thanks for explaining the count btw - that helps a lot
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly. I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
I don't know how you keep time like this, but it's incredible!
Comments made by Norm
You must have been hammered with snow! Nice work Dave!
Nothing like getting behind the skins when you are sentimental. Happens to me all the time. The skins don't mind tears. Nice skin work here (the pattern is "Tumbao").
Totally pro, Chris. Great, great work.
I just heard the Ramen #3 version of this and it totally blew me away! Furthermore, I sickenly realized that I have posted a piece by the same name, a long time after you posted this one. I apologize for this and have changed the name of my posting (but a similar story to yours... first recording in a new house!!) Strong work team. I'm a big fan!
Lovely.
This is a masterpiece!
Lovely!
Tragic!
Fabulous story.
Your vocals are too hot for covers.
Oh so funky.
To quote Dorthy Parker: "That poor SOB". Strong work Chris!
I had to read a bit about "modal", which I still don't understand. But I know this much: this rocks hard. Many thanks! Here's hoping for a blizzard!
It's always tough for the manager when a "walk-in" steals the show and the crowd clearly prefers him to the scheduled act! Well done! Very soulful bro!
I hate the fact that your percussionist is quite clever.
Love the Rhodes! Cool boat sounds too. What a horrible time in history.
Boom chickie dig-gity boom ba! Excellent collaboration!
Love the percussion pattern here.
**instantly stikes the bait, swallows deeply for the gut hook - can't help myself** Bethan: It is asking too much to expect either Reg to behave himself. Funkmasters, by definition, can't behave. Now this is just perfect. Funk is what you were born to do. Please provide much more like this.
I miss my Alister! :(