.. only words will remain when the $h!t hits the fan.
It was a quote from an older song I wrote [Terrestrial Epitaph In Shortwave], and I felt the need to develop it further here.
It amazes me how much free advice there is out there etched…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
Alternate name: The Post-Mortem Pitchman
We live in an age nowadays where a celebrity can endorse a product or service long after they meet with the proverbial reaper.
Has anybody bothered to ask the dead guy if he wants to endorse half…
This is one of the tracks that ties into the theme from my RPM 2009 album [Like A Dark Mirror Keeping Its Secrets].
A fall from grace. Every up has its down. Every down has its up. There's definitely a "ying and yang" thing at work here.
This was based off "After Nothing" by Synaptic Disturbance. It was from their 2009 RPM Challenge album entitled "Aplysia Californica"
He had put the root tracks up for remix, and this is what I came up with -- as an experiment, I purposely made…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
Toughest thing to mix on the entire album. Synthesizer music for the attention-impaired.
If you don't like the current melody, wait five seconds.
Song name comes from my workplace addiction - I was going through a bag of cough drops weekly…
Even the cosmos needs system maintenance. When its IT department decides to delete something, sometimes that something doesn't want to go without a fight. Even computer viruses will do what they can to avoid the reaping hand of a virus checker…
"In a reformatted world with deleted people, there are still enough dead links that some individuals might indirectly be aware of the existence of those deleted. To everybody else, they'd seem either spiritual and/or mentally imbalanced…
"In a reformatted world with deleted people, there are still enough dead links that some individuals might indirectly be aware of the existence of those deleted. To everybody else, they'd seem either spiritual and/or mentally imbalanced…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
This is a redo of "I've Made Myself A Wall", from the 2009 24 hour challenge on Alonetone.
I thought the original version was a little bland, so I wanted to take a stab at breathing some fresh life into it.
For my last RPM Challenge album…
Yeah - you can tell there is some microtonal hijinx going on here. It's definitely in something other than the Western 12 note even temperament.
While it sounds a little alien, there is an odd charm to it. My brain on some level acknowledges there are harmonic/melodic relationships going on here.
This is a track from the second Luna Trick CD, Hoar Frost Sheen. For the religious among us, it is not an anti-christian song - it simply rails against church crimes and a history of religion-inspired hatred. Let me know what you think. Thanks…
I like the second layer of almost ethereal vocals that kind of do acoustic acrobatics with the left and right channels. It adds another layer to the folk song.
This is really nice stuff - very atmospheric. It reminds me of Tangerine Dream or Jean-Michel Jarre.
(I remember CoolEdit. Great application - without it, we never would have seen Adobe Audition.)
After defeating the Denebians, humans credit their all-knowning Multivac computer for the victory. But inside the computer, what do the humans tasked with feeding information into it do when given unreliable information? The sound of a flipped…
I'm liking what I've heard of this album so far. It has an early Tangerine Dream sort of vibe to it. You couldn't possibly pick a better subject material to base the songs on.
Believe it or not, I was sitting in a hotel room reading Tolkien when I came up with this. Actually, the amazing thing is that I actually remembered enough of it when I got home a week later. Needless to say, this took a lot of time to record…
I like the little time-signature shifts and genre channel-surfing you do here. It's easy to tell that you really enjoyed making this - it shows in the results.
Wow. This album improves greatly from beginning to end - the last few tracks are fantastic. I like how you veer towards more electronica on some tracks, while other tracks have an almost Evanescence sort of vibe to them.
Product of noodling around. Lead guitars are a combo of UAD's Nigel plugin and the Fractal Axe Fx. Clean guitars are the Fractal. The outro guitars are my Princeton Recording amp.
I played the piano's through my midi guitar and Axon. You can…
Lyrics:
I’ll stand above this cliff
And offer up my soul
Would there be an end to pain
To jump in to this hole
Could this be goodbye
If there’s a light below me
Will it set me free
Could I fly today
Is this my only option
Close…
Comments on AMUC's stuff
This reminds me of Hawkwind in places dig it very cool.
Like it, clean and clear sounding, refreshing with retro touches, nice one! :)
good mix
pretty damn good! i like the way it whirls with some cool sounds and the rhythm is tight.
Very cool
I love the atmosphere you create with your work. This one particularly. Great work!
Nicely done great mix.
Oh yea!! Danceable dynamite. Nice, clean production.
:)
Very clever! Love the vocal and synthy goodness, as always.
heavy breathing- captivating.
something very soothing about your songs....the bass guitar, very cool!
interesting piece, panning and the click voice was cool.
LOVE, LOVE, LOVE the synth sounds here. Well done.
You got any good theories on what "Lost" was supposed to really be about. You seem to have some kinda deep insight here with your music. I like it.
Mind=blown at this concept of yours. Brilliant I say.
i always love your lyrics
well done...AGAIN :)
FNG!
dats neat.
Comments made by AMUC
Wow. Just wow.
I like the layered streamed&strummed guitars here. The two play well off each other. The stereo effects create a sense of space and depth.
The mix sounds absolutely perfect in every way. I am soooooo jealous.
Yeah - you can tell there is some microtonal hijinx going on here. It's definitely in something other than the Western 12 note even temperament. While it sounds a little alien, there is an odd charm to it. My brain on some level acknowledges there are harmonic/melodic relationships going on here.
I'm really impressed with the mastering on your RPM 2012 album. It sounds very professional. Every instrument sounds crisp and clear.
I like the genre-blending going on here - it creates a very unique end result.
I like the second layer of almost ethereal vocals that kind of do acoustic acrobatics with the left and right channels. It adds another layer to the folk song.
This is really nice stuff - very atmospheric. It reminds me of Tangerine Dream or Jean-Michel Jarre. (I remember CoolEdit. Great application - without it, we never would have seen Adobe Audition.)
[ROFL] The dangers of trying to write music during girl scout cookie season. I'm more of a Tagalong fan myself. =)
I'm in shock that this is your RPM Challenge album. The whole thing sounds very professional - the vocals/songwriting/mastering. It's all good.
I'm liking what I've heard of this album so far. It has an early Tangerine Dream sort of vibe to it. You couldn't possibly pick a better subject material to base the songs on.
I like the little time-signature shifts and genre channel-surfing you do here. It's easy to tell that you really enjoyed making this - it shows in the results.
Love the vocals here -- they have a Celtic-vibe to them.
Nice! I love the synths at the very beginning. I was working on something else on my computer, and they completely grabbed my attention.
Wow. This album improves greatly from beginning to end - the last few tracks are fantastic. I like how you veer towards more electronica on some tracks, while other tracks have an almost Evanescence sort of vibe to them.
I'm digging the high sustained notes in the chorus. (Wow.)
I like how you juxtapose the electronic and more loud rock elements here.
Wow - nice guitaring on this one. (Yes spellcheck - guitaring is a word..)
[Dances about happily] I would love to hear this machine duet with my dishwasher.
This is beautiful. It reminds me of After Forever at their most mellow.