Van Gogh, On the Threshold of Eternity
Gary from music by computer suggested a re-master with less drum volume - your choice http://micro.soonlabel.com/17-ET/daily20110125b-17-reasons-I-hate-the-blues.mp3
I've had severe computer trouble…
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
Only in Disneyland is a 17 note per octave guitar solo. This was recorded direct in a Alesis multimix 8 into Sonar X1 with Lexicon reverb and Sonitus multiband EQ / compression.
very clear mix, listening with headphones, is a rich experience,,by the way, which piano synth? i especially like the lower/deeper notes,, very clear and smooth,,,, well done Chris
Genres:
Urban/Hip-Hop: Rhythm and Blues
Urban/Hip-Hop: Soul
Album:
Its About Soul
Artist's description:
a collaboration
Contributors:
thetworegs vocals
Norm percussion and didgeridoo
Chris guitars n stuff.
On Growing Old
by John Masefield - an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
>Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the…
On Growing Old
by John Masefield - an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
>Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the…
On Growing Old
by John Masefield - an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
>Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the…
On Growing Old
by John Masefield - an excerpt read by F. Scott Fitzgerald in 1940, the year of Scott's death.
>Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the…
This is an improvisation on a theme I play all the time when I sit at the keys. Sort of a warm up I've been playing for a very long time. It is very simple and I may have used it here already. My apologies.
Genres:
Urban/Hip-Hop: Rhythm and Blues
Urban/Hip-Hop: Soul
Album:
Its About Soul
Artist's description:
a collaboration
Contributors:
thetworegs vocals
Norm percussion and didgeridoo
Chris guitars n stuff.
Genres:
Urban/Hip-Hop: Rhythm and Blues
Urban/Hip-Hop: Soul
Album:
Its About Soul
Artist's description:
a collaboration
Contributors:
thetworegs vocals
Norm percussion and didgeridoo
Chris guitars n stuff.
Genres:
Urban/Hip-Hop: Rhythm and Blues
Urban/Hip-Hop: Soul
Album:
Its About Soul
Artist's description:
a collaboration
Contributors:
thetworegs vocals
Norm percussion and didgeridoo
Chris guitars n stuff.
Richard thank you so much for your support. I don't have a problem with simple though it is not something I strive for. Talking to God is hampered more by my inability at the keybaord. However I could not have written that piece on my guitar. I have great respect and admiration for someone like yourself who has command of the keyboard. I have a heck of a time putting to hands together to make something. Chris
This is one stereo track of 6 conga drums tuned, by ear, to roughly a chromatic scale (I don't know which one - perhaps I've gone micro-tonal!) coupled with a single track of ad-lib quinto (the high drum) and a "shuffle" groove on trap-set…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
A tune composed late in 2009, i've released it as well as other two tracks and some photos from a friend of mine as a micro-ep recently for free! Enjoy!
This is using a tuning I borrowed from The Smashing Pumpkins, which goes E-A-D-G#-B-E. Not…
This is the first song I uploaded to share on the internet when I first donned the name Alpha_Alpha. Thanks to fellow 'lonetoners and SoOn friends Norm and Vaisvil for contributing to make this song really special!
Having fun this week at my own expense, not my genre but what the heck. I used all the kids that were playing at my house on Monday for the chorus - had a blast.
Collaborators: my kids Dylan, Zack, Ally with Jake Henning , Haley Henning
I…
This particular broadcast was talked out about a half hour before I went to my 'You Screwed up' meeting at school. I'd barely woken up and I was ready to Talk Hard about Life (It's capatilized because it's the only one YOU'VE got. That means it…
Second movment,, perhaps a little rough,, comments welcome,,, 6/11 Third mov is now done,,, and very very different from the first two,, scares me a little
Second movment,, perhaps a little rough,, comments welcome,,, 6/11 Third mov is now done,,, and very very different from the first two,, scares me a little
Hi Richard, keeping the peace in space is all guitar and percussion. I used guitar effects quite liberally on Brian's, Norm's and my parts. The opening is Brian stretched to 8x and the organ-like part in the last 3rd is Brian's guitar backwards in part and the the 2 chord set copied and pasted a few times.
Comments on vaisvil's stuff
excellent, loving that bass and sax enjoying the whole piece and the beat wow!
Stirring and shaken. :) Great tribal beats (I imagine)!
A whole kaleidoscope of sound. Neato!!
Very interesting the possibilities with this 17 per octave division
very nice,, and much better than anything mickey or donald could pull off
very clear mix, listening with headphones, is a rich experience,,by the way, which piano synth? i especially like the lower/deeper notes,, very clear and smooth,,,, well done Chris
excellent
Totally pro, Chris. Great, great work.
Fantastic stuff
agree with Kirk, this is my 3rd listen here and at IF. Like the spare arrangement and the backward cymbals. The comic brings back a memory, too.
Very cool piece of work!
A unique sound from possibly one of the most unique new collab talent mixes I have heard for a while.
Very nice man! dig it!
Excellent!!!
To quote Dorthy Parker: "That poor SOB". Strong work Chris!
loved the start the middle and the end in-fact you could say i loved it
Powerful
Guys, this rocks!!
a very nice blend of your talents/skills, very cool....
neato!
Comments made by vaisvil
Richard thank you so much for your support. I don't have a problem with simple though it is not something I strive for. Talking to God is hampered more by my inability at the keybaord. However I could not have written that piece on my guitar. I have great respect and admiration for someone like yourself who has command of the keyboard. I have a heck of a time putting to hands together to make something. Chris
great work my friend!!
I'll give a shot in putting sax to this
lovely - this is chill out at its best!
Lovely!!!
Excellent!
you sound like Radiohead from In Rainbows in places here!
I love this tune! I have in my car and listen to it fairly often!
dude - I love your voice! Nice wah work! Great voice by the kids!
Nice! - I like how it turns into a prog rock piece almost about 1:40 ish
the problem here is that this IS the truth. and that is sad. Nice podcast!
love the deep percussion and sexy tune!
I can't play it :-0 OR delete it...
Nice - I was wondering where you've been!! - and at least your song plays :-)
Actually, if you wanted, I could try a treatment like Keeping the Peace in Space on one of your piano pieces, if you'd like.
Hi Richard, keeping the peace in space is all guitar and percussion. I used guitar effects quite liberally on Brian's, Norm's and my parts. The opening is Brian stretched to 8x and the organ-like part in the last 3rd is Brian's guitar backwards in part and the the 2 chord set copied and pasted a few times.
cool!!
all of this sounds so real!
wow~~!!
I love this~!! excellent!! How did you get the advant guard sounds?