You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it!
Thanks, bro - Perfectly done.
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
You're just kidding yourself if you thought I could resist the chance to add a bit of percussion to this wonderful song by Osckilo & Launched. I used Paiste Sound Discs to create a 3vs.4 polyrhythm against the delightful underlying 4/4 Spanish…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Improvisation on congas and very fragile, clay Moroccan bongos (which my brother found for me from an African display at some zoo!). These bongos are basically clay pots with permanent, very thin goat skins stretched over the top - they can not…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly.
I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
Abakua refers to a secret, Afro-Cuban, male society of percussionists - as I understand it, one had to be initiated into this society before they would be taught how to play percussion in their style. One of their hallmarks is to impose what I…
Here's proof. Proof that things are a bit mysterious in my studio.
Late last night my Bass Cajon all of a sudden decided to start accompanying me on its own - without me touching it. At first I thought that some apparitional bass player had…
@Geas:
Uh, that would have freaked me out too. And how about when you have your headphones up loud, really focusing on the project, and you look up and somebody has (quietly, so as not to disturb you) walked into the studio to ask you a question or something? I've had to edit out a explicit derogatory once in awhile - but the adrenaline rush is awesome!
almost forgotten because while i did this in may of 2009, i forgot about it until just today may 2011,,i was walking out my studio door, when i noticed an old cd with a marking pen title,, brought it with me in the car and took a listen,, not…
Well, here's a quick stripped-down version of a song that I wrote a couple of weeks ago and needed to record just to get it out of my head... Also my first crack at harmonizing with myself (kinda cool, but a bit weird for me to hear me singing…
A collection of four improvisations on 19 note per octave electric guitar.
Sucralose
Aspartame
Cyclamate
Saccharin
The title is a play on artificial sweeteners and a collection of songs being a suite.
Per wikipedia "In music, a suite…
Jeff has passed over the rainbow bridge today as I held him. We went out back one last time for a few minutes until the sun came back out and it was too hot. He enjoyed that. The last thing he did was put his paw on my hand and left it there…
Reg is willing to do anything to cure himself of his addiction to alcohol and when he hears that they are restarting the experiments with LSD to help cure alcoholism he has to find out more. Through internet research Reg finds out that the experiments…
19 note per equal guitar, loopstation, sonar X1, processing.
Impressions Of Francois-Marie Arouet (De Voltaire) written and read by Ezra Pound
III
To Madame Lullin
You’ll wonder that an old man of eighty
Can go on writing you verses…
Reg was at his local AA meeting last night and just had to express some truth's he had to the others there......................but they didn't believe him they thought he could stop but Reg knew better.......i mean it was the Devil that told…
Did this back in 2009.
Before me and Jim actually met each other...
The music was improvised to the notion of returning home from space.
Jim did the Lyrics in 5 mins over the net..
And here it is..
My Harmonica was broken by the way. My…
Elvis has a few questions but not any answers............................This time Elvis had a little help from the local Japanese band that hang out at the local Chinese restaurant, he frequents and they bought along there instruments,down the…
I heard this beat of Norms this morning bright and early an had to jump all over ilesa in my mind she was her instead of a town it was fun but it didn't last.....the same old story.....it was her fault she was too hot.......What can i say
"I'm dancin'! Ilesa I'm dancin'!". Come to Daddy!! Let's beat it down!
Love the Rhodes as always and Reg had me crackin' up with this one! Ilesa never saw him coming when she walked into that disco, but I doubt she will ever be able to forget his "classic moves".
Somewhere there is a big arena band that would just love to meet you - to handle the graphics for the show. I can remember when we were blown away by a simple liquid oil projection set-up, ala Iron Butterfly, Grateful Dead, et. al. But this really takes the cake. Well done.
Reg was out for a stroll in town and met Jed who was homeless sitting on the pavement with his hat out in front of him. Reg stopped to have a chat with him to see if he could help. Reg expected him to have a sad story but to his surprise he hadn…
Comments on Norm's stuff
Okay, so this is awesome fellas - you're like some explosive cocktail of cool. Kicking major butt, three times!
Each of you kick ass. Together you three are magical! Excellent work fellas. JR
Norm, you are the freakin' coolest! This tune meant a lot to me and now it's on a pedestal. T is gonna love this when he hears it! Thanks, bro - Perfectly done.
wow, what a cool collab. the 3 musicians and instrument sounds mix well. I would crash into this late night show any day of the week
excellent!! I really like this collab! The voice perhaps could be a touch louder other than that this is excellent!
Damn that's a tough count. Super job man. Super.
This is fantastic Norm. Keep bringing me the lessons. I love it. Gotta go try this one now!!!!
I like all your tracks, so excellent sounding.
This is fantastic, seriously.
complex pattern and really good timing. Great percussion track S to F
Hey..call me at st. john Lutheran. we need to talk! I love this sound!
that's sooooo voodoo! technique's great yes, but the vibe is simply excellent! and your timing is just getting better and better O_o
Good point, Gumbo! That is the nature of "cross-over" patterns: they involve 2 rhythms with *different meters* which are played at the same *tempo*. So, regardless of listening to this pattern through the lens of 4/4 (8 beats/bar) or 3/16 (12 beats/bar), both patterns are played at the same tempo, i.e. 180bpm in this case. These patterns have measures that start at the same point, but do not end at the same point until cycling through 24 beats each - at which point they "cross-over"; a point that is illustrated by the clave in this example.
LOVE IT!
Excellent!!
Crazy great.
Oh my, sublime, El Norm! Would you be terribly offended if I had a play around with this?
thanks for explaining the count btw - that helps a lot
lovely - my only connection to this kind of polyrhythm is thru the Grateful Dead whose two drummers used to explore and experiment thusly. I like that you can say it has 4 beats AND 6 beats to the measure and then say that it has 180 bpm ;-)
I don't know how you keep time like this, but it's incredible!
Comments made by Norm
@Geas: Uh, that would have freaked me out too. And how about when you have your headphones up loud, really focusing on the project, and you look up and somebody has (quietly, so as not to disturb you) walked into the studio to ask you a question or something? I've had to edit out a explicit derogatory once in awhile - but the adrenaline rush is awesome!
What a treasure to find! I agree with Reefwalker: there's lots of good stuff in this one.
Chuckie! Nice work. Ominous.
Strong work!
Sweet!
I just love that growling fretless bass.
This is really cool Chris.
A great cover of a legendary song. More Ziggy!
Stay away from the mirrors Reg!
Much beauty can be cultivated in 80 years... and perhaps true beauty always forgets itself.
I like the reverb on this one Reg. Have you considered an exorcism?
WHOAA!
Now that's an impressive 5 minute gestation. How did the harp work as a ski?
Sidney is my kind of guy!
Excellent splash cymbal you have there Hojo! What kind is it?
Good question.
"I'm dancin'! Ilesa I'm dancin'!". Come to Daddy!! Let's beat it down! Love the Rhodes as always and Reg had me crackin' up with this one! Ilesa never saw him coming when she walked into that disco, but I doubt she will ever be able to forget his "classic moves".
Somewhere there is a big arena band that would just love to meet you - to handle the graphics for the show. I can remember when we were blown away by a simple liquid oil projection set-up, ala Iron Butterfly, Grateful Dead, et. al. But this really takes the cake. Well done.
Excellent!
Good lesson here... nice to meet a non-addicted vagabond to refresh one's perspective.