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Quetzalcoatlus's avatar
Another "cursed video game soundtrack" piece.
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Quetzalcoatlus's avatar
The experiment here was to program a rhythm at a fairly slow tempo, then speed it up way too much.
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Quetzalcoatlus's avatar
Basically a drum-n-bass remix of my earlier song "Mike The Considerate Center For The Performing Arts".
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Quetzalcoatlus's avatar
Experimenting with echo and backwards effects.
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Quetzalcoatlus's avatar
Somewhat Residents-inspired. The rhythm is me breathing heavily and slapping my desk, run through a lot of reverb.
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Quetzalcoatlus's avatar
Originally my idea was to improvise half a conversation, then also improvise the other half as a different character - I ended up deciding just having half the conversation was funnier. Kinda unintentionally inspired by "Pollo Asado" by Ween.
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Quetzalcoatlus's avatar
For some of these tracks I was really thinking "what can I do to make this annoying to listen to?"
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Quetzalcoatlus's avatar
Experimenting with very short loops.
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Quetzalcoatlus's avatar
Man I was really into making these square-wave-sampling, dodgy bootleg 8-bit video game soundtrack pieces for a while.
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Quetzalcoatlus's avatar
I did a little "self-sampling" on this album - the cut up vocals were from my song "Nasty Asterisk". Later on I'd use the exact same backing track to cover "Baby Got Back" by Sir Mixalot, because I realized I'd inadvertently copied that bass-line.
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Quetzalcoatlus's avatar
I gave myself a rough guideline that most songs should be between 30 seconds and 2 minutes long - this was both because I didn't want the album to be much longer than 45 minutes and because I knew there were going to be certain days when I wouldn…
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Quetzalcoatlus's avatar
Just before I made Feb.ZOIG, I made a noisy, experimental EP (Noisy Exploding Brain) and a minimal ambient one (Jack Shetland EP), and I think because of this, this album ended up as a mix of both styles. This song is the first one that ended…
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Quetzalcoatlus's avatar
Created entirely with vocal samples.
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kavin.'s avatar
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kavin.'s avatar
Annie Taylor was the first to survive going over Niagara Falls in a barrel back in 1901.
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Robert James's avatar
Just a simple little tune to take me out of my minor key, noisy rock comfort zone. G Major. Who woulda thunk it? Chorus: Anything you say anything you want anything you need I’ll take care of you Verse 1: I’m always here for you…
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the bob crisps experience's avatar
a nice happy song about depression ol' black dog is sniffing at my door ol' black dog is sniffing at my door i've seen him here before i don't want him any more ol' black dog is sniffing at my door ol' black dog don't want me to be free…
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Robert James's avatar
The RPM Challenge does weird things to a guy, I tell you. The chorus to this one popped into my head, fully formed, at about 9:15pm on Saturday February 27. I wrote the whole thing that night, including lyrics and melody, and recorded all but…
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Robert James's avatar
The most last minute song I have. I woke up early on Sunday February 28. At about 7:00am The riff from the chorus of this song popped into my head. I sang it into the new iOS music notes app so that I wouldn't forget it. The lyrics for the…
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Wildgeas Music's avatar
Almost done.
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Wildgeas Music's avatar
Slopfest :) Hey, it's RPM!
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Psychic Sperm's avatar
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keepin' it old school
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Psychic Sperm's avatar
I wanted to sound like the guy from Rancid but I don't think it worked out so hot. - Tom
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Jahn's avatar
Cover of a Letter Seventeen song from the 2016 RPM Challenge.
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djkayceea's avatar
After his multiple online mixtapes, multiple entertainment deals and massive shows around Nigeria and beyond, the South South base and Playhouse Night Club official disk jockey, DJ Bless a.k.a Da DanceHallKing has decide to drop his first official…
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angie fights crime's avatar
from the album "Flooded" featuring Ash Reynolds on vocals and Jeff Treese on solo guitar i wasn’t certain, if you could hear when i told you, the rain was falling but not it’s easy to see in your eyes but for a moment, there’s hesitation…
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angie fights crime's avatar
from the album "Flooded" featuring Ash Reynolds on vocals She’s grey outside She’s very sad She starts to cry It’s looking bad The frozen ground Won’t let her in Yet on it comes The flood begins The road ahead Has warning signs say…
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angie fights crime's avatar
from the album "Flooded" featuring Ash Reynolds on vocals goodbye to the river we’re waving and the sun’s up in the sky the water’s gone, the water’s gone goodbye to the river we’re waving the riverbed is dry the water’s gone, the water…
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angie fights crime's avatar
from the album "Flooded" featuring Ash Reynolds on vocals You could have bought everything you wanted In the world there is nothing you need You could have saved everyone from this The water’s over the wall and it’s up to our necks Oh…
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angie fights crime's avatar
from the album "Flooded" featuring Ash Reynolds on vocals Hope you find the way to feel like Someone’s waiting there for you Cause I know you’ll feel much better When you figure out the truth It’s the same, no matter what you do Be who…
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angie fights crime's avatar
from the album "Flooded" featuring Ash Reynolds on vocals The princess flashes us a smile But does not talk to those beneath her Still we all agree That she’s the fairest of them all The princess often tries to hide Behind a pretty waterfall…
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angie fights crime's avatar
from the album "Flooded" featuring Ash Reynolds on vocals and lead guitar by Stan Jones steps out behind the curtain looks out at all the faces the music's loud and we can't hear ourselves he's making cryptic gestures jumps on the microphone…
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angie fights crime's avatar
from the album "Flooded" featuring Ash Reynolds on vocals just for once let the loss fall away from me now try to see the good in you through the haze of the world I wanted to save you From yourselves But I forgot to first save me…
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These Metal Days's avatar
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Lithia Spring and the Beatniks of Destruction's avatar
G (co-writer) occasionally says "You Have To Write A Song Like X" where X is something he's heard but wants a different take. This started out as a homage to video game soundtracks by Insomniac. Very happy with it, although the MP3 version has…
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Lithia Spring and the Beatniks of Destruction's avatar
Mad flute soloing by Amber. Plus lovely lovely looping LOVE.
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Lithia Spring and the Beatniks of Destruction's avatar
Looping madness made as an "ease of work comparison" between Garageband 6, Garageband 10, and Logic x pro. $200 later, I kinda like Garageband 6 best out of all of them.
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Lithia Spring and the Beatniks of Destruction's avatar
So, Logic X Pro has great arpeggiators. I was thinking along the lines of It's Not The Night by the Cars (sorry, Greg Hawkes).
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Lithia Spring and the Beatniks of Destruction's avatar
I wrote a really bitchy song about a recent ex-bandie who wanted to "have her cake and eat it too" but I decided not to waste a perfectly good track by crapping bad juju on it. It has a delicious solo in the middle, best heard with headphones on
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Lithia Spring and the Beatniks of Destruction's avatar
Originally written during the More Deranged Lunaticks sessions, this got cleaned up and recorded as a first-pass on the last day of RPM Challenge 2016. Expect a cleaner version soon. Howevs, the track does rock!
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Lithia Spring and the Beatniks of Destruction's avatar
I wrote the riff in college back a hundred years ago. When I bought Logic the other day, I decided this was worth a revisit. Again, RPM...
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Lithia Spring and the Beatniks of Destruction's avatar
I had written ¾ of this 15 years ago - and took a big step towards finishing it this week. Ahh, RPM Challenges!
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Lithia Spring and the Beatniks of Destruction's avatar
Guitar madness.
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Lithia Spring and the Beatniks of Destruction's avatar
I had a string of "interesting" roommates. Of course this song is about a couple of them, cobbled together. You know who you are :)
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beckwith's avatar
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Johnny Stone's avatar
Bits and Pieces
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Keith Landry's avatar
There's a historical marker near the side of the road on McCrea Hill just down the road. Jane gets a passing credit as the last line of the plaque reads "Sister Jane was martyred." Neat little piece of American history you might want to delve…
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Keith Landry's avatar
Yeah. Recorded on a Tuesday. Real original, Landry.
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Keith Landry's avatar
The title track. Always curious to hear what people think the name means.
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Keith Landry's avatar
None of us are assembled properly. Some nights are worse than others.
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Keith Landry's avatar
Stolen from "Objects in the Morror," I let this one meander from it's original arrangement.
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Keith Landry's avatar
Yeah. More of an indictment of my lack of playing ability than anything else.
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Keith Landry's avatar
Yup, I wrote it at around 2:00 a.m. I never was very good at going to bed.
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Keith Landry's avatar
Most of the tracks here were named on the spot. This one was no different. I arranged this one in November - kinda caught the mood of winter rolling in.
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Keith Landry's avatar
Thinking 'bout someone while I recorded it.
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Keith Landry's avatar
A lullaby to close the album.
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360naijahits's avatar
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So?ing Machine's avatar
I had a deeply upsetting dream and made this in a day and night. Edit: More details: http://www.warmplace.ru/forum/viewtopic.php?p=13708#p13708
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naijaloudspeaker's avatar
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Matt Ferrara's avatar
Don Schulze on guitars
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Willa, Henry and Eliot on spoken word and ambient noises
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Paul Mariz on guitars
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Tim Alexander on hype and backing vocals
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These Metal Days's avatar
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ignatiusjreilly's avatar
Spaaaace MADNESS!!!
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Quetzalcoatlus's avatar
Once I created this beat, I knew I wanted to create kind of a Kraftwerk-ish early techno song with it.
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aoatayo's avatar
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Jahn's avatar
Cover of a song made by Them Local Fishermen (with Soundsmith Kamachi) for the 2016 RPM Challenge. Recorded on the iPhone Music Memo app. Original Found Here: https://soundcloud.com/peppermintsky/chilly-side-rpm-challenge-2016
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