Written today.
recorded on an iMac with the internal mic and no headphones (!) so it's probably going to be muddy as hell, but that feels about right for now.
LYRIC:
Fill up the glass, Bartender
Ply your art
Quench the fire in here, now…
@Crossroads
@jackmerlot: Hello? I think I'm in the right place, but there is nobody around right now?
@raven: Caw! Never-more.
@jackmerlot: Well a fat lot of good you are. Can you say anything else, or are you one of those greasy, diseased birds with no conscience?
@raven: Kra-Kaw! Never-more...never-mind...he's here!
@mingus: And I suppose you're wondering what you'd do, for a lifetime subscription to Ernie Ball's Bass Strings of the Month club, & a signed copy of the Black Saint & the Sinner Lady?
@jackmerlot: Hey, wait a minute. A guy that kinda looked like you gave me this card. *pulls out business card, printed on heavy bond stock with slightly raised monogram letterpress printed on it*
@mingus: Ah, uh, yeah. I mean, Ah Um.
@raven: Kraaaakkow! RED-RUM!
@jackmerlot: Hey, thanks a lot for meeting me, but you're not actually the guy I meant to meet here.
@woodyguthrie: May I help you?
He's standing in a State Fair Kissing Booth about 20 yards from @crossroads.
Do you wish to trade business cards with Woody Guthrie? ( y/n )
Cave Street posted a track recently, their contribution to the Woody Guthrie Project, organised by Akron Family.
http://akronfamily.com/woodyproject/W.G.A..html
I wanted to take a shot at this too, so here's my demo. It was really just half…
Aww, man. My cousin's youngest just turned one; his name is Arlo. I never axed my cousin if they named him after Arlo Guthrie, but I guess in the back of my mind I always assumed they probably considered that when they named him.
"This Machine Kills... Fascists." written in Sharpie marker on Woody Guthrie's acoustic guitar.
Final version
Every so often when i'm thinking of something else a western song pops up as if there is a soundtrack to a movie running in the back of my head. I might have to gather em all up into a playlist some day.
track nine, or at least…
I'm finally happy with this track - v1 was too much of a nothing song and it's been bugging me all the way to the last night of the challenge.
1 more to mix
Sassy Nation version!
Sister Savage and Mr Sandbags collaborated on the original of this wonderful heartbreaker of a song. I've been playing it on the guitar the last few days and it always seemed to come out with a grittier tone, so i asked…
This was an RPM track back in the day, and I've been playing it various ways to find a setting for it within the band repertoire. This doesn't sound much like our band would do it but it came out nicely, so i thought i'd share it.
Final version
Day 28
Anyone else still writing songs?
this is the result of trying to listen to too many mixes in one day. Sometimes it's just easier to record something else.
This was an RPM track back in the day, and I've been playing it various ways to find a setting for it within the band repertoire. This doesn't sound much like our band would do it but it came out nicely, so i thought i'd share it.
Final version
Day 28
Anyone else still writing songs?
this is the result of trying to listen to too many mixes in one day. Sometimes it's just easier to record something else.
This was an RPM track back in the day, and I've been playing it various ways to find a setting for it within the band repertoire. This doesn't sound much like our band would do it but it came out nicely, so i thought i'd share it.
This was an RPM track back in the day, and I've been playing it various ways to find a setting for it within the band repertoire. This doesn't sound much like our band would do it but it came out nicely, so i thought i'd share it.
This was an RPM track back in the day, and I've been playing it various ways to find a setting for it within the band repertoire. This doesn't sound much like our band would do it but it came out nicely, so i thought i'd share it.
This was an RPM track back in the day, and I've been playing it various ways to find a setting for it within the band repertoire. This doesn't sound much like our band would do it but it came out nicely, so i thought i'd share it.
I'm finally happy with this track - v1 was too much of a nothing song and it's been bugging me all the way to the last night of the challenge.
1 more to mix
I tell my students to keep things simple—couple o' chords, not to many notes, and just tell a good story. That's what makes a best songs. This fits that definition.
This was an RPM track back in the day, and I've been playing it various ways to find a setting for it within the band repertoire. This doesn't sound much like our band would do it but it came out nicely, so i thought i'd share it.
A happy song about being left by your no-good spouse. There's a word for the attitude in this song but I can't think of it right now ...
this is now a tidied up version 18/3/09
This was an RPM track back in the day, and I've been playing it various ways to find a setting for it within the band repertoire. This doesn't sound much like our band would do it but it came out nicely, so i thought i'd share it.
This was an RPM track back in the day, and I've been playing it various ways to find a setting for it within the band repertoire. This doesn't sound much like our band would do it but it came out nicely, so i thought i'd share it.
Guitars/Mandolin/Pennywhistle: Doug Sparling
Fiddle: Brent Hoad
Bodhran: David Shaughnnessy
Composer: Doug Sparling
Recorded: 2005
Set of three tunes I wrote in 2005. Well, I guess they're hornpipes of sorts...
Guitars/Pennywhistle: Doug Sparling
Bodhran: David Shaughnessy
Composer: Doug Sparling
Recorded: 2005
A couple of jigs I wrote after spending time on Inishmore in the Aran Islands.
More stuff from the ancient archives rescued from the same cassette tape as Last Nights Fun. This time a set of 3 Irish reels Live at a concert back around 1992
Just messing around on a Saturday morning. A
rough cut at best, but I get a kick out of it.
This is a song by the great Jimmy Dean - 1961
I used to spin this 45 RPM record way back when I
wore a young boy's clothes. I always wanted to
cover…
My submission for the Woody Project.
I started this jam in A minor then found out it was in C. So I figure I got as close as a guess can get.
I left it as is because it's a jam, and this tune should be jammed 300 million ways.
Enjoy Woody…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly.
I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
First done by Dock Boggs back in the 20s, it's a great piece of melancholy parafunalia. Eerie to think it's a suicide note and reassuring to know he was still a tough old bird 40 years later.
Just messing around on a Saturday morning. A
rough cut at best, but I get a kick out of it.
This is a song by the great Jimmy Dean - 1961
I used to spin this 45 RPM record way back when I
wore a young boy's clothes. I always wanted to
cover…
I remember the orange label! And i came across a version of the B side recently and it's been bugging me where i heard it before, til i saw this. Now i know lol
good fun!
A song that has it all. Two chords, great energy, positive lyrics and a punk meets reggae vibe. This is a cover of Stiff Little Fingers version. Original was written by Bunny Wailer after he left Bob Marley's Wailers.
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
Kind of a Sonic Youth version of the old folk tune. This was with my band Lincoln The Chain. Our vision was to create new and weird versions of tunes from the old timey days. Traveling music for post apocalyptic underground railroad...
Welcome to the Beauty and Truth Lab. Describe what you want more than anything else.
The song is part of the soundtrack from my book, "PRONOIA Is the Antidote for Paranoia: How the Whole World Is Conspiring to Shower You with Blessings," which…
Comments on Gumbo's stuff
Wonderful song - awesome performance.
Hey, where did the video go? Giving this album a whirl again - still one of my faves.
@Crossroads @jackmerlot: Hello? I think I'm in the right place, but there is nobody around right now? @raven: Caw! Never-more. @jackmerlot: Well a fat lot of good you are. Can you say anything else, or are you one of those greasy, diseased birds with no conscience? @raven: Kra-Kaw! Never-more...never-mind...he's here! @mingus: And I suppose you're wondering what you'd do, for a lifetime subscription to Ernie Ball's Bass Strings of the Month club, & a signed copy of the Black Saint & the Sinner Lady? @jackmerlot: Hey, wait a minute. A guy that kinda looked like you gave me this card. *pulls out business card, printed on heavy bond stock with slightly raised monogram letterpress printed on it* @mingus: Ah, uh, yeah. I mean, Ah Um. @raven: Kraaaakkow! RED-RUM! @jackmerlot: Hey, thanks a lot for meeting me, but you're not actually the guy I meant to meet here. @woodyguthrie: May I help you? He's standing in a State Fair Kissing Booth about 20 yards from @crossroads. Do you wish to trade business cards with Woody Guthrie? ( y/n )
Aww, man. My cousin's youngest just turned one; his name is Arlo. I never axed my cousin if they named him after Arlo Guthrie, but I guess in the back of my mind I always assumed they probably considered that when they named him. "This Machine Kills... Fascists." written in Sharpie marker on Woody Guthrie's acoustic guitar.
Love the minor / finished triad movements
Some skiffleheads I know dig this real well.
Creaky ol' Wurlitzer warm & inviting
Sounds a little Dylanesque, love it.
Loved this version.
Surprising how one song can be played in many different ways and still retain it's individuality.
Well, Gumbo Ill follow you any where
Alone tone needs more of this a few less mixes Faved
Oh, my this is great stuff! You got a real sound here. More more more
COME BACK
Hey Stu, people are asking if you're gonna be RPM-ing this year. Hope so!
I tell my students to keep things simple—couple o' chords, not to many notes, and just tell a good story. That's what makes a best songs. This fits that definition.
I love pure folk tunes like this. Nice work.
a lot of joy here!
good to hear
very good man
Comments made by Gumbo
a friend recently explained that you can recognise a hornpipe by imagining you are dancing and one of your legs is shorter than the other!
I like that second jig, Doug - lovely
kickin' ! what does she say at the end?
mellow grooves, Alex. very enjoyable - this is my fave
Jimmy Dean just passed away, which is one of those things that happen to people after a while, and well worth remembering.
I can't look !! lol good fun!
Nice work Bri, i actually enjoyed listening to this and i don't particularly like my version. The bass gives it a lovely roll.
nice groove (tra-vell-in) i like the (tra-vell-in) bass line (tra-vell-in) especially (tra-vell-in)
thanks for explaining the count btw - that helps a lot
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly. I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
thanks guys kavin. - there's a good Folkways collection of Boggs' 60s recordings and you can hear a few of his 78rpm sides at the Archive.org
I remember the orange label! And i came across a version of the B side recently and it's been bugging me where i heard it before, til i saw this. Now i know lol good fun!
Effin GREAT!
Peter Gabriel eat your heart out!
you got some gems in this new batch - i love this one too!
Classic!
lovely 1am music and the starlings in the rafters like it too
great riff and it's pretty cool to keep the energy going like that
there's a nice sense of space in this - Summer Goth if i might be so bold Bring on the lyrics
Yay Salamanders! Yay Toasters!