Hey, Thanks! The main software was Ableton Live on a Mac on one end and FLStudio + Acid on the Windows on the other. (See? we can all get along after all ;) A whole mess of VST plugins as well.
I also like what you have going here. There's a confused timeline, anachrony, retrofuturism - at times it reminds me of Matt Johnson/The The's first album Burning Blue Soul. These tracks really evoke the time pressure that impacted the forging of them.
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
An electronic track from the Dead In The Water sessions. I thought the Last FM version was missing something, so I went in to fine-tune it.
This is the end-result of that fine-tuning.
The track deals with how there are usually no easy outs…
This appeals to my inner geek. (Okay, maybe not so inner..)
It's like if you took Aesop Rock, and put him into a B-rated sci-fi movie or an Atari video game.
This song was created by [Bilian](http://foreshadows.net/musicians/bilian) and is track 5 of the multimedia anthology, Foreshadows: The Ghosts of Zero. This song inspired a story of the same name, written by [Joe Rixman](http://foreshadows.net…
Title track of my new project, as my other group? The Seven Spiders. This song is experimental dub influenced chamber music, I am exploring the possibilities of humour in music trying to make the music itself amusing ... if that makes any sense…
Yeah - you can tell there is some microtonal hijinx going on here. It's definitely in something other than the Western 12 note even temperament.
While it sounds a little alien, there is an odd charm to it. My brain on some level acknowledges there are harmonic/melodic relationships going on here.
This is a track from the second Luna Trick CD, Hoar Frost Sheen. For the religious among us, it is not an anti-christian song - it simply rails against church crimes and a history of religion-inspired hatred. Let me know what you think. Thanks…
I like the second layer of almost ethereal vocals that kind of do acoustic acrobatics with the left and right channels. It adds another layer to the folk song.
This is really nice stuff - very atmospheric. It reminds me of Tangerine Dream or Jean-Michel Jarre.
(I remember CoolEdit. Great application - without it, we never would have seen Adobe Audition.)
After defeating the Denebians, humans credit their all-knowning Multivac computer for the victory. But inside the computer, what do the humans tasked with feeding information into it do when given unreliable information? The sound of a flipped…
I'm liking what I've heard of this album so far. It has an early Tangerine Dream sort of vibe to it. You couldn't possibly pick a better subject material to base the songs on.
Believe it or not, I was sitting in a hotel room reading Tolkien when I came up with this. Actually, the amazing thing is that I actually remembered enough of it when I got home a week later. Needless to say, this took a lot of time to record…
I like the little time-signature shifts and genre channel-surfing you do here. It's easy to tell that you really enjoyed making this - it shows in the results.
Wow. This album improves greatly from beginning to end - the last few tracks are fantastic. I like how you veer towards more electronica on some tracks, while other tracks have an almost Evanescence sort of vibe to them.
Comments on AMUC's stuff
nice work on your 24hr. sounds like it was fun to make.
This is great. Supremely atmospheric.
Hey, Thanks! The main software was Ableton Live on a Mac on one end and FLStudio + Acid on the Windows on the other. (See? we can all get along after all ;) A whole mess of VST plugins as well. I also like what you have going here. There's a confused timeline, anachrony, retrofuturism - at times it reminds me of Matt Johnson/The The's first album Burning Blue Soul. These tracks really evoke the time pressure that impacted the forging of them.
right on! love the monstrosity! good work!
Love this tune....
Love those strings, very atmospheric.
Love this one.
Fab track and great name.
Hilarious! Don't know why you're so down on your album; it's really good.
wacky, dizzy, cool music. Love the strange echoey bent distortion of the vox samples.
Very eclectic track. Delightful!
Interesting and really cool sounding vocals
woah! This is different! I like it a lot. Especially at the first minute.
bravo!!!
nice work on this one, got more? Can't wait.
very interesting. completely bonkers.. but interesting all the same!
Comments made by AMUC
This appeals to my inner geek. (Okay, maybe not so inner..) It's like if you took Aesop Rock, and put him into a B-rated sci-fi movie or an Atari video game.
This rocks - I'm hearing a strong New Order/Depeche Mode vibe to this.
I really like the clarity of the percussion here - everything sounds as clear as a pin dropping.
Wow. Just wow.
I like the layered streamed&strummed guitars here. The two play well off each other. The stereo effects create a sense of space and depth.
The mix sounds absolutely perfect in every way. I am soooooo jealous.
Yeah - you can tell there is some microtonal hijinx going on here. It's definitely in something other than the Western 12 note even temperament. While it sounds a little alien, there is an odd charm to it. My brain on some level acknowledges there are harmonic/melodic relationships going on here.
I'm really impressed with the mastering on your RPM 2012 album. It sounds very professional. Every instrument sounds crisp and clear.
I like the genre-blending going on here - it creates a very unique end result.
I like the second layer of almost ethereal vocals that kind of do acoustic acrobatics with the left and right channels. It adds another layer to the folk song.
This is really nice stuff - very atmospheric. It reminds me of Tangerine Dream or Jean-Michel Jarre. (I remember CoolEdit. Great application - without it, we never would have seen Adobe Audition.)
[ROFL] The dangers of trying to write music during girl scout cookie season. I'm more of a Tagalong fan myself. =)
I'm in shock that this is your RPM Challenge album. The whole thing sounds very professional - the vocals/songwriting/mastering. It's all good.
I'm liking what I've heard of this album so far. It has an early Tangerine Dream sort of vibe to it. You couldn't possibly pick a better subject material to base the songs on.
I like the little time-signature shifts and genre channel-surfing you do here. It's easy to tell that you really enjoyed making this - it shows in the results.
Love the vocals here -- they have a Celtic-vibe to them.
Nice! I love the synths at the very beginning. I was working on something else on my computer, and they completely grabbed my attention.
Wow. This album improves greatly from beginning to end - the last few tracks are fantastic. I like how you veer towards more electronica on some tracks, while other tracks have an almost Evanescence sort of vibe to them.
I'm digging the high sustained notes in the chorus. (Wow.)
I like how you juxtapose the electronic and more loud rock elements here.