alonetone radio: Popular
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Who says everything in DADGAD has to sound happy and Celtic?
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For that matter, who says everything in DADFAD has to be dreary and sad? D minor is, after all, the saddest chord.
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This just sort of fell out of my guitar as I was finishing up recording Tuolumne (so it is also in super-weird CGDGAC tuning). And it's named because what caught my eye as I was searching for a name was a bass guitar pick with an eagle on it.
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pictures in a magazine
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pictures from a magazine (floating)
more questions than answers (posing)
a whole lot of nothing (showing)
spaces for rent (free for owning)
brimming with treasure (hidden)
Surprises crucial (owing)
this is just…
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Dream Song
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Was I dreaming in my bed
Visions of the past
Rollin' through my head
Or was I driving in my car
Rain fallin' down
I couldn't see very far
Strange animals in shadows by the road
I knew a secret
But I forget everything I'm told…
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Heaven Comes
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Sometimes you have everything
Sometimes you have none
Sometimes you are separate
Sometimes you are one
In the midst of all your suffering
Sometimes Heaven Comes
Here's something for those bitter times
Here's something…
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Matter of Time
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Yeah we're up on our feet
People out in the street
And we're out to put heat on you
Your situation is dire
Your gonna burn in your fire
Til you find your empire's through
Ooh just a matter of time til you find
That…
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Lyrics by Petrina Maclaughlan. Performed by Powerlounge with guest vocalist Aroha Taylor.
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The inanimate objects in my house get more action than I do!
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Lyrics By Rachael Thornlea. Performed by The Powerlounge Speed Punk Quintet.
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One of my trademark meandering instrumentals. Enjoy.
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Another one of my trademark meandering instrumentals.
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Lyrics by Rachael Thornlea. Performed By The Powerlounge Super Seven.
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I'd been following the Euro horsemeat scandal since it broke in the UK some time ago. But the songwriter in me didn't react until Ikea found pony in their Swedish meatballs the other day.
Alonetoners - you're hearing it first!
** THE PONY…
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just some more of my riffage and beats and stuff
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written during one of the several blizzards/snow storms to hit New Hampshire in Feb 2013 - for RPM...
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a song that just evolved during RPM 2013...it was my new RPM strategy - record what happens, try to build it, move on, don't think too much about it...keep moving! It was a different approach for me this year...
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My attempt at writing a bluegrass tune and an opportunity to try my hand at some flat pickin'
... loosely based on a friends experiences growing up in a small town in the prairies ... where everything is flat ... you know, a place where you can…
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I guess I had mariachi music floating through my head...written on another Feb. 2013 snow day...
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another snowy day in Feb 2013 with a cup of Irish coffee..
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Just something that developed out of thin air...
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Opening song by Kent Good. We played pretty good in Feb. We are not "chops" players, but i think we rocked this one pretty good.This song will evolve a bit as we break it in live.
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LSD 25 and (...) (Paranthsis) get togeather for a 1 hour slugfest. -- RPM 2013
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Fourth song by Martin Fox
My first shot at really going for it on vocals. dont know if i quite hit the bullseye. this song is a modern internet love/revenge tale .
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First side closer by Kent Good.
This song was recorded our first session of the month. We were playing as a five piece and i really love the sound. This is one of KGs best song to date.
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my RPM 2013 album. Here are the songs:
interdimensional warfare/timefold
crown of filth
toilet shrimp
eve's droppings, pt. I deliria of the world
small thorn
scorpion gulch
uploaded a new version on 9/23/13 with changes on guitar…
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rough mix (midi) of new work for piano, vibes & computer
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From our RPM 2013 album "Something Into Nothing"
written by Marc Poirier
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From our RPM 2013 album "Something Into Nothing"
written by Damian Lethbridge
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From our RPM 2013 album "Something Into Nothing"
written by Damian Lethbridge
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From our RPM 2013 album "Something Into Nothing"
written by Marc Poirier
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From our RPM 2013 album "Something Into Nothing"
written by Damian Lethbridge
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From our RPM 2013 album "Something Into Nothing"
written by Damian Lethbridge
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From our RPM 2013 album "Something Into Nothing"
written by Marc Poirier
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From our RPM 2013 album "Something Into Nothing"
written by Damian Lethbridge
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From our RPM 2013 album "Something Into Nothing"
written by Danielle Poirier & Marc Poirier
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From our RPM 2013 album "Something Into Nothing"
written by Damian Lethbridge
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The idea of this song has been percolating in the back of my head since, oh, November 2011. I've been putting off getting it down for far too long.
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Written by Nathan and Aaron Robbins. Entirely too chipper for its own good.
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Nathan Robbins and Kevin Callahan tune from way back, arranged more or less as how I play it when I do my acoustic thing.
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One of mine, with arrangement by Nathan Robbins. Well, he did it on piano, so I kinda copied his arrangement. And changed it. So, kind of Nathan-esque.
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Written by Kurt Ares, James Lucier, and me (Randy) way back in like 1994. Ancient!
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Older song, reworked string section, and now with a muted trumpet line by the phenomenal Sam Bunker.
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Originally from 2000 or so, recorded on the old StarMax mac clone waaaay back. Redid just about everything in the intervening years, including new vocals today.
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Frequent collaborator Bryn Corbett aka Particledots sent me manipulated electric piano tracks and I a returned a mix and stems with multiple Pro-One tracks from which he created the final mix. He wields a mean blender.
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I recorded a four track synth piece with Chris Cochrane in mind. We went into my studio together and he laid down 4 tracks of electric guitar in response to my piece - which I later edited and mixed.
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David Thomas sent me an electronic drum piece that had great space and possibilities to work with. I found myself working in a drone mode to counter his more active parts.
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Yves Baar sent me a midi piano file from Belgium and I found that if I slowed it down 20% and converted the piano to trombone and french horns that I was able to work closely with the synth - doubling and countering his melody.
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Michael Marquesen suggested that he was going to add manipulated vocals to whatever I sent him - so I left the melody pretty open but attempted to create a full range bed with percussive elements for him to wok with. Not having drums at my disposable…
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Bryn dropped and alternative track in our box that was culled fro his previous elemnts but manipulated into a lurching schizoid glitch piece that I loved. So - I slowed it down and used noise removal in Audacity to add more strangeness to it…
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After Chris recorded his guitar tracks for track two here - we jammed this little piece out direct to a Zoom H2 recorder with no overdubs or editing in post. Chris Cochrane is a gifted guitarist with a emotional and visceral approach to his instrument…
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