This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
A single track of improvised chromatically tuned congas in 7/8, accented with clave, guiro, cajon and quinto.
(For those who may be interested in collaborating on this, the triplet phrasing of this groove may be most easily counted like this…
It was a curious and wondrous thing.
One night I was in my studio adding some percussion to the "Quiet Rituals" track by Barry van Oudtshoorn, when my 4 young children (with whom I was long over-due to be tucking into bed and reading a bed…
This is a cover of Richard Wright's original "night of a thousand furry toys" that i made a couple of years ago. all work, voices, instruments and recording by myself :0)
original lyrics and music: Richard Wright
Great cover - very professional - frankly, as enjoyable as the original.
@Guest: sounds Floyd like for a very good reason, as this is a Richard Wright song.
Another song from the archive... Written about a friend who somehow seemed to come out of her general sad manner... Thoughts go back to a lunar eclipse when the girl I was standing next to to watch it (way back in college) disappeared from sight…
Ha! Epic Vaisvil ax work! I was too ignorant to realize that my headset metronome was getting picked up by the mic at the very end, at which time I was following Vaisvil's excellent suggestion of attempting some microphone/gong manipulation in which the mic was hand held, rotating it about an inch above the face of a simmering 32" gong. Wild stuff!
Something I did last year - A song about the crazy college days (Or Uni where applicable :) )
Bad Old Days
Everybody's drinking their wine
Driving slow and taking their time
Better off when I sip moonshine
Not rubbing alcohol 'cause I…
Guitar: Doug Sparling
Composer: Doug Sparling
Written/Recorded: 2006
A "B" side from the "Stray Onto The Path" CD that I never released, in fact, I'd forgotten I'd even recorded it until today when I stumbled across the track. It's one I didn…
Guitars, mandolin, penny whistle: Doug Sparling
Composer: Doug Sparling
Recorded: 2006
From an out of print, self-released CD I put out in 2006 (titled "The Old Stone Bridge" - not the same one as the Old Stone Bridge tracks I've released…
Caveat emptor: I did absolutely none of the drumming in this piece.
WORLD PREMIER! FIRST RECORDING OF THIS PATTERN - EVER!
My friend Kokou "Alex" Yemey called me a few days ago with some urgency in his voice: "I must record this before…
The last track that I'm going to upload for a while. I will be re-recording a few songs to release a LP under my own name. Hopefully it'll be good :)
This one is another exploration using loops and delays. I hope you like it!
Something I did last year - A song about the crazy college days (Or Uni where applicable :) )
Bad Old Days
Everybody's drinking their wine
Driving slow and taking their time
Better off when I sip moonshine
Not rubbing alcohol 'cause I…
On this beach made of sand and shells
and broken hearts
as with so many things in this life
it ends where it starts
And like the waves that will roll over me
you take away everything that I see
So I walk to the place where the sand
and sky…
It seems a lot of you record with open mics and can relate. I record 1 track at a time with usually 4 or 5 tracks. So, Im only asking for about 15 minutes of Silence...IS THIS TOO MUCH TO ASK??? Anyway, my house is so loud, I get a lot of bloopers…
For those who keep track of such things - RW songs featuring negative telephone experiences:
Phonus Interuptus (Open Mic Blues)
Only One Button Left to Push
Phone Slave
Fun K
It sounds to me like you need to talk this out - I'll give you a call. (Perhaps we all should)
Year: 2009
Album: brave new world
This morning coffee cup upload.
Artist's description: Performed synth composition with samples added
Contributors:
Patrick Trotter painted the song icon
Please support the visual artist by visiting…
It seems a lot of you record with open mics and can relate. I record 1 track at a time with usually 4 or 5 tracks. So, Im only asking for about 15 minutes of Silence...IS THIS TOO MUCH TO ASK??? Anyway, my house is so loud, I get a lot of bloopers…
This is the first cover song I've ever really recorded in my 15 years of playing and recording.
The guitar and voice are each full continuous takes, I didn't want to do comping (copy and pasting), though the vocal harmony parts were done in…
First draft.
Dedicated to my mother on her birthday.
In the outro: Trombone, Horns, Clarinets, Mouthpiece buzz by Andy Hentz (arrsuarez) and organic drum related sounds by Glu.
Comments on Norm's stuff
very nice,, if i could not play the piano (when i grow up) i would like to be a percussionist,, you make it sound soooo good
You make this sound easy. You ole pro you.
@Jarvis: Stick to your ears - musically speaking, nothing else matters. Thanks!
I read what you wrote....I listened to what you played......I liked what you played and got perplexed at what you wrote...so I'll stick with my ears....80)
I found myself rocking back and forth a little while listening. This is very addictive!
Love It!!!
I like the percussion instrument choices and the way additional instruments are progressively added in waves, clean track
:)
@MTC: Ha! Cross-overs are fun no matter who makes them. But it's cool you get the concept. Thanks.
way to get those rolls in there as well. killer.
Very sweet :) I wonder if you were thinking...."if all these damn guitarists are just going to make crossover patterns from my beats, i'll just make a crossover pattern mayself. ;) haha FAV'D
Another great piece Norm....just love your sense of rhythm
So what happened to Johnny? This is the only thing that remains. Did I miss something?
Still beautiful........
Damn- How did I miss this? Brilliant!
I'm trying to find the words to say why I liked this. The best I can come up with: "it's real".
4/4 bpm...awesome!
Sweet groove
You got the beat man.
the individual samples for propane are stretched (and filtered) but not the composition.
Comments made by Norm
Great cover - very professional - frankly, as enjoyable as the original. @Guest: sounds Floyd like for a very good reason, as this is a Richard Wright song.
Yes, I agree with the others. Very nice!
Ha! Epic Vaisvil ax work! I was too ignorant to realize that my headset metronome was getting picked up by the mic at the very end, at which time I was following Vaisvil's excellent suggestion of attempting some microphone/gong manipulation in which the mic was hand held, rotating it about an inch above the face of a simmering 32" gong. Wild stuff!
Yep. Had my first snake-bite black yesterday. All because of this song.
Exotic. Very nice.
Is it even possible to beat the SM57 as the world's best all-around mic? Nice tune. All of your stuff is lovely.
@RW: Ha! Thanks, but that's a bold faced lie - I've never missed a pheasant.
Good luck with the LP! I'm certain it will be fantastic... please keep us updated!
Wow! This is a good one! All you cider drinkers from across the pond... I think you have the right idea! I'm off to the shop for a Hornsby's now.
Great vox/lyrics, as usual.
Still rockin' and tremendous fun!
Ha! Do you play in the house band at your pub in Cornwall? That's starting to sound like the world's best job to me...
For those who keep track of such things - RW songs featuring negative telephone experiences: Phonus Interuptus (Open Mic Blues) Only One Button Left to Push Phone Slave Fun K It sounds to me like you need to talk this out - I'll give you a call. (Perhaps we all should)
Strong work.
Priceless! I *so* relate to this. Great voice work by both you and Daisy...
Well done!
Totally pro. Nice cover.
Those hang drums are tough to get your hands on. Sounds great, hangman!
Props not only for the production, playing and singing, but for sending one out to your mom - class act.
Where, exactly, is that fast-forward button located? Man, I could use that on some of the conversations I suffer through everyday...