This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Nice! In terms of textures and space, it's a little like some of Bill Frisell's work. The foreground guitar has a nice, natural, non-piezo-acoustic-electric sound that is appealing.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
This track is from the 1986 Scartaglen album "The Middle Path". The first tune "Jezaig" was composed by Breton musician Gilles Le Bigot. The second tune is one of the "Cantigas de Santa Maria" and is attributed to King Alfonso X of Spain
Roger…
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
I'm digging this. Reminds me a bit of the Valley Of the Giants album "Westworld".
The backwards guitar is awesome. Was that done in post or was it all live with a pedal? If it's the latter which pedal did you use?
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Maybe I missed a career scoring for no budget spaghetti westerns, because this is what this reminds me of. Done live a couple weeks ago with the Taylor and a floor full of toys and loopers.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
Another Live performance with former band mates in Scartaglen back in 1988 on the NPR show Mountain Stage. This time a piece of Gaelic mouth music followed by 3 reels. Maybe the most complex arrangement of a set of tunes that we ever did.
My opus. By far the longest song I've ever recorded. I tried to make it shorter, but it just didn't work. Sorry. :)
"The Water-Carver" uses a sample from Stereolab's "Changer." (Gane/Sadier)
I imagine this music playing in a bar sometime in the future, probably in the background while cybernetic bar patrons interface with one another in full view of the world's sensor network.
Hurray patches?
The melody was the last thing that was written for this.
The piano is a placeholder for whenever I get around to actually writing full lyrics. (I have a few lines written down, but I’m not sure if that’s the direction I want…
Played all at once through a little plastic hole (Micro BR), so I know it needs to be redone. I've been down with swine fever for the past few days and have barely been able to hang onto a guitar, so this ought to be a crowd pleaser :) A song…
this is a traditional blues tune originally recorded 77 years ago by the legendary robert johnson . since then everyone from the stones to clapton have had a go at it ,i have tried to bring it back to it's starting point IE: a man , an old cheap…
This songs reminds me that this is the moment i have. No longer looking for the dawn for the dawn is here.
This is the moment
this is the moment
that i've been waiting for
I've been waiting for
the dawn and the dawn is coming soon
"Farmer's Blow" is redneck rap. Oh yeah, I went there.
- - -
If you're on the run
And your nose has gotta go
Don't grab a tissue
Do the farmer's blow
Just tilt your head
To the side
Then block one nostril
And let it ride
You may think
That…
My first upload for the 2010 RPM Challenge! I wanted to make a mean-sounding, minimal, instrumental groove track, and this is what I came up with. I tried a bunch of different bass lines, but they all made it sound too busy.
Comments on kirklynch's stuff
Great stuff! The screams are a very ominous way to keep the beat :)
Very nice. Great flow
Wow! I'm normally not into acapella, but that intro got me hooked until the instruments came in! Awesome piece!
Great tone, very full sounding! Did you mic an amp, or was this straight into a computer?
Spooky sounds and good playing!
Nice! In terms of textures and space, it's a little like some of Bill Frisell's work. The foreground guitar has a nice, natural, non-piezo-acoustic-electric sound that is appealing.
dynamite! making that guitar really talk.
excellent!
Very nice guitar work here , this one sure takes on a real cool trip into the sounds my Friend, "G"
Hell yeah!
In-cre-di-ble!!
Outstanding Kirk! Beautiful work.
Piece, full of fading lights. Is an ambient blues.
I'm digging this. Reminds me a bit of the Valley Of the Giants album "Westworld". The backwards guitar is awesome. Was that done in post or was it all live with a pedal? If it's the latter which pedal did you use?
Amazingly beautiful piece, Kirk..!!!
Instantly faved!
I'd have you score my crazy campy psychedelic westerns. Well, if I had any. Diggin the reverse guitars and overall atmosphere.
very esoteric!certainty feels like walking on a trail in solitude
Grand piece of Gaelic music. Great vocals. Great playing. I expect Fiona Ritchie to return after these messages.
Loving the vocals.
Comments made by kirklynch
Wow! Great work. Love that fade at the end with those little piano notes floating around
Nice tune! There- you've been told!
How cool! Great beats! Love that bit that comes out of nowhere at 3:30
Nice vibe on this one! Like it!
Holy Crap! That's nuts! And great fun!
A lovely departure it is!
Great writing! Get well soon!
Wonderful version of a classic!
Great groove!
Great vocals. Love the harmonies!
Really nice playing man! Love your tone on this one!
That distinctive Vivian Circle sound! Love it!
WOW! Stunning!
Really interesting track!
Really nice one man!
I'm with Savage. I like it too!
LMAO!!!!
Quite a mood you created there!
A real beauty Richard!
Quirky alright, but nice! Really different