A cover of Iron Angel Forge's song from his 2009 RPM Challenge album, Not Forsaken. He is here at alonetone under the name IronAngel.
I haven't told him yet, though, so it's a surprise ;~)
this is the slightly sparkly version of my version of Moschell's "Boxes and Strings" from his 'Circus of Freaks and Fools' RPM Challenge CD. I recorded it as a video last night and redid it in the studio (unfinished sauna) today.
Written today.
recorded on an iMac with the internal mic and no headphones (!) so it's probably going to be muddy as hell, but that feels about right for now.
LYRIC:
Fill up the glass, Bartender
Ply your art
Quench the fire in here, now…
gotta love a good blues tune!
PS. thanks for the comment on Dubadadidabadu - yeah, the volume on the vocal is way too low - but i never got around to fixing it. The vocal (and a few other choice parts) are actually the work of another recent alonetoner, K. Scot Sparks.
Written today.
recorded on an iMac with the internal mic and no headphones (!) so it's probably going to be muddy as hell, but that feels about right for now.
LYRIC:
Fill up the glass, Bartender
Ply your art
Quench the fire in here, now…
This was the first time I'd fired up my telecaster and amp for a recording and it felt like sitting in Sun Studios or something. Amazing sound after playing just acoustic instruments for a year. It's the first take and I loved it!
This is now…
Written today.
recorded on an iMac with the internal mic and no headphones (!) so it's probably going to be muddy as hell, but that feels about right for now.
LYRIC:
Fill up the glass, Bartender
Ply your art
Quench the fire in here, now…
Written today.
recorded on an iMac with the internal mic and no headphones (!) so it's probably going to be muddy as hell, but that feels about right for now.
LYRIC:
Fill up the glass, Bartender
Ply your art
Quench the fire in here, now…
This was the first time I'd fired up my telecaster and amp for a recording and it felt like sitting in Sun Studios or something. Amazing sound after playing just acoustic instruments for a year. It's the first take and I loved it!
This is now…
Written today.
recorded on an iMac with the internal mic and no headphones (!) so it's probably going to be muddy as hell, but that feels about right for now.
LYRIC:
Fill up the glass, Bartender
Ply your art
Quench the fire in here, now…
Written today.
recorded on an iMac with the internal mic and no headphones (!) so it's probably going to be muddy as hell, but that feels about right for now.
LYRIC:
Fill up the glass, Bartender
Ply your art
Quench the fire in here, now…
A grief song. You know this place. If you don't then move on while you still can. Seriously. Don't click ..
This is a tidied up version, I managed to get rid of some of th noise and rebalance the vocals 18/3/09
Damn. The intro gtr, it's tone, what a great sound. It sounds like an old recording. I like how you left the ambient noise with it. What a great recording.
This was the first time I'd fired up my telecaster and amp for a recording and it felt like sitting in Sun Studios or something. Amazing sound after playing just acoustic instruments for a year. It's the first take and I loved it!
This is now…
A cover of Iron Angel Forge's song from his 2009 RPM Challenge album, Not Forsaken. He is here at alonetone under the name IronAngel.
I haven't told him yet, though, so it's a surprise ;~)
this is the slightly sparkly version of my version of Moschell's "Boxes and Strings" from his 'Circus of Freaks and Fools' RPM Challenge CD. I recorded it as a video last night and redid it in the studio (unfinished sauna) today.
A cover of Iron Angel Forge's song from his 2009 RPM Challenge album, Not Forsaken. He is here at alonetone under the name IronAngel.
I haven't told him yet, though, so it's a surprise ;~)
I had no idea myself - I just got into this morning and started to get the feel of the song and the house was all quiet and then presto - it was done. Now I should get back outside and get the scrap into the trailer like I'm supposed to!
A cover of Iron Angel Forge's song from his 2009 RPM Challenge album, Not Forsaken. He is here at alonetone under the name IronAngel.
I haven't told him yet, though, so it's a surprise ;~)
Holy Smokes! I had no idea... heh.
Great Job! It sounds far better than my quick take still dripping from the shower did. Your guitar lines are much prettier as well!
Thanks Gumbo!
A cover of Iron Angel Forge's song from his 2009 RPM Challenge album, Not Forsaken. He is here at alonetone under the name IronAngel.
I haven't told him yet, though, so it's a surprise ;~)
Guitars/Mandolin/Pennywhistle: Doug Sparling
Fiddle: Brent Hoad
Bodhran: David Shaughnnessy
Composer: Doug Sparling
Recorded: 2005
Set of three tunes I wrote in 2005. Well, I guess they're hornpipes of sorts...
Guitars/Pennywhistle: Doug Sparling
Bodhran: David Shaughnessy
Composer: Doug Sparling
Recorded: 2005
A couple of jigs I wrote after spending time on Inishmore in the Aran Islands.
More stuff from the ancient archives rescued from the same cassette tape as Last Nights Fun. This time a set of 3 Irish reels Live at a concert back around 1992
Just messing around on a Saturday morning. A
rough cut at best, but I get a kick out of it.
This is a song by the great Jimmy Dean - 1961
I used to spin this 45 RPM record way back when I
wore a young boy's clothes. I always wanted to
cover…
My submission for the Woody Project.
I started this jam in A minor then found out it was in C. So I figure I got as close as a guess can get.
I left it as is because it's a jam, and this tune should be jammed 300 million ways.
Enjoy Woody…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly.
I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
First done by Dock Boggs back in the 20s, it's a great piece of melancholy parafunalia. Eerie to think it's a suicide note and reassuring to know he was still a tough old bird 40 years later.
Just messing around on a Saturday morning. A
rough cut at best, but I get a kick out of it.
This is a song by the great Jimmy Dean - 1961
I used to spin this 45 RPM record way back when I
wore a young boy's clothes. I always wanted to
cover…
I remember the orange label! And i came across a version of the B side recently and it's been bugging me where i heard it before, til i saw this. Now i know lol
good fun!
A song that has it all. Two chords, great energy, positive lyrics and a punk meets reggae vibe. This is a cover of Stiff Little Fingers version. Original was written by Bunny Wailer after he left Bob Marley's Wailers.
Love like a salt river washing away
Love's like sunshine evaporate
Love like floating candles blowing away
Watch out for the way you'll compensate
When I've seen all you have to give
When I'm still hungry
I need more than this
Tell me how…
Kind of a Sonic Youth version of the old folk tune. This was with my band Lincoln The Chain. Our vision was to create new and weird versions of tunes from the old timey days. Traveling music for post apocalyptic underground railroad...
Welcome to the Beauty and Truth Lab. Describe what you want more than anything else.
The song is part of the soundtrack from my book, "PRONOIA Is the Antidote for Paranoia: How the Whole World Is Conspiring to Shower You with Blessings," which…
Comments on Gumbo's stuff
you are getting more and more gritty. i think it is a good direction for you
I like this. Hoping it turns into something cool. Sounds good so far.
Thanks for the sounds --and for ye comments earlier on mine. Peace to you.
cool tune
Hey this is great! I still can't believe the lyrics - great entertainment.
gotta love a good blues tune! PS. thanks for the comment on Dubadadidabadu - yeah, the volume on the vocal is way too low - but i never got around to fixing it. The vocal (and a few other choice parts) are actually the work of another recent alonetoner, K. Scot Sparks.
I really like these vocals
<3 <3 <3 First one I clicked on, loved it immediately!
I can dig it. This reminds of so many things. Keep producing.
Very cool. Somebody been to the crossroads.
... cool to listen !
Like it.
You gotta watch that devil. He pops up in all the really catchy numbers. :-)
Damn. The intro gtr, it's tone, what a great sound. It sounds like an old recording. I like how you left the ambient noise with it. What a great recording.
This is a great song. I like the blend of instruments and the lyrics are brilliant. Great tune Gumbo.
*holds lighter in the air*
Cheers!! I want to stay:)
I had no idea myself - I just got into this morning and started to get the feel of the song and the house was all quiet and then presto - it was done. Now I should get back outside and get the scrap into the trailer like I'm supposed to!
Holy Smokes! I had no idea... heh. Great Job! It sounds far better than my quick take still dripping from the shower did. Your guitar lines are much prettier as well! Thanks Gumbo!
A dreamy cover of campfire loveliness. Well played!
Comments made by Gumbo
a friend recently explained that you can recognise a hornpipe by imagining you are dancing and one of your legs is shorter than the other!
I like that second jig, Doug - lovely
kickin' ! what does she say at the end?
mellow grooves, Alex. very enjoyable - this is my fave
Jimmy Dean just passed away, which is one of those things that happen to people after a while, and well worth remembering.
I can't look !! lol good fun!
Nice work Bri, i actually enjoyed listening to this and i don't particularly like my version. The bass gives it a lovely roll.
nice groove (tra-vell-in) i like the (tra-vell-in) bass line (tra-vell-in) especially (tra-vell-in)
thanks for explaining the count btw - that helps a lot
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly. I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
thanks guys kavin. - there's a good Folkways collection of Boggs' 60s recordings and you can hear a few of his 78rpm sides at the Archive.org
I remember the orange label! And i came across a version of the B side recently and it's been bugging me where i heard it before, til i saw this. Now i know lol good fun!
Effin GREAT!
Peter Gabriel eat your heart out!
you got some gems in this new batch - i love this one too!
Classic!
lovely 1am music and the starlings in the rafters like it too
great riff and it's pretty cool to keep the energy going like that
there's a nice sense of space in this - Summer Goth if i might be so bold Bring on the lyrics
Yay Salamanders! Yay Toasters!