An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
A happy kind of electro pot-pourri.
The process:
- find a sound, noodle in Ab
- find another sound, develop a compatible noodle
- repeat a couple of times
- program a beat
- add replicant
- find other sounds for a B section
- find more sounds…
Another ambient noodle for this weekends 24 in 24.
The process:
- record a bunch of Plinkton (iphone app)
- dupe the tracks a couple of times, screw with the warping tempo
- add camelphat to one, camelspace to the other, leave the third alone…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Another ambient noodle for this weekends 24 in 24.
The process:
- record a bunch of Plinkton (iphone app)
- dupe the tracks a couple of times, screw with the warping tempo
- add camelphat to one, camelspace to the other, leave the third alone…
A happy kind of electro pot-pourri.
The process:
- find a sound, noodle in Ab
- find another sound, develop a compatible noodle
- repeat a couple of times
- program a beat
- add replicant
- find other sounds for a B section
- find more sounds…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Another ambient noodle for this weekends 24 in 24.
The process:
- record a bunch of Plinkton (iphone app)
- dupe the tracks a couple of times, screw with the warping tempo
- add camelphat to one, camelspace to the other, leave the third alone…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
Gurgling, bubbling, churning.
This is the last track of the March 2010 24 hour challenge.
The process...
- find some interesting synth sounds (have collected many)
- work out some basic chords
- do some filtering
- add two tracks of e-bow…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
An ambient anthemic piece.
The process:
- Start with a live take of me playing an iphone app called tonepad.
- add camelphat and camelspace
- add an Alchemy instance, find a big fat pad, work out a riff
- record a single take accompanying the…
it's always a pleasure to listen to your work MMI. I dig how you incorporate anything you wish into your music. You've got an open mind and this allows you to express yourself so beautifully in your aural creations.
Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
Where's all this sappy music coming from? The Olympics were on. I must have been watching too much figure skating or something.
Unmastered track from my 2010 RPM Challenge submission.
One part Guy Richie, one part Cirque du Soleil, the rest a trip down a gypsy campsite.
Played by me almost all acoustically (the only MIDI track was the bass) on my banjo, detuned guitar, recorder, and violin, along with various percussion items.
Another loop - not recorded that well and don't have the time to do much with it, but here it is none the less. The title more or less is a reflection on my life at the moment. Using the same junk I always do...
I'm a complete idiot when it comes to all things midi related. Recently got myself a midi keyboard though and came up with this short piece just messing with sounds in Proteus. Really looking forward to the possibilities of combining this sort…
Hey! You're invading our turf! :-)
Welcome to the wonderful disease that is electronic music. Can't wait for you to find the hybrid you're looking for.
A rather more fundamentally experimental piece with Reichenbach's new *drift* mode. In this mode a probability matrix controls periodic changes in the loop length and/or position.
Once more I am using one of the awesome [Rekkerd mixed bag](http…
Another experiment with Reichenbach, my phase-shited looping ensemble for Reaktor 5. This time I fed it a sample from the [Rekkerd.org](http://rekkerd.org/downloads/) mixed bag selection #2 called `106_sandylines_01.wav`.
I let the sample play…
Our sun is in a long, cool, quiet period right now. But average ocean temps are the highest ever, and polar ice and glaciers are melting at an alarming rate. Something is going on here.
A friend sent me a loop he made on Reason, and I added a 2nd bass track and about 4 vocal tracks in various stages of aural legibility.
In the song I try to give a friend advice about how to stop his spiral downward. Starting with practical…
This is a track I've been working on for quite a while so I am glad to finally have it out of my head.
I have a kind of love/hate relationship with time and its humble functionary, the clock. Ticking, in particular, is something I am ambivalent…
This track is the result of putting Kavin's excellent track [Propitiation](http://alonetone.com/kavin/tracks/propitiation) through my Steve Reich style phased looper.
It's a beautiful piece but also quite a sparse sound which lead me to think…
A little background to that comment perhaps... recently went to a seminar on recording acoustic guitar and I was struck by how difficult it is to get a decent sound and how even that decent sound pales in comparison to the live take. Thus, wish I was there to hear it in person.
Comments on mmi's stuff
love your 24 and the perfect album cover too.
I dig all of these. A fantastic 24 hour effort. And I second what Kirk said, I want to be a fly on the wall in your studio! :)
Retrohappytastic with maybe a little bitterretrosweet also.
Oh my.
Beautiful choice of voices in here - very beautiful in fact. I can feel the sun shining in the garden of my sonic dreams.
Another nice result. I don't think I'd end up with something this enjoyable to listen to if I tried a 24in24!
Nice! Bits of this remind me of some of the more electronic stuff that Anthony Phillips did back 30 years ago
This has a great flow to it that feels very natural, and the choices of sonic elements are fantastic. Nice work!
Really like this one! Lovely track!
Yay! Let's hear it for apps. Like this a lot.
Strange and understated, I really love this.
very cool man. very, very cool!
The recipe obviously worked! Great stuff man. Wish I could be a fly on the wall for a day in your studio
it's always a pleasure to listen to your work MMI. I dig how you incorporate anything you wish into your music. You've got an open mind and this allows you to express yourself so beautifully in your aural creations.
Whoa horse! Heavy MMI. I like this one man. Real cool sound.
Nice, I enjoyed this. You should paint yourself into corners more often!
Beautiful one man!
this is beautiful... I really love this, thank you.
MMI, there can never be too much figure skating.
very nice album!
Comments made by mmi
Like this a lot.
Very evocative (though I'm not sure I'm hearing the Guy Ritchie :-)
Lovely track.
Diggin' it. Love the Fripp style lead line.
Awesome track. Thanks for reminding me how little I'm looking forward to my next trip to an airport. :-)
Very evocative piece. The change of gears is wonderfully unsettling.
Hey! You're invading our turf! :-) Welcome to the wonderful disease that is electronic music. Can't wait for you to find the hybrid you're looking for.
More coolness. Something that rewards repeated listens.
Very very cool.
No it's not. Nothing going on here. FoxNews says so. :-) But seriously cool track.
Boy, good thing I can spell.
Beatiful.
Stellar opening. Followed by me swooning over the guitar sounds.
I really like the sound you've got going on here.
Reached out of the machine and grabbed me. Like when that happens.
Bravo! I found myself startled by some of the clocks and looking to the side. Mission well executed.
Very nice. I particularly love the "I care but I don't care" section.
I think this one worked out really well. A definite grower.
A little background to that comment perhaps... recently went to a seminar on recording acoustic guitar and I was struck by how difficult it is to get a decent sound and how even that decent sound pales in comparison to the live take. Thus, wish I was there to hear it in person.
Awesome recording. Wish I was in the room though.