George Gershwin in 1926 composed 3 preludes for piano. George synthesized American Jazz and European classical music to make a very recognizable musical voice.
Remastered from 4 track circa 1987. The backing track was shoved into one track (drum machine, casio CZ-101 synthesizer bass, rythmn guitar) - the vocals are buried because I wrote a song that was way way too high for my range. The backwards-ness…
George Gershwin in 1926 composed 3 preludes for piano. George synthesized American Jazz and European classical music to make a very recognizable musical voice.
Too Many Years
It's been too many years since I've seen you
But sometimes that face appears before me
I still don't understand what went on
I refuse to believe that you could possibly really hate me
And of the people that I have known
You remain…
apologies to the fab four
scored for orchestral percussion, harp, harpsichord, dbl bass, string ensemble, men's choir and flute.
Interesting aside...
This is the only Beatles song covered by The Residents - because it is the only Beatles song…
apologies to the fab four
scored for orchestral percussion, harp, harpsichord, dbl bass, string ensemble, men's choir and flute.
Interesting aside...
This is the only Beatles song covered by The Residents - because it is the only Beatles song…
Too Many Years
It's been too many years since I've seen you
But sometimes that face appears before me
I still don't understand what went on
I refuse to believe that you could possibly really hate me
And of the people that I have known
You remain…
Too Many Years
It's been too many years since I've seen you
But sometimes that face appears before me
I still don't understand what went on
I refuse to believe that you could possibly really hate me
And of the people that I have known
You remain…
apologies to the fab four
scored for orchestral percussion, harp, harpsichord, dbl bass, string ensemble, men's choir and flute.
Interesting aside...
This is the only Beatles song covered by The Residents - because it is the only Beatles song…
I used sonar 8.5 matrix view to turn my M-audio 88es into a sampler keyboard - assigning samples to almost every key. Most of the samples are field recordings from today and yesterday - most of the others are recordings I made of a drumset I…
Reg adds much better vocals to the backing track.
I dreamed I met a Galilean;
A most amazing man.
He had that look you very rarely find:
The haunting, hunted kind.
I asked him to say what had happened,
How it all began.
I asked again…
Reg adds much better vocals to the backing track.
I dreamed I met a Galilean;
A most amazing man.
He had that look you very rarely find:
The haunting, hunted kind.
I asked him to say what had happened,
How it all began.
I asked again…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings.
On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
2011 according to Regs research was pretty shit for most apart from the couple from England......it thought i would use a Chinese theme to the music being that they own it and it was the year they were able to buy most of it cheap.....note to…
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Spare a thought for those with nothing this Christmas..... Homeless with no family.........and no one to help.......
CHRISTMAS ALONE (Lyrics)
Nobody is listening no body knocking on my door
nobody is near me nobody wants me
i’m nobody’s…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This rough track uses my Blue Just Tuning system (go to www.johnsmusic7.com for details and a photo of the guitar). This is the same tuning Chris Vaisvil used in his Excluded By Peers piece. I hope to add some lead to the track soon.
Well heres my attempt at singing Jerusalem....i would have liked to have performed it better so that the vocal would have done Chris's music more Justice but sometimes you just have to do what you can and go with the flow........thanks Chris…
Comments on vaisvil's stuff
This makes me smile!
Ha ha love it.
Outstanding!
Fantastic
PBS on Wall Street Protests http://video.pbs.org/video/2147489762
Excellent, bravo for the Allegro.
Nice lyrics, Chris! Very true, true, and poetic. Thanks for writing this!
Yes, very nice!
No way man i liked your version. Nice!
Short n Sweet!
Cool song!
Nice! Drumming sounds great and the guitar work is excellent.
I didn't realize that this is the only song all 4 created together... one of their best IMHO. Wild video!
This is really cool Chris!
Neat!
Yap. Excellent!
That's Earth inner core DEEP!
Stretchy!
chilled ambient tune C. headphones open i t u p in to t h e D A R K ness
WOW! Excellant! LG
Comments made by vaisvil
hi Kavin, Wondering Aloud is on my list!
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
Norm, just how many chickens have you raised? ;-)
this is an awesome tune!
Wow NPR - how cool!! And the music is great!!
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings. On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
very good - very very good!
good blues - could be longer with MTC shredding some blues licks
nice work!
excellent song!
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Thanks again! And I usually don't like banjo - but love it here!
Sad Reg, but so true for too many.
This a beautiful and indeed your arrangement is spotless
Thanks for the listen and comment - now to listen to your piece.
thanks for the listen and rating!
Hi John, thanks for listening. The tuning is 11 EDT and uses 0, 2, 3, 5, 6, 7, 9, 10 as scale degrees.
wow! a beautiful memory - very cool. I've only seen just a few meteors so I'm glad to hear your story!
excellent! great vocals and guitar!
Thanks for making this happen!