Just an instrumental I came up with on the 7-string. Wanted to try a few harmonized licks. Guitars and bass are me but the drums aren't (as with all my stuff).
On Wikipedia I read this about the great jazz pianist Bud Powell: "...his solos could be heard to emulate the horn players' attack — with the use of frequent arpeggios punctuated by chromaticism," so the first thing you hear is a lick that uses…
This is an extreme variation of Paganini's 24th Caprice, no where near the original. I just took some parts from it and did them my own way, not trying to follow the original version at all. Thanks for listening.
Tasty harmonics. I would like to hear you cover Highway Star someday. That is one of my all time favorite leads and I think one of the first "Bach-n-Roll" leads in rock history.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
This is an extreme variation of Paganini's 24th Caprice, no where near the original. I just took some parts from it and did them my own way, not trying to follow the original version at all. Thanks for listening.
This is an extreme variation of Paganini's 24th Caprice, no where near the original. I just took some parts from it and did them my own way, not trying to follow the original version at all. Thanks for listening.
This is an extreme variation of Paganini's 24th Caprice, no where near the original. I just took some parts from it and did them my own way, not trying to follow the original version at all. Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
This is an extreme variation of Paganini's 24th Caprice, no where near the original. I just took some parts from it and did them my own way, not trying to follow the original version at all. Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
This is an extreme variation of Paganini's 24th Caprice, no where near the original. I just took some parts from it and did them my own way, not trying to follow the original version at all. Thanks for listening.
Something more mellow. Got the idea from an Andy Aledort column in Guitar World magazine but can't remember which one and can't find the issue now.
Thanks for listening.
Originally by Freddie King, I did the John Mayall (Eric Clapton) version since the March 2014 issue of Guitar World mag has a good transcription of it. Looking back now I wish my lead tone wouldn't have been quite so harsh in places.
This is a Phil Keaggy tune. I swiped his original loop and then built my own thing on top of it. Might have been longer, but my volume swell effect keeps slipping out of sync with everything else. May work on it more at a later date
This is one of my earliest recordings, where I was experimenting with the Melo-Death metal sound. I am, and still to this day heavily influenced by Bach and Wagner, so I decided to bring them all in together with a starkly contrasting genre. The…
Another one from the archives....this was a piece that I wrote for a Sports Network - it was used for a floor hockey video. It was also my first real foray into Guitar Rig - being a vintage amp buff, it bordered on the blasphemous for me! All…
The idea was to create something with a bit of the flavor from Bach's Passacaglia in C Minor (and especially the orchestral transcription by Respighi). I didn't quite hit the mark, but it was a really fun project.
Remixed: 12/18/2010
keywords…
This was done in the aftermath of an evening out with Lady Jane,The two Regs and Jip 1965 which left me in a state i may never recover from and come to think of it may never remember haha
Anyway thanks for a great evening in and out and......until…
I was passing by a darkened church this evening, as the wind danced through the trees, looking though the a window, i noticed a single candle lit, flickering on the alter step, casting a shadow within.. as i pressed an ear to the dusty glass…
Once again, Greg Connor has kindly added his wonderful harmonica and Dobro to this song. Thanks so much, Greg! Mean Streak Blues is a song about how wrongly we could deal with frustration....enjoy listening
Lyrics:
Dogs bark all night
My…
Poor old Reg was just getting it together and he went and got hazed, it just wasn't fair he didn't stand a chance.....poor fellow............
I've been Hazed (Lyrics)
I’ve been hazed yeah
Freed from my head
I’ve been hazed
Freed from my head…
Justin Otter Guy (just another guy) and Gene Eric Mann (generic man) are the same musician. My originals are penned as Gene tunes (alonetone.com/mythopoetica) and my covers are uploaded as Justin tunes (/redshirt).
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
Comments on Jason Earls's stuff
Oooohh yeah! That is some damn sweet picking. Awesome work, dude! Rock the hell on!
Damn! If I could shred like that I'd never leave the house!
Shake it!!!
Tasty harmonics. I would like to hear you cover Highway Star someday. That is one of my all time favorite leads and I think one of the first "Bach-n-Roll" leads in rock history.
Athem big loved the cowbell accent
This is awesome!
amazing!
great lead work in this...awesome
Real pro Jason. Your guitar playing deserves world recognition.
Playing by feel... love it.
must have been a great article because this is sooo good! great playing
Beautifully played .....
Thanks Ken, Nick, and Kirk for the comments!
AAAAAAAAAAAAAAhhhhh... how do you do it?!!! LOL
This is really terrific Jason. That's wonderful expressive playing, very tasteful and the harmony guitars sound nice too .
Again, great guitar playing!
Cool! Love that shift at about 2:15
Jeez- This is just gorgeous Man!
Oh yeah! Nice groove, nice playing
Very nice!
Comments made by Jason Earls
Amazing track. Dark with a lot of gusto. Incredible stuff.
Nice version, great tune.
Beautiful progression, acoustic tone is amazing, love the volume swell melody.
Great tune, very nice melodies.
I like the heaviness of this, sounds cool.
Great lyrics, wicked slide and solo.
Awesome, great riffs and killer solo.
Wow, love this.
cool version, great tune.
Poignant stuff, well done!
Rocks hard, great lyrics...
Very cool, nice playing...
beautiful tune, very nice.
Superb stuff, great tone to your vocals.
Fun tune!
awesome, way cool groove and vocals...
This tune brings back memories, I used to play this in a cover band. Your version is better than how we played it.
Excellent version.
Interesting sounds, very nice track.
Amazing tune! I checked out Phil Keaggy's version of John the Revelator and it's superb. He's definitely a much better singer than I am!