alonetone radio: Popular
Popular
The Music tells the story. we all carry our true selves inside, and experience those who would tell us we are someone else. take this home, light a candle, dance widdershins, blow some smoke to the six directions.... and be free
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Housemate Tim (first verse, chorus) joined us for this attempt at a Bette Middler classic. This is not autotuned.
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Housemate Tim (first verse, chorus) joined us for an attempt at a Bette Middler classic. AND THEN WE AUTOTUNED IT...
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My interpretation of "Shoot the Nuge" of Tim's 2010 RPM submission.
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something slightly different to the drones i normally create...has a slow 'groove' to it...
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written when i was writing my first album after discovering a new way of working...a drone that turns into something else...written for someone special who sleeps while i create.........
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Gothic-Doom metal from Russia, all the tracks in this album are instrumental.
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at the bar, I order two
glasses of johnnie walker blue
I need a picture with you
and people who are cool too
so when you go home and pull me
from your book of faces
you can see that back in ’93
I never tied my shoelaces
stamped with ink forever…
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In New Zealand we have a major problem with gambeling addiction. It destroys lives and blows families apart and nothing's being done to stop it. We have a small casino in every bar and while the companies that run the machines give some of their…
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From a series of effected guitar pieces arranged round a Sci-Fi theme.
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Idea for a Circus themed series of tunes. Bring in the clowns.
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The story of a hunter who becomes hunted. The french references all seemed to fall into place by accident.
Sung by Petrina Mclachan, Guitar by Damien Taylor
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I've had this song kicking around for ages. I wrote it for a songwriting competition in 2001 and never managed to get a decent recording of it till now. Due to it's subject matter I couldn't just let it go, you'll see why.
The vocals were done…
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Free Jazz!! This is my answer to anyone who wanted to play death metal just to annoy their parents. Try this one at top volume you rebels!!
(this appears on all the printed cd's as the special hidden track, 42 seconds after 'Remember This' finishes…
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Another two doodads stuck together.
apps:
Bebot
Soundpond
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a haunting drone written for a special someone...
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light piano...drone...then i allowed the drums to take over the song...
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minimal, haunting drone...with a flavour at the end...
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in which our heroes make a song which sounds uber cool
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if i can just hold it together a little longer..just long enough to get that promotion..then all that money..ill be fine...
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starts with a loud roar. otherwise instrumental
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swiggitty. one of these instruments is over 300 years old. gong bowl.
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I hope the emotional content will outweigh the technical deficiencies... this is the sound of me singing with a broken heart and a killer sinus infection. I guess this one is 8 or 9 years old by now; another one from the trunk-full of songs that…
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i remember the exact moment my tears fell...
this song was written for my dad...it sums up the loss i feel...i dealt with my emotions in the only way i know how...
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Final remix project for my studio techniques class.
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I set myself the challenge of making a track this evening. I've uploaded it with 2 minutes to spare.
I started out with a wind chime instrument in Kontakt. I sequenced it using the PX-18 sequencer and then fed three different version of it…
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Wrote it over a decade ago, rewrote it five years ago, recorded it last year with the help of little sis Karen.
"I'm not supposed to be down south. Take me north."
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The song that really kicked off this second album of 2009.
"In time all the stars will fade away
Our kind won't get to see it anyway
No shine, just endless black between the gray
I won't be going out in that way"
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I used to cross over railway tracks on my way to the ballfield in college, and though I never knew why, I was always tempted to just start following them.
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Written for my youngest when she was very little, almost everyone who's had a kid that just would rather not sleep can identify with this song. Originally, there was a line in there about "Staying up this late at night makes me consider drinking…
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To get ready for every baseball season, my father used to pitch tennis balls to me in the backyard. He had invented a pitch that defied the laws of physics. To this day, I have no idea how he threw it. The damn thing would spin like crazy like…
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this song is unusually long for us..we didn't want to cut any of it though. It is an adventurous title..inspired by true life dreams..kickin her leg in her sleep like an electro-shock patient..there is some shadowy sampling..maybe a few recognizable…
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this one is our longest..many nights it has sung us to sleep..the format is FFF..so listen intently..you may find yourself on a windy shore..flanked on three sides by the army of B..BLAM also works as a description..i warned you..
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Fly Ladys 'Crushin' (feat Pozessed)
Produced By Bradley Logan
Lyrics By Bradley Logan
Lyrics By Corey Larson
Recorded March 27th 2010
Mixed And Mastered At Belowzero Studios
copyright 2010
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Produced By AposL
Lyrics By Bradley Logan
Lyrics By Corey Larson
Lyrics By AposL
Spoken Intro By Wayne Doe
Recorded March 27th 2010
Mixed And Mastered At Belowzero Studios
copyright 2010
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upon the ground
The two of them were seated, holding hand in hand,
Other couples passed and smiled, they had their futures planned
Differences forgotten, their love could conquer all
The life they’d live would shine a light, they knew they…
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A collaboration with the lovely and talented Tracey Browne
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Another collaboration, with Tracey Browne on guitar and vocals
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This is my acoustic version of How Many Licks by Lil Kim.
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I have a little box under my bed with your name on it.
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Mondo Boss raps about his feelings after meeting a new girl that finally got him to change his ways. A new electro-soul classic
Lyrics:
I used to take out all my girls
To the place they wanna be
Always goin the Chili's
Eatin' food wit me
I knew…
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Somewhat of an older track of mine, and maybe the first thing I did where I really thought I was onto something good.
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I might go back and do an expanded version of this someday. Despite the title, I think it works nicely as an ambient piece.
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The coda of this was recorded on my mp3 player while waiting for a train. At some point I had this idea that there would be ambient noise recorded from train or bus stations every few songs so it'd sort of feel like you were listening to the whole…
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Based around an anonymous little kid's unique rendition of "Old MacDonald Had A Farm". Tom Meade contributed a recorder loop here.
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The lyrics are loosely based on one of the strangest events I've witnessed while on public transportation (hey, maybe this is a concept album about commuting after all). The story is in fact pretty accurate until the end - despite the guy's sweet…
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Originally written for songfight - it got no votes and decidedly mixed reception on their forums, but I really ought to try my hand there again sometime.
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Originally conceived as a contribution to remix fight, but I missed the deadline and it ultimately didn't use much of the source material anyway. Disclaimer: Quetzalcoatlus does not condone drug use.
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Composed in digital performer for a course in computer music. Some of the presets reminded me of Kraftwerk, so I thought I'd attempt something in that style. "The doom house" was my sister's nickname for her place of residence at the time.
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This just stemmed from deliberately trying to make a drum loop as distorted and ugly-sounding as possible. Violik from The Tapeworm Collective contributed the dubby bass and some strange noises.
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I was pretty much trying to be The Field with this one.
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Jesus looks at why the Jews and Pilate rejected Jesus as King
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RPM 2009 entry. Has been described as sounding like Satan's Orchestra tuning up...
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burn burn BURN. this song takes us back to our flok rock roots. rythym guitar is strong, and severely off centre. Vocals are Jupiter Summit doing her best to entice the paper-cut out into an office space fracas. It's about spending too much…
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All sounds on this were originally played on a cheap battery operated keyboard.
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The bell-like instrument that starts this off is actually a steel pan being pitch-shifted to different notes.
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I was thinking about unlikely superpowers one day for some reason, and just came up with this weird little story that I then decided to set to music. One Kilometer Per Year was almost this album's title.
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More ambient music based around my cheap battery operated keyboard. I was trying for the sort of song that might turn up in an enchanted forest in an 8-bit RPG.
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The instrumentation includes a hunting trumpet and an electric toothbrush, hence the title.
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The good ol' battery operated keyboard again, this time with some whistling.
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This song is mainly toy accordion, so I couldn't resist the pun.
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I personally wasn't that happy with how this turned out, but to me when it comes to RPM albums there should be no such thing as outtakes.
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This is supposed to be sort of annoying, I swear.
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If you've ever played the pretty good but questionably translated X-Men arcade game, you should recognize this title.
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I guess you could call this my attempt at dark ambient. I once misread a sign in a bookstore that read "Read Away The Winter" as "Dead Avalanche Winter", and I filed that away mentally until I had a fitting song for it.
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Like "Neon Orange Dinosaur" this is a track that I think would make a pretty good hip-hop beat.
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You've been trying to beat a really hard NES game for months on end. You finally beat that last boss and you get treated to... a comically anticlimactic 8 note fanfare and a short congratulation in broken English.
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A pretty little ambient loop I might go back and expand into something else someday.
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Creepy carnival music. I was trying to remember the name of b-movie Cthulhu Mansion, and because part of it takes place at a fair, Cthulhu Carnival was my first guess somehow. I thought that sounded like a pretty fitting song title anyway.
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For whatever reason this album ended up having a lot of songs that could be low-budget horror movie themes.
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Kind of a mashup of "Cthulhu Carnival" and "Sasquatch Horror Collection".
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One of a few pieces composed on a battery operated toy keyboard that I nicknamed the Powersockey, due to the fact that the power socket was labeled that.
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One of a few songs on the album where the percussion is a loop of myself hitting my computer desk with my hands. I think I got a nice hypnotic vibe going with this one.
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