alonetone radio: Latest
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This is an instrumental celebration of numbers such as 4 and 650. If you do not like 4 and 650 you can pretend it's about your favorite numbers instead, I won't mind so long as you don't go around pretending that I wrote this piece for 33 or 550.
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The third one of my sublime passages for organ. The picture in the album's photo is the cathedral of Puebla city, where I live.
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this is a remixed version not sure if its better please let me know thanks
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Sam was a very articulate and kind friend; he spend way too much of his life in a wheel chair and yet demonstrated a lot of grace.
We lost him just over a year ago.
Among many other unexpected, Christ-like kindnesses, he realized at one point…
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This is a prelude I wrote for my son, this is the piano solo version, theres another one with cello
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Vocals and percussion are courtesy of another recent alonetoner, K. Scot Sparks. While recording a simple guitar track in Kev's garage, things got intersting when we opened the garage door, and let the sounds of this huge flock of birds in the…
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This song is in memory of my son,
Micah Eberhard
(Jan 27, 1987 - Aug 8, 2007)
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Neath the clay, iMago dEi
glory keeps while beauty sleeps
from the womb a flower blooms
brights the day, blesses the clay…
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The Portuguese version of "Raining on the Cabixi".
If you listen close, and if you can tell the difference between an indo-european language and an amerindian language, you will hear the second verse sung in Mamainde - an endangered language…
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A song that came to me when I was fishing in the rain with some of my Mamainde buddies. The Mamainde is a small endangered Amazonian tribe of 230 people in west-central Brazil. This song attempts to tell their story…
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Filho Sumido is portuguese for "Lost Son".
Its my little bossa way of describing what its like to be away from the place I love, Brazil. Like a lost son. Someday I may make an english version - but then, maybe not. After all, its about Brazil…
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A blues jam session with myself. I love playing the blues, so I wanted to create something where I got to do it all.
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I actually composed this entire song in a piece of guitar tab software called Guitar Pro. Then I exported it to MIDI, imported it into Reaper, and assigned better sounding VST instruments to each track. The purpose behind it was to see if someone…
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I wrote this for a small orchestra a few years ago. Its a tribute to Igor Stravinsky
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A cover of a song written by Glasgow musician Phil Campbell.
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Prequel to Mondo Boss' hit single "Feel It Now (Girl You Want Me)." Tells the complicated and complex story that comes after meeting a beautiful girl on the street.
Featuring Mixmaster Beardface.
Lyrics:
When I met you on the street
my…
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As a super Buxtehude, Hartmann and Bach fan I always wanted to compose music for organ... so this is the second of my sublime passages for organ. This is a Prelude and Fantasy-Fugue in C minor
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A cautionary tale.
Tune shamelessly stolen from "All About You" by McFly.
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Another mix of video game sounds plus acoustic instruments (a la the flute in this one). Thanks for listening!
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I started with a MIDI file created by seeding the "Meta-Composer" Poodles & Flan with the word "Memory," and then fed it to three virtual VST instruments: Tweakbench Carillion & Tapeworm, respectively a Bell Modeling synth & Mellotron…
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Testing new toy Korg R3. All of these sounds are created by me. R3 is really great.
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I was just playing along with a looper pedal, trying to work out some ideas for a "real" song. I was just recording straight to a single stereo track and not worrying much about my playing or the mix. But when I listened back afterwards, I thought…
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The plinky sound is an acoustic guitar prepared with a drumstick stuck under the strings.
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The original mix (on the RPM '09 album) was drenched in mic hiss. I used noise reduction to remove about 2/3 of it for this version (it didn't seem right to remove it completely). I roll off the noise reduction at the end for the au naturale outro.
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My evening challenge: Compose and record something in an evening.
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My evening challenge: compose and record a piece in an evening. I stitched together a couple of demos and added a virtual Harry Partch instrument.
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These are 3 variations to the mexican "the cockroach" popular theme
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I made a song out of the fable "The Boy and the Schoolmaster" by Jean De La Fontaine, that french writer from the 17th century.
And here's the story:
"
A boy, that frolicked on the banks of Seine,
Fell in, and would have found a watery grave…
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A spacey electronic number.
Part of my song a week project.
http://yelyah.com/song-a-week/
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I wrote this song for a musical Thanksgiving party that Sudara threw in Santa Fe back in 2002.
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At the end of 2003, I was recording a bunch of covers in my basement in Portland, Oregon. This was the only original recording from that time. I was pretty bummed out at the time...
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This is a track from my abandoned "Weekend Follies" album, which was recorded in my parent's basement in Mercer Island, Washington during the summer of 2003.
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This is a track from my abandoned "Weekend Follies" album, which was recorded in my parent's basement in Mercer Island, Washington during the summer of 2003. This track was recorded during Seafair weekend. That's one of the "Blue Angels" flying…
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded February 2003 - June 2003 in Sydney, Australia
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Recorded September 2002 - January 2003 in Los Angeles, CA
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Originally recorded for Vivian Circle, it never felt comfortable there. The uncomfortableness of PALLAS songs, made it fit. Square hole. Round peg.
perfection.
Oh, and this is officially the first PALLAS song.
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Taking a drum track I built in Hydrogen, mixed with about 100 Thousand descending Shepard Tones (http://en.wikipedia.org/wiki/Shepard_tone), and a noise drone built of sequenced tones from the KLSTRBAS Nyquist plugin. I'm not sure I like the…
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This is the raw vocal with guitar... I had a bad cold, so it is very nasal... but I plan on re-recording it when I feel a little better and my sinuses clear up.
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philip hinge - drums
ryan wolper - lead guitar
daniel - lead & rhythm guitar
arda erdogan - rhythm guitar, samples, producer
jack mcrory - recording supervisor, producer assistant
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First draft.
Dedicated to my mother on her birthday.
In the outro: Trombone, Horns, Clarinets, Mouthpiece buzz by Andy Hentz (arrsuarez) and organic drum related sounds by Glu.
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this vocal arrangement only made the cutting room floor. full instrumentalized version forthcoming. i just wanted this arrangement its own chance at life!
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slightly reworked version of the longest limousine.
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number 5! last one I guess.... If I make another one, it will be for piano and other instrument
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'Time' is an ambient piece; which is said to reflect human nature from one point of view. This is a slow melodic new age/world genre short song. Someone who listened said it would best serve in pre-meditative scenarious.
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Lyrics for 'Wild and Free' came while looking at a painting of the head of a horse. Composed by Julie Day and Grant Duncan in 2007, this rock song has a swing element to it. Enjoy.
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From a poem Julie wrote at age nine, "The Whispering Wind", comes a song composed in collaboration with Grant Duncan. This is rock, pop with a blustery story.
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This is a cover of Sister Savage's (well, her daughter's) recent effort by the same name... ;-)
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Took sandbags' [Rytme Shifter 1](http://alonetone.com/sandbags/tracks/rytme-shifter-1) and added my special brand of guitar incompetence.
I bought myself an E-Bow this week and this track was just perfect for playing around. After a day of wankery…
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This is a short teaser of my Electro-like remix that I entered into a contest organized by the Dutch radio station SlamFM.
I haven't uploaded the full thing because I don't want to get into copyright issues, so if you like the sound of the beat…
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
This one is pure pop. Voice pitched 1/2 step up.
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Glu and Sister Savage bring you these remixes!
Original track by Sister Savage:
http://alonetone.com/sistersavage/tracks/little-england
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