You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it!
Thanks, bro - Perfectly done.
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly.
I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Me and Dave Recorded this to test the levels in the Church when we did some songs in tribute of my Son Ethan the other day.
We Normally record a throw away track before recording something for real.
Improvised, so it gets you in the spirit…
I Can't Seem To Find My Way Home
Featuring Norm on Percussion Track: "Pilón For A New Son"
http://alonetone.com/norm/tracks/piln-for-a-new-son
Lyrics:
Searching for something
I wonder and roam
Hoping the truth
Soon will be shown…
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
Well, the Unicorn in the glass dust may be the way to you, but Bee's voice is the way to me.
Don't tell Bee, but MY dreams are slightly different: in them I hear her telling me how naughty I am.
Not what I was expecting with a Bee vocal. Cool piece. And, while I can only hope to hear Bee singing when I pass, I hope it is something more along her typical angelic lines.
Rather, it includes Norm's excellent track Pilón For A New Son (http://alonetone.com/norm/tracks/piln-for-a-new-son). Was trying to find out how less I can get away with in rhythms while still having enough flow. Feedback welcomed :)
Whoa! That's awesome Tipu!
A big part of the fun for me at AT is tying my patterns to helium balloons and releasing them onto the interweb - there is no telling where they will ever end up or what (if anything) ever becomes of them.
But sometimes somebody nabs one and sends it back so different, so evolved and so reconsidered that I hardly can recognize it. Heard from a completely different clave (or phase shift) with fresh new perspectives (not to mention wonderful mixing, mashing and effects) for vintage patterns. Heard for the first time again...
Yeah, I wax poetic. But man, I just love that.
Aaron Krister Johnson is the founder of Untwelve and a virtuoso pianist. I was honored to have Aaron perform my piece
“Prelude for Prelude for Centaur Tuned Piano”
at an intimate Untwelve gathering last year on his piano which is tuned to Kraig…
Texas hold em poker, and going for it all. Open mic acoustic with some alt tuning. Percussion by Norm.
The kokiriko? Norms playing in there actually sounds like shuffling cards- particularly loving the glockenspiel addition he did…
Here's a cover of a zep classic...from Reg and Speed Demon Gene....Gene has done all the music and the mixing..thanks Gene ....and i'm responsible for the warbling..... hope you enjoy
Landry/Garn
When I sent this song off to Jim, he sent back tracks for a second rhythm guitar, lead guitar, and drums. Bass soon followed, and Kavin's slide dropped in nicely. Just thought I'd let y'all have a listen to what came back to me…
With a little help from some of the lyrics of the Doors descriptions of the uncertainty of the 60's Reg has decided to do a kind of Punk song from both sides about the trouble in England which seems to be igniting the youth to set light and loot…
Instrumental Acoustic Guitar.
Written in 2010 for the wedding of a very good friend of mine, Jason. It was the processional, playing while the wedding crew walked down the aisle. Played it with montgomeru (who also wrote the recessional…
Comments on Norm's stuff
Okay, so this is awesome fellas - you're like some explosive cocktail of cool. Kicking major butt, three times!
Each of you kick ass. Together you three are magical! Excellent work fellas. JR
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it! Thanks, bro - Perfectly done.
wow, what a cool collab. the 3 musicians and instrument sounds mix well. I would crash into this late night show any day of the week
excellent!! I really like this collab! The voice perhaps could be a touch louder other than that this is excellent!
Damn that's a tough count. Super job man. Super.
This is fantastic Norm. Keep bringing me the lessons. I love it. Gotta go try this one now!!!!
I like all your tracks, so excellent sounding.
This is fantastic, seriously.
complex pattern and really good timing. Great percussion track S to F
Hey..call me at st. john Lutheran. we need to talk! I love this sound!
that's sooooo voodoo! technique's great yes, but the vibe is simply excellent! and your timing is just getting better and better O_o
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
LOVE IT!
Excellent!!
Crazy great.
Oh my, sublime, El Norm! Would you be terribly offended if I had a play around with this?
thanks for explaining the count btw - that helps a lot
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly. I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
I don't know how you keep time like this, but it's incredible!
Comments made by Norm
Lovely!
Oh you brought it home alright! Excellent!
Here's to Billy!
All of your stuff is just excellent!
Well, the Unicorn in the glass dust may be the way to you, but Bee's voice is the way to me. Don't tell Bee, but MY dreams are slightly different: in them I hear her telling me how naughty I am.
Great to hear from you again Rick! The surf must have been exceptionally good for quite awhile... Awesome work!
I loved that album.
Not what I was expecting with a Bee vocal. Cool piece. And, while I can only hope to hear Bee singing when I pass, I hope it is something more along her typical angelic lines.
Whoa! That's awesome Tipu! A big part of the fun for me at AT is tying my patterns to helium balloons and releasing them onto the interweb - there is no telling where they will ever end up or what (if anything) ever becomes of them. But sometimes somebody nabs one and sends it back so different, so evolved and so reconsidered that I hardly can recognize it. Heard from a completely different clave (or phase shift) with fresh new perspectives (not to mention wonderful mixing, mashing and effects) for vintage patterns. Heard for the first time again... Yeah, I wax poetic. But man, I just love that.
Wow, has it already been a year?? Are you attending the gathering this year?
They say a cut dog bears no pups, but I've got nothing but a pair of Indians. I'll meet you back at the Winnebago...
Excellent Reg!
Way to work it Daawg!
The drums do work here.
Ha! No, I'm afraid Hank Thompson got it right the first time, regardless of what Kitty Wells sang. Great version!
How did I miss this? LET IT BURN!
Gin. Nice work!
Mandolishous!
3/4 is perfect for a processional!
Boom!