alonetone radio: Popular
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I actually wrote this awhile back, but I've wanted to re-arrange it and record it with better quality, so here it is. Everything is me except the drums which are loops.
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I played the electric guitar, (Peavey), my Dean bass, and my Crystal synth VSTi(love that thing!). I arranged the drums from loops. I recorded in Reaper on my iMac.
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Straight up Texas-Style blues, by way of Georgia. I played the guitars and bass. The drums are from loops. Recorded in Reaper, mastered in Audacity, on my iMac.
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Guitar - me
Bass - me
Keys - me
Percussion - loops
I used My new Yamaha Pacifica 112V electric guitar, my Dean bass, and Alchemy synth.
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Kind of a cross between a surf tune and an indie rock instrumental.
I played the rhythm and lead guitars, and bass guitar. Used loops for the drums and vox. Recorded in Reaper.
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Fingerpicked guitars in 2 different tunings, acoustic guitar solo, with a moog VSTi.
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Country/Folk with just my acoustic guitar and my voice. An ode to my home state, North Dakota. This is a rough draft. Any helpful criticism is welcome.
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2 tracks rhythm guitar, one sounds like an organ
one track lead guitar
bass
maniacal laughing
drums from loops
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Glitchy Drums, Weird guitar by me and bass by me.
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Dark electronica. Percussion loops that I morphed, and sounds generated from the Alchemy Synth VSTi.
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I wrote this one several years ago, but never recorded it, so it seemed like a good way to get a jump start on RPM2013.
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Another old tune... from 2004 I think. Tuned to DADFAD.
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I think I wrote enough that I can play it consistently this way, but I like this piece as a jam framework. Tuned to DADFAD.
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First song written this year... and the closest thing to a reasonable but non-standard tuning I used (just drop D)
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No, the title isn't really about anything. Also tuned to DADFAD.
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I think I had just hiked at, or was planning on hiking at, Rattlesnake Ledge when I wrote this, so...there you go. Tuned to DADGAD.
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...or "Lullaby for a teddy bear from Nysa." Tuned to DADGAD.
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So named because it reminded me of something I might hear on a PBS special or other documentary about national parks, and Tuolumne (from Yosemite NP) was the first word that came to mind. Also wins for weirdest tuning: CGDGAC
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Who says everything in DADGAD has to sound happy and Celtic?
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For that matter, who says everything in DADFAD has to be dreary and sad? D minor is, after all, the saddest chord.
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This just sort of fell out of my guitar as I was finishing up recording Tuolumne (so it is also in super-weird CGDGAC tuning). And it's named because what caught my eye as I was searching for a name was a bass guitar pick with an eagle on it.
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Lyrics by Petrina Maclaughlan. Performed by Powerlounge with guest vocalist Aroha Taylor.
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The inanimate objects in my house get more action than I do!
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Lyrics By Rachael Thornlea. Performed by The Powerlounge Speed Punk Quintet.
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One of my trademark meandering instrumentals. Enjoy.
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Another one of my trademark meandering instrumentals.
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Lyrics by Rachael Thornlea. Performed By The Powerlounge Super Seven.
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I'd been following the Euro horsemeat scandal since it broke in the UK some time ago. But the songwriter in me didn't react until Ikea found pony in their Swedish meatballs the other day.
Alonetoners - you're hearing it first!
** THE PONY…
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just some more of my riffage and beats and stuff
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written during one of the several blizzards/snow storms to hit New Hampshire in Feb 2013 - for RPM...
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a song that just evolved during RPM 2013...it was my new RPM strategy - record what happens, try to build it, move on, don't think too much about it...keep moving! It was a different approach for me this year...
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My attempt at writing a bluegrass tune and an opportunity to try my hand at some flat pickin'
... loosely based on a friends experiences growing up in a small town in the prairies ... where everything is flat ... you know, a place where you can…
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I guess I had mariachi music floating through my head...written on another Feb. 2013 snow day...
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another snowy day in Feb 2013 with a cup of Irish coffee..
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Just something that developed out of thin air...
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Opening song by Kent Good. We played pretty good in Feb. We are not "chops" players, but i think we rocked this one pretty good.This song will evolve a bit as we break it in live.
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LSD 25 and (...) (Paranthsis) get togeather for a 1 hour slugfest. -- RPM 2013
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Second song by Martin Fox
Was on a Pete Townshend kick lately. this one came to me as i was listening to the random recordings on my phone. still not happy with the vocal mix. we spent a lot of time tweaking too.
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Third song by P.Lance McDaniel our trusty drummer. this song is a blast to play. we had lots of fun with it during the RPM Challenge.
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Fourth song by Martin Fox
My first shot at really going for it on vocals. dont know if i quite hit the bullseye. this song is a modern internet love/revenge tale .
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my RPM 2013 album. Here are the songs:
interdimensional warfare/timefold
crown of filth
toilet shrimp
eve's droppings, pt. I deliria of the world
small thorn
scorpion gulch
uploaded a new version on 9/23/13 with changes on guitar…
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rough mix (midi) of new work for piano, vibes & computer
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From our RPM 2013 album "Something Into Nothing"
written by Marc Poirier
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From our RPM 2013 album "Something Into Nothing"
written by Damian Lethbridge
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From our RPM 2013 album "Something Into Nothing"
written by Damian Lethbridge
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From our RPM 2013 album "Something Into Nothing"
written by Marc Poirier
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From our RPM 2013 album "Something Into Nothing"
written by Damian Lethbridge
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From our RPM 2013 album "Something Into Nothing"
written by Damian Lethbridge
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From our RPM 2013 album "Something Into Nothing"
written by Marc Poirier
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From our RPM 2013 album "Something Into Nothing"
written by Danielle Poirier & Marc Poirier
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From our RPM 2013 album "Something Into Nothing"
written by Damian Lethbridge
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The idea of this song has been percolating in the back of my head since, oh, November 2011. I've been putting off getting it down for far too long.
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Written by Nathan and Aaron Robbins. Entirely too chipper for its own good.
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Nathan Robbins and Kevin Callahan tune from way back, arranged more or less as how I play it when I do my acoustic thing.
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One of mine, with arrangement by Nathan Robbins. Well, he did it on piano, so I kinda copied his arrangement. And changed it. So, kind of Nathan-esque.
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Written by Kurt Ares, James Lucier, and me (Randy) way back in like 1994. Ancient!
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Older song, reworked string section, and now with a muted trumpet line by the phenomenal Sam Bunker.
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Originally from 2000 or so, recorded on the old StarMax mac clone waaaay back. Redid just about everything in the intervening years, including new vocals today.
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Frequent collaborator Bryn Corbett aka Particledots sent me manipulated electric piano tracks and I a returned a mix and stems with multiple Pro-One tracks from which he created the final mix. He wields a mean blender.
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I recorded a four track synth piece with Chris Cochrane in mind. We went into my studio together and he laid down 4 tracks of electric guitar in response to my piece - which I later edited and mixed.
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David Thomas sent me an electronic drum piece that had great space and possibilities to work with. I found myself working in a drone mode to counter his more active parts.
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This is the first piece that I recorded - just after midnite on Feb. 1st. with Anne Cozean in mind as vocalist. Anne and I have worked together before and she delivered a great performance across two tracks. I was thinking Portishead going in…
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Yves Baar sent me a midi piano file from Belgium and I found that if I slowed it down 20% and converted the piano to trombone and french horns that I was able to work closely with the synth - doubling and countering his melody.
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Found myself in something of a Teutonic state when I created a heavy track using white noise for percussion accents along with deep foreboding lines. What better instrument to mix in than Banjo? I knew Jim Bouchard would kill it and he did. Even…
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Michael Marquesen suggested that he was going to add manipulated vocals to whatever I sent him - so I left the melody pretty open but attempted to create a full range bed with percussive elements for him to wok with. Not having drums at my disposable…
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Bryn dropped and alternative track in our box that was culled fro his previous elemnts but manipulated into a lurching schizoid glitch piece that I loved. So - I slowed it down and used noise removal in Audacity to add more strangeness to it…
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I couldn't help but finally make a layered arpeggiated piece along the the lines of Philip Glass. I put it out there for a taker and Bill Grundmann wrote "I hear voices". I had no idea how many and how disturbing they would be. He created a mini…
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After Chris recorded his guitar tracks for track two here - we jammed this little piece out direct to a Zoom H2 recorder with no overdubs or editing in post. Chris Cochrane is a gifted guitarist with a emotional and visceral approach to his instrument…
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Featuring Darren Hawe on vocals, guitar and bass. Written by Darren Hawe and Jarrett Osborn.
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Jazzy hard rock piece from my first album, Offerings.
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Finally got Amy to record this one!
So many questions
What can we offer?
What can we give?
How shall we answer?
How can we praise Him?
How shall we live?
No, no worldly treasure
No, no earthly measure
What does the Lord
want you to do?
What…
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jammed some drums then some 6 string tunered to b and 5 string bass mixed it and BAM!
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10th song by P Lance McDaniel
Lance had a heavy heart during the album. His sister Bretta was diagnosed with cancer in December and this is his epic song about those times. The guitar excursion at the end is one of the highlights of the album.
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9th song by Martin fox
My attempt at a super-mini rock opera. I had about an albums worth of material for Lost Connection. This song is actually around seven minutes when its not cut down. Its a story about someone that follows common sence…
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8th song by P Lance McDaniel
P.Lance's deep thinking deep rocking song about ....well im not sure.
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Second side opener by Martin fox
This chord progression came to me in a pre-rpm jam and we instantly nailed the feel. The words came easy too. Another five piece number. The words are about my loved ones i have lost and my feelings about our…
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OUSTANDING collaboration with the great Gary Fox.
ONE AND ONLY
How many times have you been
Captured by a camera
With no one really knowing who you are
Caught in the sight lines
In the background
In the corner of their eyes
Never…
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