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3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
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3 tracks with my strat copy + NI guitar rig
1 track with my Washburn bass + NI guitar rig
1 vocal clip I made and tortured
1 Korg MS200 track
1 Pianoteq track
session drummer 3
Sonar 8.5 used to put it all together
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
Norm's percussions were very inspiring, and your playing blends in so smoothly, a delicious piece, very creative, with lots of images from Sahrzad palace..
this hit me as simply beautiful, first time i've heard it back at tis. and it hasn't changed a bit, since then. the marriage of the flute and the guitar is so moving..
AT could not accept the full upload so....
Download
http://notonlymusic.com/board/download/file.php?id=815
online play
http://notonlymusic.com/board/viewtopic.php?f=12&t=410&p=2861#p2861
Content
Continued Chris Vaisvil radio interview…
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
This is a remix of an improvised track I did for our first RPM album. For this new mix, I got rid of the vocals & added a most excellent electric guitar part by our good friend, Chris Mitchell. He listened to the track just once and proceeded…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
this is based on an improve from back in jan 75, then guitarist - chris layed this riff out and i never forgot it. it was the first time i was in a band as a bassist. the rest of the riffs are mine and everything else disastrous done in this song…
We were having a little tipple down the cellar last night and we came up with a Christmas song for the festive season...hope you enjoy..........
CHRISTMAS TIME AT THE DRUNK’S HOUSE (Lyrics)
it's Christmas time in the drunks house
and the…
Well Jefferry came down the cellar this evening for a chat and a bit of consoling.................. so we decided to recant his tale of woe........................poor old Jeferry.............
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
Mozart's famous "Alla Turca" Sonata #11 in A major with period tuning and period pianoforte and period diapason of A4 = 415 Hz. Details http://chrisvaisvil.com/?p=1837
Another work in progress down the cellar.............a first cut...........
I KNOW HOW LOVE CAN FEEL(Lyrics)
I know how love can feel
I know that love can heal
i know i kneel before you
i know it can burn you, destroy you
i know how love can…
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
Sort of a Tuesday improv...
Built up around a synth texture that I built up with:
Operator->FilterStation->Volcano->Kombinat->Panstation->RP-Delay
(what's the fun in having plugins if you can't abuse them)
Heres a collab with Wildgeas Music a beautiful bit of music hope i did it justice with the vocal............
Tomorrow (Lyrics)
I know the curse of the darkness is coming
those dark nights that will feed upon my soul
with no forward glance of tomorrow…
So after hearing some of Stephen Krell's outstanding picking, I asked him if he'd like to play along with any of my songs... I can't be happier with the one he picked to add his banjo to (seeing as how the song is written about my favorite Pete…
Comments on vaisvil's stuff
Awesome tones!
Nice ax work!
Sit back, relax, smoke'em if ya got'em. This is well worth the time.
Dark, very dark. I like it! w;-)
Love those vocalisations later on in the track also. Epic, fellas, very cleverly done! Just so pro.
Deep, dark, and definitely Floydy!
Crikey, that's powerful! Gets the attention on the first second. Outstanding, I am not often speechless!
Very Atom Heart Mother, good job!
Just beautiful. Nice work, gents!
so cool, thank you!
I do love oriental sounding music. This is quite dreamy and very nicely done.
Excellent.
Fascinating sounds!
haunting.
Norm's percussions were very inspiring, and your playing blends in so smoothly, a delicious piece, very creative, with lots of images from Sahrzad palace..
this hit me as simply beautiful, first time i've heard it back at tis. and it hasn't changed a bit, since then. the marriage of the flute and the guitar is so moving..
Fantastic song.
really takes on an Flyodish feel ( animals?) around 130
I like the Moody Blues sounding wind on this. Very cool.
Ha ha, you got it in and we get the juicey details.
Comments made by vaisvil
my dad at one time helped with a radio show - if I remember correctly Tilden High School in Chicago had a radio transmitter. This would have come from there. My son traced this back to about 1923. My father tended to bring things home from where he worked, etc. He even brought home, as far as I could tell, the entire Data General railroad traffic controlling computer - vintage early 70's - the programs were loaded via punched paper tapes - when it got replaced. And no, it wasn't used on this piece. Ben has it. But at 1000 Hz he should be able to get it work if he feeds it the right kind of electricity.
I love the floating feel this has.
also - you have an astounding memory!
Ha - this riff is mine? I sure don't remember it - now I feel embarrassed about my comment :-)
excellent! I love the opening guitar riff and cool ending!
Nailed Tom's voice!
Very Tom Waits - love it!
wow your voice sounds so like the Kinks!
love your voice here!
May I invite you to participate at ImprovFriday? You may have some fun! http://improvfriday.com/
I found my answer "These pieces are recorded live in my home studio. They are made with an electric guitar played through a laptop and a dedicated hardware looper."
What do you have in your ambient rig? I am enjoying your work!
Hi Bethan - I have no idea who played it - but they did an excellent job. The midi file I found somewhere in the 90's.
wow - another side totally! I like the string / piano combination.
Thank you for the comments on Sympathy for a Friend. I didn't use a synthesizer. All of the sound is from one take on my 19 note per octave guitar + effects.
I love that metallic sound!
The cello work is especially good.
nicely done!!
excellent - this is a great song perfectly played and sung!!
enjoyed!!