Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
Noodling with the "art guitar" in DADGAD tuning in the Serra sculpture Vortex at the FW MOMA. No fx added, all natural reverb/delay inside the structure.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
very cool,, is that a spanish style under the more elastic electric? neat combination, i like the way they work together, and thanks for the listen to my recent work r
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
From a few years back. Bill Pohl, Darrin Kobetich and I playing in the lounge at the Ridglea theater, in Fort Worth, Tx. Our first performance as "Strung, Drawn and Quartered". Notable because of my first use of live looping.
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
I thought it would be fitting to post this today, on Memorial Day, as a tribute to my friend William Easley, as well as all who have fought and died in wars, American or otherwise.
Sometime back in the 60's William (Billy from here on) heard…
I thought I had commented on this one already. Oh, well it was probably my gobsmacked comment got spammed off!
It's the slide mandolin that is so fascinating.
This track was created as part of the October 2010 Alonetone 24 hr challenge. The challenge is to make 24 minutes of original music in one 24 hour period.
Featuring an except from "The Orton Diaries" edited by John Lahr.
So Jim of "Movement to Contact" asked me a couple of weeks ago to send him something...
I had no idea how ridiculously good the final result would come out.
KL: Vocals, lyrics, left side rhythm guitar and picking
MTC: Lead guitar, bass…
So Jim of "Movement to Contact" asked me a couple of weeks ago to send him something...
I had no idea how ridiculously good the final result would come out.
KL: Vocals, lyrics, left side rhythm guitar and picking
MTC: Lead guitar, bass…
Stealin' Pumpkins off the vine...
Such good fun I do it all the time.
Single Gon Bops conga track miced for heavy bass. And 2 tracks of cow bell, of course.
4/4 200bpm
Had these backing tracks laying around on my drive for a while and didn't know what to do with them, so grabbed my Ebow and a fretless electric that I built for myself a couple years ago and had a go. My fretless playing is really in its infancy…
You look out the window and the creek is swelling. Slowly crossing the lawn and heading up the driveway.... Time to get the lawnmower to higher ground.
TODAY IT’S GONNA RAIN - Key C
G
Today it’s gonna…
I swore that I would NEVER upload this. Was having a bad day trying to loop "nice" acoustic guitar sounds and got frustrated so grabbed my Taylor and plugged it into a cheesy Effects box and straight into the looper. Started twiddling knobs and…
There is nothing like the presence of a horse. The quiet understanding. The gentle strength.
Woodlake, California...1961. I had a horse. She was my friend.
There were times in my teens when Babe was the only being that did not judge me…
please see linked video => A Harmonic Series composition, Reverend Terry Jones, radical Islam, radical Christianity, doing harm in the name of religion.
I took recordings of mandolin, guitar, and bass and processed them in Paul Extreme…
please see linked video => A Harmonic Series composition, Reverend Terry Jones, radical Islam, radical Christianity, doing harm in the name of religion.
I took recordings of mandolin, guitar, and bass and processed them in Paul Extreme…
Well done. I'm all for free speech, but I question motives of those who want to burn books, flags, etc. for any "cause". I think the burner's seek attention for themselves more often than not.
@jarvis & kirklynch - no notches, capo @ 3rd fret over the neck, then 2nd capo @ 5th fret under the neck on bottom 4 strings only, sort of an open Cmaj, standard tuning. The intro is an ebow, which I rarely use on acoustic. thanks yawl
Comments on kavin.'s stuff
Cool project, what recorder? Zoom? dadgad works for me
Once again, great idea! The natural acoustics of the room really show off your guitar playing.
Beautiful.....
Beautiful What a great idea!
Very nice!
Whayhay, not bad!!! :) Brilliant work and live too - amazing!
Oh, that's "noodling" is it? Ha, I wish!!! Great stuff!
lovely touch, the recording makes me feel like im right there, feeling the strings vibrating
nice guitar work
Great from van leaf
Interesting music. You have some facinating sounds and textures going on here.
very cool,, is that a spanish style under the more elastic electric? neat combination, i like the way they work together, and thanks for the listen to my recent work r
An interesting combination of raga type music combined with classical spanish guitar. Quite compelling.
Nice one mate.
gotta love the impov first time feel.
Tingely
love the tension on this one, good stuff
Very nice old school sound
Excellewnt, strong vocal dilivery with some inventive support
I thought I had commented on this one already. Oh, well it was probably my gobsmacked comment got spammed off! It's the slide mandolin that is so fascinating.
Comments made by kavin.
Some dark, experimental stuff on this album. Digging it.
Always a big compliment to get a smiley from Mac! :)
..and MTC Jim!
very nice Keith. Where exactly was that playlist pic taken?
you are a rhythm machine man! I'll be stealing this 'un for sure!
saweeet...sounds like slide but it's fretless! Did you break out the DL4 for this?
Hope your heads above water my friend, great tune!
Never say never! A well executed loop piece. C'mon Bethan, give it another try!
nice Krautrock sound to this. powerful.
some of by best perfs have been in guitar centers, playing with the really expensive strings I can't afford.
Great one Jim. Love the narrative approach there.
thanks. Son Eric on bass, friend Phil on Edrums. I just served as producer on this 'un.
nicely chilled!
welcome to alonetone Jukka! Glad you're hear.
I never would have imagined this "odd couple" together but the gating was an ingenious idea!
Nice use of silence and note formation. Great!
When I was a lad we used to melt crayons to make multi-colored candles (it was the 60's), seems to me more constructive than outright burning crayons.
Well done. I'm all for free speech, but I question motives of those who want to burn books, flags, etc. for any "cause". I think the burner's seek attention for themselves more often than not.
Nice mellow jam with thunderstorm, very good.
@jarvis & kirklynch - no notches, capo @ 3rd fret over the neck, then 2nd capo @ 5th fret under the neck on bottom 4 strings only, sort of an open Cmaj, standard tuning. The intro is an ebow, which I rarely use on acoustic. thanks yawl