As I had nothing better to do last night, I had this great idea that I would construct a rhythm for the 24 hour challenge. This would be different: a 24 minute drum solo (I mean, who wouldn't love that?). I even had a perfect bass riff: the "Mother…
Out on the lawn there arose such a clatter!
Sometimes, as they say, Christmas do come early. I found Johnny Stone's "Christmas Rock In Oz" under the tree and couldn't wait until Yuletide to unwrap it. What a rockin' gift! I know a bit about…
Improvisation on Gon-Bops congas, while thinking of future days gone by.
4/4 180bpm.
LYRICS
A cool wind brings the fall
And the season starts to change.
Outside the sky's steel grey.
Inside my heart is too.
And I don't know how to…
Improvisation on Gon-Bops congas, while thinking of future days gone by.
4/4 180bpm.
LYRICS
A cool wind brings the fall
And the season starts to change.
Outside the sky's steel grey.
Inside my heart is too.
And I don't know how to…
Psychedelic, Rockin' and as groovy as spirit on soul. Your kind of acoustic percussion is what a yearn for, to have backing my Psych Folk songs. Tribal, Hypnotic, & Creeps insides you like a good 4:20 moment.
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
I was thumbing a ride along a hot, deserted Caribbean road. When Steve pulled up in this vintage pre-war Chevy, I was very grateful. It just so happened he was heading to the same cantina I was, so we kicked back with a pitcher of mojitos…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
Nice. It's also interesting when you play the same rhythm but on different times, say one in 4/4, and a same pattern but stretched (or compressed) to a triplet, gives a really full surround, though I'm talking in terms of guitar or synths, not sure how it would play out in percussion.
Wanna go for a ride? Hop on in! (Many thanks to JQScutt for his excellent guitar work!)
Lyrics: Charlie Ryan & W. S. Stevenson
Guitar: jqscutt
Percussion & Vocals: Norm
Lyrics:
Have you heard this story of the Hot Rod Race…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
Chris sent this track to me earlier today with the request that I add some percussion to it.
I had something different in mind.
After the first take I was afraid to return it to him, fearing that he would convert it to 23 edo or something…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
The chorus of this groove is in 5/4 and the verse in 9/4. You can hear me fall apart at the very end… guess I got worried.
Lyrics:
*Try not to get worried*
*I am with you always*
*Try not to get worried*
*And don’t forget*
*Simply…
@Jarvis:
I think if you could see the details of the painting more closely you would be able to see that in fact they are rolling die at the dinner table: Red Riding Hood has just rolled her 5th natural 7 on the come-out. Moments after the instant of this painting, the gent on the right flips the table over and Mr. Skull-cap slips Red a shiv.
Second movment,, perhaps a little rough,, comments welcome,,, 6/11 Third mov is now done,,, and very very different from the first two,, scares me a little
Inspired by Tess' little Morwenna and my (getting bigger) Jessica. Writing back and forth with Bethan, I came to realize that a song needed to be written about the significance of the statements that so often come from the mouths of babes…
I cant seem to play this unless I do it live....
That is something new to me...
Used to be the other way around....
This is called "Do or die"...
Do or Die
(words and music by Tharek Mokbul)
Do or die, that’s what Everyone here is…
Made the piano intro up years ago. So every time I sit down at a piano I play it. Hopefully it bolts on nicely to the fat stack riff. The pause at the start is because I had to press record and then dash over to the piano.
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
This is a tune that's been on the back burner for a bit. I was looking to get a dark Ultravox kind of sound. Anyone feel like puttin' on their Midge Ure hat???
Anyway, these aren't the droids your looking for.
Move along..............Move along.
I have issues at my house, sometimes they manifest themselves in my tracks. In this case, the bassoon and oboe represent the mouse. The guitar is the peanut-butter.
Excellent. That mouse had it coming. Let me know when you are inclined to do a track about your bear problem: you'll need some heavier percussion for that one!
As chance had it, I found myself in an acoustically great room, full of cajons! Well, they were unfinished cabinets actually, but they had lovely tones. Since this is the stuff dreams are made of, I had no choice but to seize the opportunity and…
@Richard: Many thanks! The quick rapid tone was created by rapidly striking the mallets on the highest pitched (smallest)cabinet. Thanks for listening!
AT could not accept the full upload so....
Download
http://notonlymusic.com/board/download/file.php?id=815
online play
http://notonlymusic.com/board/viewtopic.php?f=12&t=410&p=2861#p2861
Content
Continued Chris Vaisvil radio interview…
Thanks for posting this, Chris. 2 hours of Chicago radio air time - sweet. You did a great job of music selection. Alas, I did miss hearing your personal commentary on the second hour, but it says something that the radio station thought enough of your work to feature it over a 2 week period.
This is my first effort with real bongos. I've been so inspired by Norm's talents, that I had to give it a try. I borrowed a set of bongos from my brother Asa.
http://alonetone.com/asalennon
I had to play 18 holes of golf to get my hands…
Nice work! And way to go on the computer closet... basically a cajon. I use cajon quite a bit: the key to building one is to make the striking face out of very thin ("aviation grade") plywood, if you can get your hands on some. Well done!
I had not touched my keyboard for a long time - couple months? So it was inspiring to play it again. I set it up in the living room of the new house and played pianoteq on my laptop using a Just Intonation tuning (below). Actually I had to improvise…
This is a smooth jazz piece built around Norm Harris' percussion using Garritan Jazz and Big Band sample set with the Aria player and a touch of tonehammer's Francesca sample set. Something Norm and I did last April.
Scored for upright bass…
That bass is simply too cool. I love what you have done with this pattern. Almost has an eastern feel in places...
Having grown up near Winfield, KS (home of Dorothy), I can assure you that they have never heard anything like this before - they'd love it! They'd probably bake you a pie for the opportunity to do a little "scat" vocalization on the mix, and, afterwards, while tending to the livestock, they would ponder about the possibility of there actually being 3 kinds of music: country, Western & JAZZ.
Comments on Norm's stuff
Another early prezzie to myself........
it won't be long I'm getting in early to the good stuff.........
grooovin :)
Psychedelic, Rockin' and as groovy as spirit on soul. Your kind of acoustic percussion is what a yearn for, to have backing my Psych Folk songs. Tribal, Hypnotic, & Creeps insides you like a good 4:20 moment.
Sebs a bit out of sorts today but this seemed to calm him down nicely.....thanks
Ah, my comment got wiped out! It was along the lines of "Cool" and "Awesome!" Like the photo too!
Still puttin' out the mighty beats I see!! Love it, bro!
excellent
ah, the Ambrosian chant. I see why you named it for him now, I think.
Re: The glass dust .... That is because you Are naughty Norm! Bee :)
Oh Norm, Ha ha! I do love you!
nice beat i loved it
Nice. It's also interesting when you play the same rhythm but on different times, say one in 4/4, and a same pattern but stretched (or compressed) to a triplet, gives a really full surround, though I'm talking in terms of guitar or synths, not sure how it would play out in percussion.
Norm, that was Fantastic!!
I like the goove here bro! The lyrics help bring out the count I'm Percussion illiterate
Good jammin harp and guitar. Now let's hear that 23 edo version :)
I let my heart to trouble me 'cause of this groove My heart is in worry 'cause I'm from this world So~ ^_^
@Shirt: Ha! Well, probably not all of them.
I bet all those 'Mishna', 'Gmarah' Rabbi's are enjoying your grooves. Very subtle and moving...like it!
@Jarvis: I think if you could see the details of the painting more closely you would be able to see that in fact they are rolling die at the dinner table: Red Riding Hood has just rolled her 5th natural 7 on the come-out. Moments after the instant of this painting, the gent on the right flips the table over and Mr. Skull-cap slips Red a shiv.
Comments made by Norm
Just lovely. Well done.
Rocks. Nice work.
Stong work.
Great song!
Just beautiful. Nice work, gents!
Nice piano intro - I can tell you have been playing it for years. I think it works well with your Fat Stack riff.
Excellent.
I've got a fever and the only cure is "more mousetrap"!
Outstanding! Another great percussion track, which we have come to expect from you. Thanks for posting this!
Fantastic!
Well done!
Excellent. That mouse had it coming. Let me know when you are inclined to do a track about your bear problem: you'll need some heavier percussion for that one!
@Richard: Many thanks! The quick rapid tone was created by rapidly striking the mallets on the highest pitched (smallest)cabinet. Thanks for listening!
Thanks for posting this, Chris. 2 hours of Chicago radio air time - sweet. You did a great job of music selection. Alas, I did miss hearing your personal commentary on the second hour, but it says something that the radio station thought enough of your work to feature it over a 2 week period.
Nice work! And way to go on the computer closet... basically a cajon. I use cajon quite a bit: the key to building one is to make the striking face out of very thin ("aviation grade") plywood, if you can get your hands on some. Well done!
Excellent! It's great to hear you back on the keys - I've missed it.
That bass is simply too cool. I love what you have done with this pattern. Almost has an eastern feel in places... Having grown up near Winfield, KS (home of Dorothy), I can assure you that they have never heard anything like this before - they'd love it! They'd probably bake you a pie for the opportunity to do a little "scat" vocalization on the mix, and, afterwards, while tending to the livestock, they would ponder about the possibility of there actually being 3 kinds of music: country, Western & JAZZ.
You sound great with it already! I love mandolin.
Folks don't know what they are missing with your stuff. Very tight. I've really enjoyed it. Thanks!
Top notch.