*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
A 3 track improvisation on 7 congas roughly tuned by ear to a chromatic scale.
LYRICS:
I walked a mile with Pleasure;
She chatted all the way;
But left me none the wiser
For all she had to say.
I walked a mile with Sorrow,
And ne…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Guitar/Vocals: Liam Sanders
Percussion: Norm
A song I wrote about feeling undervalued, with percussion from the wonderful Norm.
Lyrics:
I should be more than a Sunday afternoon watching awful films.
I should be more than the shirt you…
No doubt you have heard parts of this before.
Guys - if I could play like this I would not be making a living as a chemist! This is a midi file I ran through pianoteq - I put this together in an hour this morning and I wanted to share before…
I couldn't talk for a while afterwards and I felt like a moron after listening to my vocals, but it had to be done :) So no laffin'!
Our attempt to be on the roof of Abbey Road Studios if only for a moment!
The Lineup:
Guitars: gtalfsen
Piano…
I had some fun this afternoon with a bluesy tune - and ran out of time for singing and my vocals are not good - wanna try?
I need to remember to tune my guitars down when I want to sing - that would make my life easier.
The guitar, bass and trap-set are working well together on this. I like it! If that's not enough to make her stay, you are better off without her.
Didn't I already add percussion to this? Yep - that's definately my head banging against the wall in the back-ground.
drip by drip..
I did the guitar and bass tracks first, then procured my 10 year olds cello for the main bass line :) I also tried my luck playing cello with a bow on this track- which was a new experience.
The trumpet and violin bits are played…
The emerald green essence turns to the color of a Monarch’s chrysalis and the dripping sugar swirls into a gentle cloud. As your guitar carries me away, I smile and turn to the nonchalant fairy sitting next to me, who hands me a rather large bottle rocket.
Found this track from 1998 - I'm on a Time kick I guess...
Time waits for no one
We are all adrift
Finding ourselves in space
All Lost
Where is my Home?
Where is my Home?
Where is my Home?
Where is my Home?
Time waits for no…
Had these backing tracks laying around on my drive for a while and didn't know what to do with them, so grabbed my Ebow and a fretless electric that I built for myself a couple years ago and had a go. My fretless playing is really in its infancy…
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
@Richard: Guilty as charged. But what happens on AloneTone stays on AloneTone. We're glad you are here!
@Sis: All of my beats are grabbable. That's what they're here for... I'm happy to steal a pumpkin for you any time. My patterns are alot like pumpkins: you don't have to ask - just grab one and run.
I thought you guys may be ready for a straight forward 4/4 pattern to play with instead another of my rhythmically esoteric patterns.
I wonder how many days a month they would let me get away with going in there and jamming for awhile? "Hey! Would you guys mind holding off on the over-head customer service announcements? I'm recording here!!"
Brilliant!
I'm usually asked to leave Sam Ashe after a couple hours of playing on all of their cool percussion toys. Surprisingly, some folks don't have an appreciation for extended drum solos... and some might even be inclined to give you a nasty look if you just laugh when they ask you to stop. Note to self: save the gong trials for the last.
Memphis Soul horn section courtesy of Garritan Jazz & Big Band ver. 3. This software of VSTI samples also includes the Steinway piano and acoustic bass featured here. Drums are EZDrummer "Baiao" beat mixed with rock fills. Hope you like!
Comments on Norm's stuff
@Bee: I believe that you are referring to the first 3 off-beats of the measure, which are played on a wood-block heavily distorted with "gated reverb"... but I've never heard a chicken that sounds like that! :)
Love that rhythm Norm! What's the 3 repeated, quiet scraping sounds made by? Sounds a bit like a chicken! Interesting!
Wonderful Norm just wonderful.....I feel blessed....I've got my headphones on and Sebastian asleep in his crib beside me.......and have too keep taking them of because I'm sure he's crying in time ....very effective
If I could play drums like this my rhythm tracks would be much better. Enjoy just sitting back and listening to the many tones and varied rhythms.
thanks Norm - I bet Francis would have loved the persistent introspection of this groove! "..illumina le tenebre de lo core mio...
Excellent organic percussion! Solid gold.
Very, very interesting and addictive pattern here Norm.
Thanks Norm!!
thanks for the listen and rating!
I hear that
Very cool! I can explain the beer being gone!!
Oooo, 2.30 ish the little bit of quiver comes in. Nice! And, gets louder. Like it!
"4" does it for me. I like the, "I mean business" beats.
Ive done a collab with Mark , but never Tharek , this is a dream team , your percussion fits like a glove with this amazing song , i love it
I don't understand the Math behind it but I know it sounds Amazing! It is impressive the story you are able to tell with beats bro.
Very cool groovin' man
This is great mate really cool.
Dandy beat...I sort of got lost in it.
I like this just as a rhythm, mellow
Lovely swaying rhythm, O King of Ze Beats!
Comments made by Norm
I like the drum work that you have added to this. "We speak in different time signatures" = brilliant!
I have adored this song since I first heard it over a year ago. It's great to have you on Alonetone, Liam!
Listened to the entire thing this morning. Wonderful! Production comments?
Rocks! I'd love to see you guys live. How do I get tickets?
Your harmonies are always amazing! Thanks!
I still adore this.
The guitar, bass and trap-set are working well together on this. I like it! If that's not enough to make her stay, you are better off without her. Didn't I already add percussion to this? Yep - that's definately my head banging against the wall in the back-ground.
The emerald green essence turns to the color of a Monarch’s chrysalis and the dripping sugar swirls into a gentle cloud. As your guitar carries me away, I smile and turn to the nonchalant fairy sitting next to me, who hands me a rather large bottle rocket.
Thanks for loading my cabinets up with such tasty awesomeness!
Yep, Byrne-ish indeed!
Awesome! Your mom must be proud!
@Richard: Guilty as charged. But what happens on AloneTone stays on AloneTone. We're glad you are here! @Sis: All of my beats are grabbable. That's what they're here for... I'm happy to steal a pumpkin for you any time. My patterns are alot like pumpkins: you don't have to ask - just grab one and run. I thought you guys may be ready for a straight forward 4/4 pattern to play with instead another of my rhythmically esoteric patterns.
Are you playing the dig on this one by any chance?
I wonder how many days a month they would let me get away with going in there and jamming for awhile? "Hey! Would you guys mind holding off on the over-head customer service announcements? I'm recording here!!"
Brilliant! I'm usually asked to leave Sam Ashe after a couple hours of playing on all of their cool percussion toys. Surprisingly, some folks don't have an appreciation for extended drum solos... and some might even be inclined to give you a nasty look if you just laugh when they ask you to stop. Note to self: save the gong trials for the last.
Yes! One of your best yet. Awesome is the correct word.
Ha! This is just what I had in mind for this pattern... and delivered most excellently by a real life surfer: perfect!
Sweeeet!
whoops! Forgot to log in for that last comment...
Hey, isn't that George Burns?