alonetone radio: Popular
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Little instrumental bluesy number at request of Tess and Bethan... later the backdrop to comedy/blushes
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Wade Hampton High School (WHHS) Singers:
Conductor: Dr. Bob Heritage
Spring 1998
(School Year 97-98):
Track 3
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Wade Hampton High School (WHHS) Singers:
Conductor: Dr. Bob Heritage
Spring 1998
(School Year 97-98):
Track 2
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Wade Hampton High School (WHHS) Singers:
Conductor: Warren C. Martin
Winter 1994
(School Year 93-94):
Track 9
Notes: This is our Alumni song. We had many many alumni participate. The chorus doubled in size.
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Wade Hampton High School (WHHS) Singers:
Conductor: Warren C. Martin
Winter 1994
(School Year 93-94):
Track 6
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Wade Hampton High School (WHHS) Singers:
Conductor: Warren C. Martin
Winter 1993
(School Year 93-94):
Track 8
Notes: We sang this version of the song at every Christmas concert.
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Wade Hampton High School (WHHS) Singers:
Conductor: Warren C. Martin
Winter 1993
(School Year 93-94):
Track 3
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From the album, "Damn You Jareth & Damn Me Too!". You can buy the full album at http://www.alanamusic.co.nr
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'Time' is an ambient piece; which is said to reflect human nature from one point of view. This is a slow melodic new age/world genre short song. Someone who listened said it would best serve in pre-meditative scenarious.
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Song: Lost And Found
Lyrics By: Anywhere But Here
Music By: Niklas Ahman
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the phrase "on thatch, on leaves, on tin, on willow" is from the book "A House in Bali" by Colin McPhee
Originally for RPM '07 album.
It might drag on a bit long.
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RPM 09. Trying to stay optimistic in this time of pessimism.
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Album: How the Aviator Sees the Rainbow
Year: 2008 (RPM Challenge album)
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Album: How the Aviator Sees the Rainbow
Year: 2008 (RPM Challenge album)
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Album: How the Aviator Sees the Rainbow
Year: 2008 (RPM Challenge album)
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The Ballad of Brie & Jack
by Jack Merlot
copyright 2008 all rights reserved
Met her down at Gluek's one night
after Hookers 'n Blow
Horns were huge, she took refuge
in the arms of Jack Merlot
Jack Merlot
Betty was down from Ye Ol' Wax…
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Swallows & Amazons
by Jack Merlot
copyright 2009 all rights reserved
--- --- ---
she cut a fine figure in those hospital scrubs
and when I saw her I knew she'd be mine
but that was before she met the jack of clubs
before she took to drinking…
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cd03 - Song 4
blog: http://underwoodblog.blogspot.com/
myspace: http://www.myspace.com/underwoodblog
youtube: http://www.youtube.com/user/underwoodblog
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My re-imagining of a piece by kjwise as a Harold Budd/Brian Eno-ish collaboration.
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This song started with just the title. I think unappeasable is a fantastic word.
Unappeasable:
She’s so unappeasable
I don’t think that she’s feasible.
Oh, I’ve tried to be reasonable
but she can’t see my point of view.
She’s blind…
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I was thinking about a guy that I met one time in the street in Montreal who was just kind of aimlessly wandering about Canada following the death of his son...
Manitoba:
I’m on my way, on my way,
On my way back to Dufresne…
I remember…
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I'm going to get all pretentious again and say this one is about the concerning strain of what I might call "religious modernist traditionalism" espoused by technological singularity fanatics (Ray Kurzweil) and authors like Neil Stephenson.
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So many people today want to be the musician they idolize; be somebody that they will never be. This song is for them.
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Can i get a little whisky in this water said John
The day the world stopped being fair
I didnt know what to say so I said yeah.
I poured a double whisky and I placed it in his hand
And said friend, only true friends understand
He said friend…
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One in a series of trip hop beats that I am making from samples that I recorded with an ensemble in January, of Schoenberg's "Pierrot Lunaire". Although we never got to play our "Pierrot Redux" in live performance, let nothing go to waste. I dedicate…
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Among the special guests are Horkmeijer Springtail and his lovely choir of snow fleas providing backing vocals, the corpse of Jeff LaSala (as animated by six thousand yellow jackets and a colony of Africanized honey bees) providing additional…
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From the album clique-i, created during the 2008 RPM Challenge, this mix is an amalgam of the following "cliquetracks," listed below with their respective cliquester creators. See virb.com/clique for a better understanding of how this works…
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Trad (Reels) - a couple of session tunes. Mandolin, guitar, penny whistle.
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the most awesome thing ever recorded by anyone, anywhere, at anytime in the entire history of recorded things. It's true.
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Bass based contemporary blues (midiKeys bass). It is a game of rhythms. If I can get more creative, sometime, I'll come up with more varieties of melodies!
Until then, enjoy!
Ah yes... turn it up!
Doug
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the reprise is actually the way the song was written.
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Just messing around with some amp tremolo and a drum loop.
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This track started with an accident.
I started building a pattern in Elysium. When I was happy with that, I recorded a bunch of it with Live. I loop recorded with quantization. When the thing looped around, I realized that Elysium was still…
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A rare interview with British composer Thomas Ades I did for Classical KUSC, Los Angeles.
Originally aired: 11/15/2008
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From the "Northville" project.
I played acoustic and electric guitars and an ARP Odyssey synthesizer on this track.
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"Mall Rat Blues" was written by Prime Meridian in 1997. It was the 2nd song we wrote. It was also the first song we dropped. I don't think we ever played it live. It's stupid and boring, but I have never been able to completely give up on it…
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there are literally 6 versions of this song that sound nothing like each other.
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This is a composition I recorded with "Jam Camp" in 2006 on the Flying Spot Records CD "Jam Camp Live".
Trees just don't get enough songs.
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kanye west beat from "Champion"
just something short
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Another go at this song, still not right, but there you go.
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I recorded this short piece on guitar for my friend Andy Hulse's 2003 film "High Lonesome". This part is for a driving scene with no dialogue. Early morning in a southwestern Texas landscape.
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A meditative space for guitar, harp, vibraphone, english horn, french horn, viola, cello, and double bass, from my large work "Mandala of the Four Directions" (2004).
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"putting new dope twists on licks that Philip Glass wrote"
-Hybrid Groove Project, "HGP Anthem"
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This is the basic theme for "weekend in new orleans", a documentary we're currently writing the soundtrack for (it'll be adapted with variations throughout the film). It's very quiet. (Video trailer coming shortly.)
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This is another track resulting from a project in my digital music class at Oasis Charter Middle School (Spring 2007). Using a common pool of objects, my newborn daughter's baby instruments, I asked the students to create episodic sound illustrations…
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Not all tracks need bass to be good! This was a beauty that I laid down in a matter of days. There is a bass line but it gets destroyed into higher end frequencies.
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This song is my musical version of the universe suffering the "Big Rip" scenario. I became fascinated with the concept. I got my name "Phantom Energy" from that scenario.
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It's about "Henry IV, Part I" by Shakespeare. It is also the only song anyone will ever write about Henry IV, Part I.
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Another RPM
Reg is looking back on his childhood.
Mama says i can't play with you no more
I don’t know how I’m gonna tell you
But mama says I can’t play with you no more
Your not like all the other boys
I can’t play with you no…
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it's coming along, still pretty. i like the drums, especially in the verses, not sure about the chorus yet. thinking about making the bass crunchier. might punch up the bass drum.
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Dancing in the Storm
Verse 1:
O greatest Healer of my soul, here I come once more,
My spirit longs for Your true love that makes me whole.
I search no further, for I’ve wandered and I’ve seen,
Your love corrects my crooked ways and reshapes…
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Instrumental version of track 5 for Gate, the 2nd Ankhaos album. Composition from ~2017-8, recorded on Musescore ~2019. Lyrics written & to be recorded.
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The Log Jam (V2)
Uploaded Apr 4, 2014
Frank Miller and I again join forces. Frank composed and performed the drums and we collaborated on the production
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Forgiveness
Uploaded Sep 17, 2011
My friend Frank Miller did a drum improvisation track at my request - and I then improvised lyrics, vocal, and guitar with a bit of touch up. This was the first track we did together since 1979.
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In this song, I sing about the challenging world we face, and how we sometimes need a break to escape the modern madness. I was thinking about how we deal with so much technology, and how it can be hard to take time away from it. But I think in…
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