Okay so here it is, this is the blues piano piece I've been learning since **forever**. Tonight is the first time I've been able to play it through, twice, without making some kind of mistake.
That said I had to slow to 80bpm which is too slow…
This is a remix of my earlier track [Metaphysical Beat 2](http://alonetone.com/sandbags/tracks/metaphysical-beat-2). In fact it's the 4th remix but the first one I'm really happy with. I even found myself trying to dance along to this when I…
My piano teacher thought it might be nice for me to learn to play a carol and came up with this arrangement, by Gilbert DeBenedetti, of 'Silent Night'. Not being much into carols it wouldn't have occurred to me to try one but I liked the sound…
My piano teacher thought it might be nice for me to learn to play a carol and came up with this arrangement, by Gilbert DeBenedetti, of 'Silent Night'. Not being much into carols it wouldn't have occurred to me to try one but I liked the sound…
This is the recording of my performance of Einaudi's 'I due fuimi' at the Littlewick Green church hall as part of the Cherry Garden Music winter concert.
It was played on a seemingly quite old Steinway concert grand. I aim to find out more…
This is the recording of my performance of Einaudi's 'I due fuimi' at the Littlewick Green church hall as part of the Cherry Garden Music winter concert.
It was played on a seemingly quite old Steinway concert grand. I aim to find out more…
Another progress recording, with another month or so of practice and a 16-day practice streak.
The concert where I am playing this is next week. I'm hoping to lock in a little more speed between now and then (although I note I seem to have…
This is a recording of the first time I have played Ludivico Einaudi's "I Due Fuimi" all the way through.
It includes numerous errors & slight pauses but I managed to keep going and finish it and after MANY months of practice that feels…
Woooohooooo!! Go you! :) So glad you got the recording. Hope it's given you some confidence. I know you took a break from learning for awhile, but delighted you went back to it. Onwards onwards! More more!!
This is a recording of the first time I have played Ludivico Einaudi's "I Due Fuimi" all the way through.
It includes numerous errors & slight pauses but I managed to keep going and finish it and after MANY months of practice that feels…
This is a track I've been working on for quite a while so I am glad to finally have it out of my head.
I have a kind of love/hate relationship with time and its humble functionary, the clock. Ticking, in particular, is something I am ambivalent…
A piece of experimental whimsy. I took a nice piano loop from the Logic library and utterly destroyed it with The Finger. What's interesting about this to me is that I was not playing the MIDI driving The Finger but using Elysium to do so. Here…
It's been so long since I've made any music I've kind of forgotten how. I was just noodling about and thought I had a sound I liked so I bounced it out quite quickly.
This one is all made with Reaktor and Boscomac's Air Piano ensemble, plus…
It's been so long since I've made any music I've kind of forgotten how. I was just noodling about and thought I had a sound I liked so I bounced it out quite quickly.
This one is all made with Reaktor and Boscomac's Air Piano ensemble, plus…
It's been so long since I've made any music I've kind of forgotten how. I was just noodling about and thought I had a sound I liked so I bounced it out quite quickly.
This one is all made with Reaktor and Boscomac's Air Piano ensemble, plus…
It's been so long since I've made any music I've kind of forgotten how. I was just noodling about and thought I had a sound I liked so I bounced it out quite quickly.
This one is all made with Reaktor and Boscomac's Air Piano ensemble, plus…
This is the first of several songs in a collaboration with Laura Kepner-Adney. Laura has a beautiful voice and a gift for arranging music. It is an exciting project with more to come.
Featuring Ryan Anderson on harmonica.
Lyrics:
As a boy…
After several listens I am better able to describe my reactions. I love the way you let the track build up in it's own time, unhurried. I love the sound, the rhythm, and the desolate, but stoic, feelings you evoke. Kudos to both of you!
This is the first of several songs in a collaboration with Laura Kepner-Adney. Laura has a beautiful voice and a gift for arranging music. It is an exciting project with more to come.
Featuring Ryan Anderson on harmonica.
Lyrics:
As a boy…
Starting out as a simple and awe inspiring invention, progressing to a more chaotic and demanding machine driven future. - people becoming enslaved to these devices. Feeding the machine.
Phone samples were recorded from the output jack of my…
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
@NebulonicAlchemy: I've no recollection of the conversation you're talking about. I use a lot of effects in Live and Logic so it doesn't sound like me.
My point is about creating an arrangement where there is more control over sonic density. Particularly intense points should not be clustered together or they become overwhelming.
I think the issue is with taking a single, long, piece of audio and trying to treat give it a different structure.
I'm not quite sure where I was going with this. I love the Abaska Bong sound and was trying to pair it with something complementary. After going through some truly weird combinations I came up with this.
If you read my post in that thread I talked about one of my tracks being downloaded over & over again by Chinese spammers/spambots. This is that track.
Jason Sloan and I recorded this track in March 2010 as an improvisation in preparation for our performances on The Vigil all-night music festival at MICA. Jason describes the session:
"Erik and I come from very different backgrounds in our approach…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
The idea came to me in a conversation as a kind of silly thing to do. I was thinking about how to mess with samples and the idea of slicing them and trigger them by collisions just popped into my head.
At the moment the energy levels are fixed. One of the things to complete the model is for collisions to drain energy. Then I plan to add "warming" that is a constant influx of energy which will be controllable.
Beyond that I really want to play with having the collision sequencer drive other things like a bank of oscillators. I'm also considering how it could sensibly output MIDI.
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
Thanks guys.
Wildgeas: Yeah I got a definite "It's full of stars" vibe and I'm thinking of renaming the Reaktor ensemble TMA-2. I suspect the sampler based version will always be a bit this way because of the granular nature of the sounds. When I use the collision sequencer to drive an additive oscillator bank it might get more interesting. Or not ;-)
Nebulonic: Glad you like it. As to the type of equations it is an incredibly simple analog of a 2D gas. 64 particles are represented by (X,Y,direction,energy) in a 100x100 vessel. Brighter particles have more energy and travel faster.
CR/SS: Thanks... I find some of the tones generated remind me of the background sounds from David Lynch's Dune movie (a favourite when I were a lad).
Johnny: Thanks man. More to come.
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
This is our little bundle of joy now grown up to be 10 years old. She took up the flute this year at school and this is her first effort in front of my microphone.
She decided on the flute after watching some vids of Ian Anderson and Jethro Tull…
You may hate me for this but I am getting a definite Buck Rogers in the 25th Century vibe here. Which reminds me of Erin Gray in a figure hugging spandex outfit...MMmmmm... I fear I have shared too much!
I made this track back in nineties with sort of tongue in cheek -mentality. I accidentally found it and it still sounded so fresh that i decided to upload it.
Funny how it's generally the songs that I spend the most time on, where I hardly write any story.
So I'll just briefly say this is the [songfight.org](http://songfight.org) song that I hadn't even intended to write.
Hey there. Thanks for the comment on my practice session. You're right that we piano strugglers need a support & self-help group! Maybe something in the forums, a "practice" top-level topic might be good enough.
Comments on Mr Sandbags's stuff
evokes the essence of a hazy memory very well
twisting and popping, driving throughout with a heavy playfulness
It's just amazing! You should be proud of your musical skills!
Aw, I hope she loved it. :)
Thanks Tess, that’s very kind :-)
Have some more applause and enjoy it! This took a lot of guts.
A huge improvement - it's coming together very nicely. Good to hear some dynamics in there!
Woooohooooo!! Go you! :) So glad you got the recording. Hope it's given you some confidence. I know you took a break from learning for awhile, but delighted you went back to it. Onwards onwards! More more!!
Just what I needed. I *really* like that this was recorded with the room sound, hit the spot.
Extraordinary mix/soundfield on this. Sounded like the clocks were external to my headphones, several feet away.
Nice. I'll have to go listen to more of your stuff now.
Interesting mix of sounds. Cool!
Cool piece
Hey thanks for the nightmare fuel. Keep it up!
Very cool tension. It feels like it's speeding up and I'm not completely sure it isn't.
... seems appropriate to me -- nice piece.
I have no idea why I thought "Edward Lear" and "Ring Modulator" in the same moment. Probably I shouldn't have.
Don't mind me - I'll just be over here for a while.
Utt - Mr. Sandbags. Been a while since I heard from you. Time for a beer and a joint.
Yay for breaking the log-jam! Nice work.
Comments made by Mr Sandbags
After several listens I am better able to describe my reactions. I love the way you let the track build up in it's own time, unhurried. I love the sound, the rhythm, and the desolate, but stoic, feelings you evoke. Kudos to both of you!
OMG utterly fantastic!
That's great, love what you've done here.
@NebulonicAlchemy: I've no recollection of the conversation you're talking about. I use a lot of effects in Live and Logic so it doesn't sound like me. My point is about creating an arrangement where there is more control over sonic density. Particularly intense points should not be clustered together or they become overwhelming. I think the issue is with taking a single, long, piece of audio and trying to treat give it a different structure.
If you read my post in that thread I talked about one of my tracks being downloaded over & over again by Chinese spammers/spambots. This is that track.
This is really awesome guys, lovely range of sounds blending together perfectly in the moment. Maximum kudos.
The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.
The idea came to me in a conversation as a kind of silly thing to do. I was thinking about how to mess with samples and the idea of slicing them and trigger them by collisions just popped into my head. At the moment the energy levels are fixed. One of the things to complete the model is for collisions to drain energy. Then I plan to add "warming" that is a constant influx of energy which will be controllable. Beyond that I really want to play with having the collision sequencer drive other things like a bank of oscillators. I'm also considering how it could sensibly output MIDI.
Thanks guys. Wildgeas: Yeah I got a definite "It's full of stars" vibe and I'm thinking of renaming the Reaktor ensemble TMA-2. I suspect the sampler based version will always be a bit this way because of the granular nature of the sounds. When I use the collision sequencer to drive an additive oscillator bank it might get more interesting. Or not ;-) Nebulonic: Glad you like it. As to the type of equations it is an incredibly simple analog of a 2D gas. 64 particles are represented by (X,Y,direction,energy) in a 100x100 vessel. Brighter particles have more energy and travel faster. CR/SS: Thanks... I find some of the tones generated remind me of the background sounds from David Lynch's Dune movie (a favourite when I were a lad). Johnny: Thanks man. More to come.
Rather groovy.
From the edges of Eno to the realms of Vangelis, nice!
Dreamy. Just perfect for this lovely spring day.
Dead catchy CG!
Enjoyed listening to that, could have listened a good while longer.
That's brilliant!
Catchy little number this.
You may hate me for this but I am getting a definite Buck Rogers in the 25th Century vibe here. Which reminds me of Erin Gray in a figure hugging spandex outfit...MMmmmm... I fear I have shared too much!
Great track I love it.
Hey there. Thanks for the comment on my practice session. You're right that we piano strugglers need a support & self-help group! Maybe something in the forums, a "practice" top-level topic might be good enough.
I think Kirk just about nailed and, yeah, the guitar comes in just right.