Yesterday I bought a very lovely sample set from Soniccouture called [The Skiddaw Stones](http://www.soniccouture.com/en/products/p4-the-skiddaw-stones/).
![skiddaw stones ](http://www.soniccouture.com/images/library/img-20090817145403.jpg…
Yesterday I bought a very lovely sample set from Soniccouture called [The Skiddaw Stones](http://www.soniccouture.com/en/products/p4-the-skiddaw-stones/).
![skiddaw stones ](http://www.soniccouture.com/images/library/img-20090817145403.jpg…
Yesterday I bought a very lovely sample set from Soniccouture called [The Skiddaw Stones](http://www.soniccouture.com/en/products/p4-the-skiddaw-stones/).
![skiddaw stones ](http://www.soniccouture.com/images/library/img-20090817145403.jpg…
Yesterday I bought a very lovely sample set from Soniccouture called [The Skiddaw Stones](http://www.soniccouture.com/en/products/p4-the-skiddaw-stones/).
![skiddaw stones ](http://www.soniccouture.com/images/library/img-20090817145403.jpg…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
After yesterdays experiment with noise gates and vocal transformers I thought I'd have another go using Rytme as the source material.
A single Rytme track with multiple playheads is playing into a Logic channel containing Kore playing the Absynth…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
First let me say that this is wonderful, especially for someone who keeps claiming that things "are a mystery to me". :)
When it comes to song form, I'd say it's a big fat "it depends". Probably most of the time, you would want one section to lead into another via some... thread? So this could mean anything from like a chord progression, a melody, lyrical content, even instrumentation I'd think.
But then again, you may also find that you can get the emotional impact you want by having an abrupt change from one section to another. It all depends, eh. :)
That said, I think you did a fine job on the transitions between verse and chorus on this piece. They're different enough that they sound like independent sections, yet lead well from one to another.
As for harmony, I want to say that it was Aaron Copland who said something pithy along the lines of "There's no such thing as dissonance - it just means you haven't heard enough of it."
Personally, I feel like the chord/melody at about :45 and 1:28 are a little too clashy for my tastes. Though it's such a blip in the grand scheme of the song and not all that noticeable, even for someone who's looking for it.
I'd say you have a good ear for picking the right patches and effects to make a piece really gel as a whole.
And I'm impressed because it sounds like you're really progressing with each new piece you release. Keep 'em coming!
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
I'm really digging all the layers and melodies. The rhythm section moves very nicely too. Loving where your music has been going over the past several months.
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This is my second experiment with "song form".
In this case I tried out probably the simplest form: "IABABCABE" where I - intro, A - verse, B - chorus, C - break, E - end.
Although I'm not sure if the verse is supposed to build into the…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
So I got Stylus RMX and this was my first attempt to use it multi-timbrally in Logic. It was accompanied by Elysium playing Omnisphere and me playing Reaktor on the keyboard. I still have no idea how to come up with bass lines so this was me playing…
I've had a bit of a love/hate relationship with this one.
I enjoyed making the beats and think that part came out pretty good but everything after that felt rather haphazard and didn't feel right to me.
I was close to abandoning the track…
A weeks gap has given me a little more perspective on this track and I've found more to like about it. Also in the light of my next track I can see this as an experiment with a new form. I doubt I'll do anything more with this but I can rest easier about it now ;-)
This is one track where I can say, without reservation, that I am really happy with how it came out.
I worked up a beat I liked with 3 Stylus RMX parts making good use of chaos and time designer for the breaks.
For the first time I really…
really like this song. reminds me of a similar message I was working on too. check it out if you get a sec, I'd be curious what you think. Nice beats.
http://alonetone.com/grandelement/tracks/stay-in-union
This is a collab tune which was originally written by Tad Rees (aka Solo). He plays the Keyboard.synth, and I did the guitar and drums. The last half blends with his original which can be heard in completion at :
http://www.traxinspace…
A test track of sorts.
I typically mix a track, bounce it out to my ipod and then go for a drive. The stereo in my truck is kind of boomy and if I get the bass wrong, I'll hear about it. This has been a matter of a certain amount of guesswork…
My first attempt at a Blumlein or Mid/Side recording. This one is actually a mid/side recording as I used a directional mic in combo with a figure 8 ribbon mic set at 90 degrees from the main mic. Thanks to Pat Broaders for the loan of the ribbon…
This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
Hey Igor. Yeah there's something a little disturbing about those shrill shrieks towards the end, kind of like some flying be-tentacled monsters happily chasing their prey ;-)
This is the first outing of a new granular re-synthesis based Reaktor ensemble I am working on codenamed "BD".
The track is generated by 4 instances of the ensemble (playing different samples), panned by CamelSpace, with lashings of Valhalla…
Some guy called me back in college when I had a particularly odd outgoing message on my answering machine. He left me a message in return and I kept it all these years, finally putting it to some use.
Comments on Mr Sandbags's stuff
I wonder how these would sound with my style of old rock and roll? No pun intended.
nice...
great stuff
ZOMBIE MILKMAN!
:)
diggin the vibes very chill
Go away for a little while and look what happens. Well done indeed.
Thank you so much folks for your comments, they're very encouraging!
First let me say that this is wonderful, especially for someone who keeps claiming that things "are a mystery to me". :) When it comes to song form, I'd say it's a big fat "it depends". Probably most of the time, you would want one section to lead into another via some... thread? So this could mean anything from like a chord progression, a melody, lyrical content, even instrumentation I'd think. But then again, you may also find that you can get the emotional impact you want by having an abrupt change from one section to another. It all depends, eh. :) That said, I think you did a fine job on the transitions between verse and chorus on this piece. They're different enough that they sound like independent sections, yet lead well from one to another. As for harmony, I want to say that it was Aaron Copland who said something pithy along the lines of "There's no such thing as dissonance - it just means you haven't heard enough of it." Personally, I feel like the chord/melody at about :45 and 1:28 are a little too clashy for my tastes. Though it's such a blip in the grand scheme of the song and not all that noticeable, even for someone who's looking for it. I'd say you have a good ear for picking the right patches and effects to make a piece really gel as a whole. And I'm impressed because it sounds like you're really progressing with each new piece you release. Keep 'em coming!
I'm really digging all the layers and melodies. The rhythm section moves very nicely too. Loving where your music has been going over the past several months.
How very inventive of you. Nice track!
yes, where is Michael, my talking car?
Knightrider and Abba!
Nice one mate this is cool and thanks for your recent comments
ca 3:00, nice break, breath!
Damn fine or my name isn't Kintekobo - The wolf with a dressing up box!
Nice, I'm ready to rally.
I'd love to hear you do more with this- cool beat
A weeks gap has given me a little more perspective on this track and I've found more to like about it. Also in the light of my next track I can see this as an experiment with a new form. I doubt I'll do anything more with this but I can rest easier about it now ;-)
really like this song. reminds me of a similar message I was working on too. check it out if you get a sec, I'd be curious what you think. Nice beats. http://alonetone.com/grandelement/tracks/stay-in-union
Comments made by Mr Sandbags
You're asking us? ;-) I like it, defies expectations but still musical.
Nice... nuther dose of Max/MSP goodness?
Great track.
Fabulous track that stands the test of time: great sounds, great feel.
Super vocals from m'partner. Yes I am sitting here in my silver jumpsuit.. what of it??
Lovely ambient.
The production went over my head but it sounds beautiful.
Hey Igor. Yeah there's something a little disturbing about those shrill shrieks towards the end, kind of like some flying be-tentacled monsters happily chasing their prey ;-)
You're very wise Joe. I can recommend someone! :)
Great stuff again CG!
Fab. Could have listened to that for hours.
Fantastic. Really floated away on this piece.
Yeah, like this a lot. Your recent tracks have been great, really full of energy and fun!
Oh yes!
Wow this is chock full of funk goodness. Love the end.
Lovely laid back feel. Like it ;-)
Sister's nailed it!
Well that was a delightful slice of weirdness :)
Hypnotic with a disturbing edginess.
Cool. I actually rather like that the voice is indistinct. But I'm strange that way ;-)