1994 offered just the kind of eye opener a nano second can unexpectedly bring you. You have a great soundtrack going for 1994. Please continue to indulge us.

Good to get a discussion going now, even if a bit round the houses!! Glad it wasn’t just me re the Floyd thing on this track, and now reading other comments from your thread, I can agree some Tull influence too...a rather excellent combination! I was late to the Floyd party, to be fair, being a total Genesis nut since forever, but then when I was invited to join a PF tribute in 2008 for a few years, grew to love their music totally.....

Hi there...this is the only was I can see to thank you for your regular positive comments for my orchestrations and Soundscapes!! But can I also now say that I love the feel of this track...may I say a bit reminiscent of Pink Floyd?....especially the lead solo..

That shoe box from 1994 must literally be vibrating with energy.... Like someone up in outer space could see it's energy field from a million miles away. This one is gut wrenchingly beautiful. Amazing emotion.

Oh so descending front ending then ascend to a massive middle eight . Great forward motion . Cutting slicing lyrics. Does it for me Jethro

Absolutely top-drawer in terms of composition, performance and sonically 👏

Different and beautiful. I like the build and drop, high/low contrast in the song.

Just had my daily listen to this song ...love everything about it 😎

Love the slow pace of this piece, gives it a bit of a solemn vibe Very well written and performed Good one, Andrew! KC

Haunting ... and beautifully arranged. Definitely well described as “glass completely bluddy empty” though

morning Andrew. Your secret Celtic self is peeking out here, I think you should be your self more often on this highland rank , cus I think its sweeeeeeet

Love the guitar on this :) They've certainly stood the test of time! x

Love that unexpected chord change in the middle eight - Great work!

I love that wooden acoustic sound. Nice little hook in there. It’s another winner Andrew.

This group of songs is just amazing. To think about you writing them in '94... amazing. Your guitar is just gorgeous on this one. Awesome all around.

Ok, grabbed me right away with that unexpected chord shift in the intro. I love your songwriting, man. The variety, the sonic palettes, the lyrics, the playing, the inventiveness, all of it really; it's such a pleasure to sit, listen, and lose myself in the song.

This is great, simply great. I love how you are able to sing this so well, even with your tongue firmly planted in your cheek.

Oh yeah...the slide just kicked in and the hair on the back of my neck stood up. Killer groove, the bass and drum lock up, along with the Rhodes...... Love the space in this mix too. Damn, Andrew, you are on fire. It's good to hear you making music again. Selfishly speaking, it's inspiring.

Exhales...man. I'll just say this is really, really powerful. And tough to listen to since I think I know where this is from. On a production note, whatever mics you are alluding to where a good acquisition. I love how your acoustic has been sounding on these cuts this morning.

Oh, and the ending...love the fade out flourish.

Yep, raised my pulse too. Nice one.

And this is mighty fine playing.

Every now and then I'm struck with "One day I'll get a mandolin..." and noodles like this encourage that.

Love it.

Oh yes. Love this one.

:) I thought I'd commented on this one too... (been distracted by Mrs R's latest Christmas film choice ... it's not even December yet!!! It's got Dolly in, though... interestingly she looked older in 1996 than she does now!!) ... Anyways, yes, I like the insistent rhythm driving it on.

Wow, that works, wasn't expecting it to at all, but it does, big time. Nice one.

Oh yes, like it. And I agree with thetworegs - it does evoke some Christmas vibes (this maybe something to do with the fact my wife is binge-watching Christmas films on amazon prime and I can't really get away from it!!)

Yep, that works. Majestic stuff.

Yep :)

I'll comment on this one :) ... mighty fine song.

Short and sweet!

Wow. Gorgeous sounds.

And that "yeah" - it sounds like an expression of "NAILED it" at the end of a take... and I shall take it as that. But it could so easily be what I tend to capture a lot: a response to a call of "dinner's ready, I've called you three times already" lol

Or is it actually a keyboard? On second listen I'm wondering whether there's a also a keyboard pad of some sort tying the mix together. Could be guitars, though... anyways, very balanced mix that makes everything shine, especially the vocal.

Woah! That use of the wah is SO cool. The vocal is a goodie too. I like that guitar doing the plink plink plink kind of piano part thing. The guitars are huge. Love the "yeah!!" (is that what it is?) at the end. Digging this track big time.

Cool sounds

Nope, that's not a silly little ditty at all - well, you can call it that, if you want :) - it's actually quite thought-provoking. Nice one.

GEETARS! :) Love the leads... Oh yeah... I think I'd like the rhythm ones louder, but they've got a lot of mids between them, so they probably could drown out the rest. I think we could take a spot more, though... Oh! Just reread the blurb - the rhythms are through a cocked wah? Ah, then you had the same problem as whoever had to mix Blizzard of Ozz, MSG, etc! LOL (I only tried that technique once - bear in mind this was a bluesrock band - my sound engineer went "wtf are you doing!?!? If you keep doing that I'm just turning your fader down..." lol)

That's a cool track. Pulls you in a spins you round. Like it.