As I had nothing better to do last night, I had this great idea that I would construct a rhythm for the 24 hour challenge. This would be different: a 24 minute drum solo (I mean, who wouldn't love that?). I even had a perfect bass riff: the "Mother…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
Improvisation on Gon-Bops congas, while thinking of future days gone by.
4/4 180bpm.
LYRICS
A cool wind brings the fall
And the season starts to change.
Outside the sky's steel grey.
Inside my heart is too.
And I don't know how to…
Improvisation on Gon-Bops congas, while thinking of future days gone by.
4/4 180bpm.
LYRICS
A cool wind brings the fall
And the season starts to change.
Outside the sky's steel grey.
Inside my heart is too.
And I don't know how to…
Psychedelic, Rockin' and as groovy as spirit on soul. Your kind of acoustic percussion is what a yearn for, to have backing my Psych Folk songs. Tribal, Hypnotic, & Creeps insides you like a good 4:20 moment.
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
I was thumbing a ride along a hot, deserted Caribbean road. When Steve pulled up in this vintage pre-war Chevy, I was very grateful. It just so happened he was heading to the same cantina I was, so we kicked back with a pitcher of mojitos…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Nice. It's also interesting when you play the same rhythm but on different times, say one in 4/4, and a same pattern but stretched (or compressed) to a triplet, gives a really full surround, though I'm talking in terms of guitar or synths, not sure how it would play out in percussion.
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
Chris sent this track to me earlier today with the request that I add some percussion to it.
I had something different in mind.
After the first take I was afraid to return it to him, fearing that he would convert it to 23 edo or something…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
@Jarvis:
I think if you could see the details of the painting more closely you would be able to see that in fact they are rolling die at the dinner table: Red Riding Hood has just rolled her 5th natural 7 on the come-out. Moments after the instant of this painting, the gent on the right flips the table over and Mr. Skull-cap slips Red a shiv.
A Song About an old Saying......
Sh*t Happens......
Lyrics
T.Mokbul 2010
-In A Day-
Half a Glass of Gasoline
Mixed with Some Kerosene
Stirred in with Coffee
Laced with amphetamine
All That it Takes in A Day
To get by…
I sent the tracks for this tune to a friend of mine who owns a professional studio. I gave him no instructions on how to mix it, as I wanted someone else's take on the music. He created a very dry, intimate mix, focusing more on the acoustic guitars…
Coolest song I ever heard. And to think that you nailed it on the first take! I was laughing through-out the song (well, except the part about your dog getting the blue tongue - I almost cried at that part).
When I wrote this it was a cold cloudy and dark winter night here in vancouver but I was sitting in my room and was just in a sunny state of mind. I then picked up my Uke and started fiddlin around searching for a breezy chord progression, then…
well I thiiink it was one of the maaaany times in which we would go down to the pMundo beach by the river build a fire, burn one (a couple) down and jam out loud, where I came up with this beautiful chord progression. It was then about a week…
Dead to the World
Just a shade
A specter, a ghost
No place amongst the society of perfect being!
Dead to the World
Alien, unwanted
Not here, unseen
Untagged, uncounted
Lost, unwanted, despised, no home, no place, no Soul!
Dead…
Well, you already know I adore this one: 5/4 meter, an unforgettable & unique hook, wicked guitar licks and a killer percussion/bass groove. It’s just perfect.
I'm singing lead on this. It was recorded to 24 track, 2 inch tape, I'm thinking. I have those somewhere, but they've turned gooey. Sadly, it seems to go into the red during the chorus, but I can't fix that now. I have more stories about the…
The psyche is a weird place, I'll just talk about it musically.
The piece begins with the sounds of Sudara's autoharp, the weeping woodwind sounds of the clarinetist from Megafauna Lacrymosa , and a low kick-like percussive sound, which is…
I thought this was a Hapi drum (or perhaps a Hang Drum), which I just love. Very nice work on it, Mark, as well as the djembe & dumbek. And Chris' guitar work makes even nicer. Strong work guys!
Mat and Jodi have been separated by a vast divide in time and space. AND YET! they can still create the distucto! as if by magic.
this track was part made in Brooklyn this morning and afternoon and simultaneously in Berlin this afternoon and…
walking down the street in the 1973, you're wearing yellow tinted shades, and a hat with a feather in it. Your switchblade is in your pocket, but you're not gonna need to use it today. Cause the sun is shining and folks are eating ice cream…
Well sure, you could call me a sucker for anything with a ukulele in it, but I REALLY like this one. Great percussion work. And the simple hook used to "respond" to the uke is my very favorite part. Excellent work!
these 2 "new" songs are a test to see if I now have what I need to successfully upload material. These 2 songs were recorded 20 years ago on a Tascam 4-track. The band is the Riptiles.
Comments on Norm's stuff
Another early prezzie to myself........
it won't be long I'm getting in early to the good stuff.........
grooovin :)
Psychedelic, Rockin' and as groovy as spirit on soul. Your kind of acoustic percussion is what a yearn for, to have backing my Psych Folk songs. Tribal, Hypnotic, & Creeps insides you like a good 4:20 moment.
Sebs a bit out of sorts today but this seemed to calm him down nicely.....thanks
Ah, my comment got wiped out! It was along the lines of "Cool" and "Awesome!" Like the photo too!
Still puttin' out the mighty beats I see!! Love it, bro!
excellent
ah, the Ambrosian chant. I see why you named it for him now, I think.
Re: The glass dust .... That is because you Are naughty Norm! Bee :)
Oh Norm, Ha ha! I do love you!
nice beat i loved it
Nice. It's also interesting when you play the same rhythm but on different times, say one in 4/4, and a same pattern but stretched (or compressed) to a triplet, gives a really full surround, though I'm talking in terms of guitar or synths, not sure how it would play out in percussion.
Norm, that was Fantastic!!
I like the goove here bro! The lyrics help bring out the count I'm Percussion illiterate
Good jammin harp and guitar. Now let's hear that 23 edo version :)
I let my heart to trouble me 'cause of this groove My heart is in worry 'cause I'm from this world So~ ^_^
@Shirt: Ha! Well, probably not all of them.
I bet all those 'Mishna', 'Gmarah' Rabbi's are enjoying your grooves. Very subtle and moving...like it!
@Jarvis: I think if you could see the details of the painting more closely you would be able to see that in fact they are rolling die at the dinner table: Red Riding Hood has just rolled her 5th natural 7 on the come-out. Moments after the instant of this painting, the gent on the right flips the table over and Mr. Skull-cap slips Red a shiv.
Comments made by Norm
Now this is one cool groove. Fantastic percussion!
Now this is an awesome song. Great vocals!
I really enjoy this one. Many thanks!
Simply beautiful. Thanks.
Coolest song I ever heard. And to think that you nailed it on the first take! I was laughing through-out the song (well, except the part about your dog getting the blue tongue - I almost cried at that part).
Good one!
Nice work - I love the accordian in this one too.
Well, you already know I adore this one: 5/4 meter, an unforgettable & unique hook, wicked guitar licks and a killer percussion/bass groove. It’s just perfect.
Fantastic voice!
This is totally awesome. Very creative. Thanks!
Now that's what I'm talking about! Great stuff. I'd love to be able to get my hands on a Hang Drum - the Hapi sounds just like one here.
I thought this was a Hapi drum (or perhaps a Hang Drum), which I just love. Very nice work on it, Mark, as well as the djembe & dumbek. And Chris' guitar work makes even nicer. Strong work guys!
"... on your eyeball". ROFL!
I must be part Korean or something... I like it!
I want to see the video.
Ooh-la-la! Très bon!
LOL at the introduction here...
Well sure, you could call me a sucker for anything with a ukulele in it, but I REALLY like this one. Great percussion work. And the simple hook used to "respond" to the uke is my very favorite part. Excellent work!
Rad. Way rad.
This is way hip! This is the sort of vintage surf guitar sound I had in mind for my "Surf Naked" percussion track. :)