song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
A "re-composition"
Father's voice on a Relativistic Train
I abused the following ImprovFriday composers:
Fathers Voice by Adam Kondor
Heard Through Walls by Jim Goodin and Steve Moyes
IF - Winter by Andrew McCance
Piece 112610 by Shane W…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
song icon by Elaska
Free Sue is a work for spoken choir, bowed piano in 18 notes per octave, mallet piano in 18 notes per equal, strummed piano in 18 notes per octave, tabla ensemble, snare drum, frame drum ensemble and various gongs. It is…
A "re-composition"
Father's voice on a Relativistic Train
I abused the following ImprovFriday composers:
Fathers Voice by Adam Kondor
Heard Through Walls by Jim Goodin and Steve Moyes
IF - Winter by Andrew McCance
Piece 112610 by Shane W…
A rubbish track by Tess got the Sandbags treatment here - the results only hold shades of the original. And it's just as well.
Includes 91dreamloop.wav by NoiseCollector
Sandbags - composition, production, special effects
Tess - original…
Featuring Norm Harris on Percussion
http://alonetone.com/norm
Norm is playing his piece:
"Groove For All Hallows"
http://alonetone.com/norm/tracks/groove-for-all-hallows
my tribute to a very underrated, underappreciated band. 40 yrs ago thier self titled lp came out, and i cover one from the lp as a tribute on thier 40th anniversary. im not a lead guitarist, and a new singer, so please bear with me on that.
I was listening to Jesmiaus earlier Trick of your love (RPM2012) and it gave me an idea for my first RPM this year...so thanks Will...... hope you all enjoy this....i did doing it...they say smoking weed can make you schitzophrenic but i’m not…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings.
On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
2011 according to Regs research was pretty shit for most apart from the couple from England......it thought i would use a Chinese theme to the music being that they own it and it was the year they were able to buy most of it cheap.....note to…
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Comments on vaisvil's stuff
nice shorty. I may have to look into that 60x60 as well.
Okay, so i had to check out your link. Then I had to research the book you read....then listen to the track....(very nice track study)...and now i must get a copy of the book. :) If nothing else it will be a good book for idea's.
:( Poor Eire. These are crazy days. Very expressive, moody track.
Different! but again your diversity speaks for itself!
I can feel the splinters coming out and it's driving me mad...another brilliant track!
Like some kind of devilish pick and mix!
Very cool. Perhaps it's my imagination but it seems that the chords in this tuning take on a different, almost metallic texture.
Very intriguing.
Very interesting!
This reminds me of the material of yours on that radio programme a while back. Most intriguing and clever stuff.
very beautiful!! Love it!
Movie material!
Brilliant composition!
Priceless tones and a bit drunk indeed, i like the sounds your pulling out of the GR-20!
interesting,,,
Drunken tones!
Wild tones.
Am finding your tunings project fascinating - and must say I really like the feel you have captured here. Beautiful piece!
Sounds kind of Christmassy - like the choir voice.
excellent
Comments made by vaisvil
I saw autoharp and I had to listen. I really like this song. Very nice vibe to it.
enjoyed - like Kate Bush meets Tori Amos at Apex Twin's home studio.
well, Iceland is about half-way - I say we have an Alontone party in Reykjavík - perhaps we can get Bjork to join in!!
this is lovely - way way too short!!
excellent - never heard the original but I love what you've done here.
awesome!!
once again - simply beautiful!
beautiful!
Love the vocal split - excellent rock ballad
hi Kavin, Wondering Aloud is on my list!
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
Norm, just how many chickens have you raised? ;-)
this is an awesome tune!
Wow NPR - how cool!! And the music is great!!
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings. On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
very good - very very good!
good blues - could be longer with MTC shredding some blues licks
nice work!
excellent song!
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.