Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
Don't mind the sound quality, i have listened to a lot of reel to reel, and all of my begining recordings were done on a 4 track cassette recorder. Glad you posted this one. I'm digging it. Agree with Sis, about the 7 min mark it really starts to come together...;)
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
Progtastic!
Love the whirling intro of the first track, and was gonna request breaking these gems down, but by 7 minutes I threw out that notion - the flow is awesome! The dreamy track at around 9 mins is just gorgeous! Lovely harmonies.
Great musicianship, awesome writing!
Artist's description:
Music composed by Chris Vaisvil, Mike Barry, lyrics Chris Vaisvil. This was performed live and recorded on a reel to reel in a basement. Its over 20 minutes at 64kbps. Two electric guitars, keyboards, and drums. Our contribution…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
Wow u have managed to concur my thoughts and spin the set while i was concentrating on the off-timeline as it is, randomly synthesized/orchestral jungle....outstanding!!!!
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
interesting,, very full sounding, great production,, as usual,,not sure why but does not really sound "alien" to me,, modern forsure, alien, perhaps im just not sure what that means,, i have almost an eastern feeling with this,,, anyhow well done
This an improvisation in 17 notes per octave with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the…
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
I was listening to Jesmiaus earlier Trick of your love (RPM2012) and it gave me an idea for my first RPM this year...so thanks Will...... hope you all enjoy this....i did doing it...they say smoking weed can make you schitzophrenic but i’m not…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings.
On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
2011 according to Regs research was pretty shit for most apart from the couple from England......it thought i would use a Chinese theme to the music being that they own it and it was the year they were able to buy most of it cheap.....note to…
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Spare a thought for those with nothing this Christmas..... Homeless with no family.........and no one to help.......
CHRISTMAS ALONE (Lyrics)
Nobody is listening no body knocking on my door
nobody is near me nobody wants me
i’m nobody’s…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This rough track uses my Blue Just Tuning system (go to www.johnsmusic7.com for details and a photo of the guitar). This is the same tuning Chris Vaisvil used in his Excluded By Peers piece. I hope to add some lead to the track soon.
Comments on vaisvil's stuff
Don't mind the sound quality, i have listened to a lot of reel to reel, and all of my begining recordings were done on a 4 track cassette recorder. Glad you posted this one. I'm digging it. Agree with Sis, about the 7 min mark it really starts to come together...;)
What a gem.
Progtastic! Love the whirling intro of the first track, and was gonna request breaking these gems down, but by 7 minutes I threw out that notion - the flow is awesome! The dreamy track at around 9 mins is just gorgeous! Lovely harmonies. Great musicianship, awesome writing!
bad sound but cool music!
Beautiful!!
has the idea of a triad or circle of 9's possible here at 17 note octaves? (sorry about the difficult question but I don't have the direct control of 17 notes in equal temper right now.)
Powerful stuff indeed.
Very intense, love the hits at 4:10ish....
Uber dramatic! Thrilling, even!
Swings like a pendulum - love that sax break!
~good piano tune with blue temperament in mind~
Wow u have managed to concur my thoughts and spin the set while i was concentrating on the off-timeline as it is, randomly synthesized/orchestral jungle....outstanding!!!!
interesting,, very full sounding, great production,, as usual,,not sure why but does not really sound "alien" to me,, modern forsure, alien, perhaps im just not sure what that means,, i have almost an eastern feeling with this,,, anyhow well done
are you mixing microtonal and macrotonals together? seems as if certain layers are tonal. like you are saying it might be better if the alien effects are continued.
Beautiful mate very well played. Very moving piece.
Wow! just pure goodness!
Wow
This is just great, really enjoyed it
What a beautiful piece...!
Classy!
Comments made by vaisvil
once again - simply beautiful!
beautiful!
Love the vocal split - excellent rock ballad
hi Kavin, Wondering Aloud is on my list!
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
Norm, just how many chickens have you raised? ;-)
this is an awesome tune!
Wow NPR - how cool!! And the music is great!!
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings. On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
very good - very very good!
good blues - could be longer with MTC shredding some blues licks
nice work!
excellent song!
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Thanks again! And I usually don't like banjo - but love it here!
Sad Reg, but so true for too many.
This a beautiful and indeed your arrangement is spotless
Thanks for the listen and comment - now to listen to your piece.
thanks for the listen and rating!
Hi John, thanks for listening. The tuning is 11 EDT and uses 0, 2, 3, 5, 6, 7, 9, 10 as scale degrees.