As I had nothing better to do last night, I had this great idea that I would construct a rhythm for the 24 hour challenge. This would be different: a 24 minute drum solo (I mean, who wouldn't love that?). I even had a perfect bass riff: the "Mother…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
Improvisation on Gon-Bops congas, while thinking of future days gone by.
4/4 180bpm.
LYRICS
A cool wind brings the fall
And the season starts to change.
Outside the sky's steel grey.
Inside my heart is too.
And I don't know how to…
Improvisation on Gon-Bops congas, while thinking of future days gone by.
4/4 180bpm.
LYRICS
A cool wind brings the fall
And the season starts to change.
Outside the sky's steel grey.
Inside my heart is too.
And I don't know how to…
Psychedelic, Rockin' and as groovy as spirit on soul. Your kind of acoustic percussion is what a yearn for, to have backing my Psych Folk songs. Tribal, Hypnotic, & Creeps insides you like a good 4:20 moment.
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
I was thumbing a ride along a hot, deserted Caribbean road. When Steve pulled up in this vintage pre-war Chevy, I was very grateful. It just so happened he was heading to the same cantina I was, so we kicked back with a pitcher of mojitos…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Nice. It's also interesting when you play the same rhythm but on different times, say one in 4/4, and a same pattern but stretched (or compressed) to a triplet, gives a really full surround, though I'm talking in terms of guitar or synths, not sure how it would play out in percussion.
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
Chris sent this track to me earlier today with the request that I add some percussion to it.
I had something different in mind.
After the first take I was afraid to return it to him, fearing that he would convert it to 23 edo or something…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
@Jarvis:
I think if you could see the details of the painting more closely you would be able to see that in fact they are rolling die at the dinner table: Red Riding Hood has just rolled her 5th natural 7 on the come-out. Moments after the instant of this painting, the gent on the right flips the table over and Mr. Skull-cap slips Red a shiv.
Not to start a George tribute, but here's a cover I did with Facemask93 that I really love. All I did was bass, backing vox and the drum pattern arrangement - I did feel a little like a dope trying to sing along with Rob's amazing voice, but will…
Ring of Fire - lyrics by Johnny Cash and June Carter Cash -1963. Slightly modified.
This wasn't meant to be Ring of Fire but that's how it wound up.
I have been wanting to trash Ring of Fire and the words just seem to fit this simple 1-4-5…
Came up with this Before bed last night.
Had to record it this morning so I wouldn't forget the Sound of it...
Live recording
I'll do a better version when I have more time...
Well.... Off to work for me...
This is…
warning!!! this is a long 10+ min instrumental
It's a piece about 4 years old that was my first attempt at using synth voices,, I am still looking for a good one,, if anyone knows.
The music itself is a tone poem, loosely dedicated to a children…
Good grief! I didn't realize until today that I had plagiarized the name of this song for one of my percussion tracks. Please accept my apologies. I named my track that because my studio was inundated with the little buggers during my recording session… I hadn’t heard your wonderful piece before. (How embarrassing!) Here in western Virginia, we have never seen anything like it before this year: they get into everything.
Great string work!
One of my favorite songs of all time and one of my favorite voices.
Thanks M.T.
My Skin
Some days I’m fine
Yeah some days I feel sublime
All the time
But then there’s days
I wanna crawl out of my skin
And leave it in
A…
An intrumental Track I put together when Thinking about my family.
One Guitar represents my son, one my wife and one me......
Two Versions with Vox (Jim Higgins and Geir Alfsen) are also in existance.. not sure how to link to this site…
last eve there was a beautiful moon
dancing in a blue black sky
outside my piano room, it called to me
this tune is a one take playful moment, loosely based on the main theme from the 2nd mov of my piano sonata,,, i only toned down about…
I went to Norway recently to meet Geir and Jim and Mike for a Weekend of Music.
More Here:-
http://songcrafters.org/community/index.php?action=festival;sa=Norway2010
We have never played Live together, and this was the First Time…
I'm working on making this old song from Two Old Friends into a better version. Today I got inspired to pick up my daughter's 3/4 size Martin (which makes the runs easier) and recorded this on my Zoom H2.
We Didn't Get Time to do this in Norway.
Geir put down great the Guitars.
I took the Vox and Lyrics...
This is called "Your Heart"
-Your Heart-
Your shout is silent now
It feels I’m missing out
This void is lasting evermore…
This is a rough mix of a track I did with the one & only Norm Harris. I've got some vocals in mind, but it may take some time to put it together, so meanwhile here's the instrumental version. Big thanks & major props to Norm…
I resorted to some unmarked old CDRs in the car today on my way to and from my Dad's (I brought him a new laptop) and found one of the earlier collaborations between Norm and myself.
This is dedicated to the families who have (and still…
This song is special to me for a few reasons: one of which is that this was my very first on-line collaboration, just a few days after I had begun to learn the very basics of recording/mixing. Chris has been very kind to put up with my steep learning curve: it's been a very educational (and humbling) experience.
Norm played the percussion first, which is a Bembe pattern; I couldnt help playing a melody and creating lyrics for this perc track. Thanks for the listen, Enjoy!
Ok, I'm ready for the song describing how the guys go off to a secluded island/mountain cabin/desert cave with their instruments, a case of scotch and a Weber grill. In the future, please use my percussion patterns to write a song likw that.
this was originally a song about breaking through paradigms but turned into a song about a girl.
Keys and string samples from Korg, MIDI with the old Ensoniq,
one diving board.
Thanks for the listen ,enjoy... RW
A day at the beach and a moment of seeing past the trappings of the physical world into what's really important. This song is doing double duty with another Rock-opera concept.
Lyrics: Fuzzface / Music, Vox: Dave Berry
Recorded on BR-1200;…
My first rejected Ramen Music submission.
Too Much
I wrote you a letter but I never sent it
I was afraid you might never get it
or what if you did and I lived to regret it
and it was just too much for me to take
now its four in the morning…
I'm not so sure the tunes selected by Ramen music necessarily reflect the popular vote as demonstrated by Alonetone "most favorited", etc. And it is a thankless job, inherently biased, to make selections for Ramen Music. I don't envy the position of the editors. Alas, that was historically one of the problems that lead to the demise of other record labels...
In any case, don't let it work on your head. You have a sizeable fan base and we LOVE what you are producing. Now, return to your studio and get back to work: we are hungry for more!
Comments on Norm's stuff
Another early prezzie to myself........
it won't be long I'm getting in early to the good stuff.........
grooovin :)
Psychedelic, Rockin' and as groovy as spirit on soul. Your kind of acoustic percussion is what a yearn for, to have backing my Psych Folk songs. Tribal, Hypnotic, & Creeps insides you like a good 4:20 moment.
Sebs a bit out of sorts today but this seemed to calm him down nicely.....thanks
Ah, my comment got wiped out! It was along the lines of "Cool" and "Awesome!" Like the photo too!
Still puttin' out the mighty beats I see!! Love it, bro!
excellent
ah, the Ambrosian chant. I see why you named it for him now, I think.
Re: The glass dust .... That is because you Are naughty Norm! Bee :)
Oh Norm, Ha ha! I do love you!
nice beat i loved it
Nice. It's also interesting when you play the same rhythm but on different times, say one in 4/4, and a same pattern but stretched (or compressed) to a triplet, gives a really full surround, though I'm talking in terms of guitar or synths, not sure how it would play out in percussion.
Norm, that was Fantastic!!
I like the goove here bro! The lyrics help bring out the count I'm Percussion illiterate
Good jammin harp and guitar. Now let's hear that 23 edo version :)
I let my heart to trouble me 'cause of this groove My heart is in worry 'cause I'm from this world So~ ^_^
@Shirt: Ha! Well, probably not all of them.
I bet all those 'Mishna', 'Gmarah' Rabbi's are enjoying your grooves. Very subtle and moving...like it!
@Jarvis: I think if you could see the details of the painting more closely you would be able to see that in fact they are rolling die at the dinner table: Red Riding Hood has just rolled her 5th natural 7 on the come-out. Moments after the instant of this painting, the gent on the right flips the table over and Mr. Skull-cap slips Red a shiv.
Comments made by Norm
STILL excellent.
Yes!
Powerful, bro. Powerful.
Excellent!
Good grief! I didn't realize until today that I had plagiarized the name of this song for one of my percussion tracks. Please accept my apologies. I named my track that because my studio was inundated with the little buggers during my recording session… I hadn’t heard your wonderful piece before. (How embarrassing!) Here in western Virginia, we have never seen anything like it before this year: they get into everything. Great string work!
Still loving it.
Man can I relate to this. Great, just great.
Delightful!
Still fantastic.
Just beautiful. Well done!
Great meter changes here and I love the lyrics.
Excellent!
More tremendous pirate insights. Very clever!
Ohhh, I like what you've done with this! Beautiful string work here. Many thanks!
This song is special to me for a few reasons: one of which is that this was my very first on-line collaboration, just a few days after I had begun to learn the very basics of recording/mixing. Chris has been very kind to put up with my steep learning curve: it's been a very educational (and humbling) experience.
Ok, I'm ready for the song describing how the guys go off to a secluded island/mountain cabin/desert cave with their instruments, a case of scotch and a Weber grill. In the future, please use my percussion patterns to write a song likw that.
I hated this song from the moment I heard it. It was the last song in the world I wanted to hear. I still hate it, but I listen to it every day.
Rocks!
I'm not so sure the tunes selected by Ramen music necessarily reflect the popular vote as demonstrated by Alonetone "most favorited", etc. And it is a thankless job, inherently biased, to make selections for Ramen Music. I don't envy the position of the editors. Alas, that was historically one of the problems that lead to the demise of other record labels... In any case, don't let it work on your head. You have a sizeable fan base and we LOVE what you are producing. Now, return to your studio and get back to work: we are hungry for more!
Amen. It just doesn't always feel like it from our perspective. But thanks for reminding me again.