http://en.wikipedia.org/wiki/Take_Five
An animated score is below. Ironicly this is scored for a quintet - piano, guitar, bass, sax, and drums. Probably one of the more famous 5/4 time songs.
A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
http://en.wikipedia.org/wiki/Take_Five
An animated score is below. Ironicly this is scored for a quintet - piano, guitar, bass, sax, and drums. Probably one of the more famous 5/4 time songs.
http://en.wikipedia.org/wiki/Take_Five
An animated score is below. Ironicly this is scored for a quintet - piano, guitar, bass, sax, and drums. Probably one of the more famous 5/4 time songs.
Maybe when rage against the machine starts playing live again, they will do another show on wallstreet and make it close...in the maintime....this should freeze it up. :)
I purchased a new M-Audio midi keyboard during RPM. The software alone was worth the $100.
There was no chance I was wasting any time during RPM with a learning process.
Today, I got the opportunity to install the software and plug it in. This…
I was thumbing a ride along a hot, deserted Caribbean road. When Steve pulled up in this vintage pre-war Chevy, I was very grateful. It just so happened he was heading to the same cantina I was, so we kicked back with a pitcher of mojitos…
a song about an old flame that just won't burn out. it's a ballad of sorts, with a harder ending. i did this in about 7 hours. in the middle section i am playing guitar without a pick for the first time in a recording (big deal hey?)
A rubbish track by Tess got the Sandbags treatment here - the results only hold shades of the original. And it's just as well.
Includes 91dreamloop.wav by NoiseCollector
Sandbags - composition, production, special effects
Tess - original…
Featuring Norm Harris on Percussion
http://alonetone.com/norm
Norm is playing his piece:
"Groove For All Hallows"
http://alonetone.com/norm/tracks/groove-for-all-hallows
my tribute to a very underrated, underappreciated band. 40 yrs ago thier self titled lp came out, and i cover one from the lp as a tribute on thier 40th anniversary. im not a lead guitarist, and a new singer, so please bear with me on that.
I was listening to Jesmiaus earlier Trick of your love (RPM2012) and it gave me an idea for my first RPM this year...so thanks Will...... hope you all enjoy this....i did doing it...they say smoking weed can make you schitzophrenic but i’m not…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings.
On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
Comments on vaisvil's stuff
I grew up with this track and thought it was cool then and it's still cool now.
Super fun!
Hearing shades of cello melodies here - lovely composition!
Very soothing but I feel a dark undercurrent. I'm totally captivated.
Class A classic......... careful we'll be addicted.......to A class
A classis indeed.
excellent...........took me on a ride
Go get 'em guys! You two are tearing 'em up! LG
Optimist!
FNG!
GERBILS RULE!!!!
Wow!
Loved it. Very nice. This is a question I ask my better half every day. She hasn't answered the question directly. I wonder why? ER
nice mix... it definitely has an ominous feel to it I can't help but enjoy the hell out of
nice cover :)
love it! you got a winner here!
Trippy.
Great effects.
Maybe when rage against the machine starts playing live again, they will do another show on wallstreet and make it close...in the maintime....this should freeze it up. :)
Wow!
Comments made by vaisvil
lovely - you have such a talent for beauty!
I got an m-audio 88es - big brother - very good keyboard. This is a very nice piece - and the title theme is excellent~
excellent!! and I love the photo too!
that makes more sense...
yes, the bluesy part.
I saw autoharp and I had to listen. I really like this song. Very nice vibe to it.
enjoyed - like Kate Bush meets Tori Amos at Apex Twin's home studio.
well, Iceland is about half-way - I say we have an Alontone party in Reykjavík - perhaps we can get Bjork to join in!!
this is lovely - way way too short!!
excellent - never heard the original but I love what you've done here.
awesome!!
once again - simply beautiful!
beautiful!
Love the vocal split - excellent rock ballad
hi Kavin, Wondering Aloud is on my list!
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
Norm, just how many chickens have you raised? ;-)
this is an awesome tune!
Wow NPR - how cool!! And the music is great!!
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings. On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.