Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
very cool,, is that a spanish style under the more elastic electric? neat combination, i like the way they work together, and thanks for the listen to my recent work r
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
I thought I had commented on this one already. Oh, well it was probably my gobsmacked comment got spammed off!
It's the slide mandolin that is so fascinating.
Some people measure things by inches and miles,
gallons and quarts and sometimes smiles, but I got a measure that I made up: I measure my orange juice by the "blub, blub, blub.".
Final version of this tune - voice and guitar, banjoe accompaniment
i'm still getting used to this new mic and finding my voice sounds different with or i'm singing differently because of it. So .. feedback appreciated, and if you like it…
I've noticed the Yeti has a lot of midrange, so I've been adjusting eq for that, like GN said. It's actually perfect for this style, type of song, sounds like an old 78, without the cracks and pops.
~Through the night, and darkness, we rush forward to the tops of the universe. What for we're?~
The original version of this song was composed, written and mixed on board of the night train to Berlin, in 2004. Here is an updated version number…
This is a song about finding momentary escape from the pain of loss.. and having it interrupted by the realisation that it's the anniversary of the day it all started;
Some days I get up
and I go to the park
and I sit in the dark
and I think…
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
yeah when I first hear CV's tune I thought some Howlin Wolf or Tom Waits would work well over it, I just don't have the voice for it. Your version takes more of a Dr. John vocal tonality, which I like!
@captgene: I just changed strings with the Elixir Resonator pack, which uses heavier gauge, but busted the G right off the bat, not impressed but pretty good tone on the remaining 5. Some sliders have told me they don't care for the tone of coated strings. I should prob. start a thread in the forum for this..
THE INAPPROPRIATE QUESTION - Capo @ 2 to sing
G C/G bass
She said, “I can see that you’re hurting,
And I can see that you are wearing a ring.
Perhaps an inappropriate question,
but I’d like to ask you something.
Soon I will be a grand…
Comments on kavin.'s stuff
Cool project, what recorder? Zoom? dadgad works for me
Once again, great idea! The natural acoustics of the room really show off your guitar playing.
Beautiful.....
Beautiful What a great idea!
Very nice!
Whayhay, not bad!!! :) Brilliant work and live too - amazing!
Oh, that's "noodling" is it? Ha, I wish!!! Great stuff!
lovely touch, the recording makes me feel like im right there, feeling the strings vibrating
nice guitar work
Great from van leaf
Interesting music. You have some facinating sounds and textures going on here.
very cool,, is that a spanish style under the more elastic electric? neat combination, i like the way they work together, and thanks for the listen to my recent work r
An interesting combination of raga type music combined with classical spanish guitar. Quite compelling.
Nice one mate.
gotta love the impov first time feel.
Tingely
love the tension on this one, good stuff
Very nice old school sound
Excellewnt, strong vocal dilivery with some inventive support
I thought I had commented on this one already. Oh, well it was probably my gobsmacked comment got spammed off! It's the slide mandolin that is so fascinating.
Comments made by kavin.
Funny. The chipmunks go to Hawaii
Seamless. Mysterious and quirky. Great colabb.
4 blubs a day does a body good JMT!
Synthy goodness nice long track.
this has a Dixie Dregs vibe that I like.
I've noticed the Yeti has a lot of midrange, so I've been adjusting eq for that, like GN said. It's actually perfect for this style, type of song, sounds like an old 78, without the cracks and pops.
please stop...nobody here likes this shite
thanks for checking out JD, that's a real oldie! But a personal fave I still play live everytime.
Very nice. I'd like to borrow your orchestra!
Simply great! Thanks for sharing.
delightfully idiosyncratic!
This is pure winter morning bliss, Doug. RPM on, bro!
dang your good. Playing guitar and flute at the same time! :)
@jarvis: to insert picture, in this case I pasted html embed code from photobucket in the about window.
yeah when I first hear CV's tune I thought some Howlin Wolf or Tom Waits would work well over it, I just don't have the voice for it. Your version takes more of a Dr. John vocal tonality, which I like!
@captgene: I just changed strings with the Elixir Resonator pack, which uses heavier gauge, but busted the G right off the bat, not impressed but pretty good tone on the remaining 5. Some sliders have told me they don't care for the tone of coated strings. I should prob. start a thread in the forum for this..
Good one, JMT.
Just heard this over on the RPM site. Badass harp, slide gtr and song!
I don't know what these chants are or where from, but I'm loving it.
I just realized, at about the one minute mark, you can just hear my bud Charlie tinkling on a toy piano offstage.