Comments on vaisvil's stuff

vaisvil's avatar
Percussion = Norm Guitar = Rick Vox = Emily Bass = Chris We started with this http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick which came from this http://alonetone.com/norm/tracks/a-mile-with-sorrow I hope you both…
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Norm's avatar
Norm said

Beautiful job, Emily! I love it!

vaisvil's avatar
Percussion = Norm Guitar = Rick Vox = Emily Bass = Chris We started with this http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick which came from this http://alonetone.com/norm/tracks/a-mile-with-sorrow I hope you both…
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kirklynch's avatar
kirklynch said

Nice additions. Very cool!

vaisvil's avatar
Percussion = Norm Guitar = Rick Vox = Emily Bass = Chris We started with this http://alonetone.com/rickph/tracks/a-mile-with-sorrow-normrick which came from this http://alonetone.com/norm/tracks/a-mile-with-sorrow I hope you both…
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Guest said

Like the soothing vocals, percussion by norm?,,,wow this good!

vaisvil's avatar
HYSTERIA poem by: T.S. Eliot (1888-1965) As she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill. I was drawn in by short gasps…
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Guest said

Cool song and istrumentation

vaisvil's avatar
HYSTERIA poem by: T.S. Eliot (1888-1965) As she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill. I was drawn in by short gasps…
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igor's avatar
igor said

Sketch of the ripple of unseen muscles. Tea for two who wish to take their tea in the garden. Concentrating of attention with careful subtlety to this end. I like that.

vaisvil's avatar
HYSTERIA poem by: T.S. Eliot (1888-1965) As she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill. I was drawn in by short gasps…
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Rick Phillips's avatar
Rick Phillips said

WOW! Great sound and meaty lyrics, maestros!

vaisvil's avatar
HYSTERIA poem by: T.S. Eliot (1888-1965) As she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill. I was drawn in by short gasps…
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richardlaceves's avatar
richardlaceves said

very cool guys,,,,has a primal feel,,,,,,enjoyed very much

vaisvil's avatar
HYSTERIA poem by: T.S. Eliot (1888-1965) As she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill. I was drawn in by short gasps…
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kavin.'s avatar
kavin. said

nice spoken word piece and the music provides the perfect backdrop.

vaisvil's avatar
HYSTERIA poem by: T.S. Eliot (1888-1965) As she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill. I was drawn in by short gasps…
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thetworegs's avatar
thetworegs said

Great percussion as well arrryyehh yeehh yaaah

vaisvil's avatar
HYSTERIA poem by: T.S. Eliot (1888-1965) As she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill. I was drawn in by short gasps…
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thetworegs's avatar
thetworegs said

Enjoyed this immensely in fact so much so i started to laugh

vaisvil's avatar
HYSTERIA poem by: T.S. Eliot (1888-1965) As she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill. I was drawn in by short gasps…
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Norm's avatar
Norm said

Ha! Very clever! I love the bass lick and vox... and I'm very proud to be a part of your first accoustic recording of cornet, flute and harmonica. Historic indeed. And what an interesting poem. I read up on it. Some highlights: With "Hysteria" Eliot created an unconventional poetic diction by using verse rhythms that were based on the cadences of speech rather than poetic structure. It is possible that the laughter may be a product of the woman’s ‘hysteria’, but it is more likely that the title applies to the narrator’s reaction to that laughter. “As she laughed,” he begins, “I was aware of becoming involved in her laughter and being part of it.” He begins to feel as though he has physically become the laughter he is observing." "The narrator’s goal is to collect pieces of the details he was able to capture in order to rebuild a coherent reality. The reader is left somewhat skeptical of this goal, however, because of the narrator’s doubtful language. “If” the woman’s breasts “could” be stopped, “some” fragments “might” be collected. Each line contains two distinct words of uncertainty, and by the end we are not sure that the narrator’s hysteria can be cured.

vaisvil's avatar
HYSTERIA poem by: T.S. Eliot (1888-1965) As she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill. I was drawn in by short gasps…
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Movement To Contact's avatar
Movement To Contact said

Kick ass collab gents. Fine work chris and norm! FAV'D Love the additions to the track! The horns work great.

vaisvil's avatar
As can happen when you listen to sometime a million times over your mind and ears start accepting things that later you wish you had not. This is a (much better imho) revision thanks to the urging of Gary from the music by computer list.
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Guest said

What a vocal. Go for it Chris!

vaisvil's avatar
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances. The words by T. S. Elliot used: (Orestes:) You don’t see them, you don…
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Guest said

Crazily spooky! Totally envy your sustained notes. Damn.

vaisvil's avatar
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances. The words by T. S. Elliot used: (Orestes:) You don’t see them, you don…
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Movement To Contact's avatar
Movement To Contact said

DL'd for later :)

vaisvil's avatar
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances. The words by T. S. Elliot used: (Orestes:) You don’t see them, you don…
Uploaded
Movement To Contact's avatar
Movement To Contact said

I like the long held out vocals combined with the scales your using....very somber, and droning feel. Very off-tune...but yet very much in-tune...

vaisvil's avatar
Vocal, fretless electric guitar, rhodes (Dimension Pro), tenor sax (Dimension Pro), and drums (Session 3 drummer). All but the drums are live performances. The words by T. S. Elliot used: (Orestes:) You don’t see them, you don…
Uploaded
Movement To Contact's avatar
Movement To Contact said

Less then one minute in and i already love it.

vaisvil's avatar
Layla and Majnun is a classical Arabian love story. It is based on the real story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula,[6] in the Umayyad era during the 7th century. There were two Arabic versions…
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richardlaceves's avatar
richardlaceves said

very nice,, as always i am amazed by your art

vaisvil's avatar
This is an improvisation (with a bit of editing where my timing got off by a lot) for this week’s ImprovFriday event I used my M-Audio 88es to drive: Korg MS2000 ARP 2600 V soft synth Absynth 5 soft synth Session 3 drummer soft synth Pianoteq…
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epimeison's avatar
epimeison said

Beatifully sick! I like it very much!!

vaisvil's avatar
Layla and Majnun is a classical Arabian love story. It is based on the real story of a young man called Qays ibn al-Mulawwah from the northern Arabian Peninsula,[6] in the Umayyad era during the 7th century. There were two Arabic versions…
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Guest said

Wow, stirring stuff!

Saved!