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An attempt to evoke images that weren't in the first-person. I tend to write in abstract fragments and this piece is no exception.
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An older song from a previous band that was never quite captured to my satisfaction. I was going for very laid-back "Pale Blue Eyes" vibe.
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this is based on the soundtrack of a film called september clues very interesting dunno if its true but fun all the same for conspiracy nuts....
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I'd be lying if I said this entire track wasn't sparked by the opening audio clip. It really made me think about the ways some people create their own enjoyment. Cool.
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Original working title was something like, "And after six years I finally understood why they sing in the streets here, and could go home." It's sort of about anonymity in the modern city. If that sounds pretentious, that's because it is.
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*Electronic rock*
I am painting a picture with blood and wire
I am writing my story in glass and fire
It's almost right
It's almost nice
Just one more twist and I'll be fixed
Perfect, so perfect
This pound of flesh
Perfect, so perfect…
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George Brown - Music & Lyrics, Guitars
Brett Picknell - Bass, Drum Programming
Jim Tyrrell - Keyboards
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Brett Picknell - Music, Bass, Drum Programming
George Brown - Guitars, Lyrics&Melodies
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written as it was recorded as a live 3 piece, we then slathered it with vocals, and chris kearsey on guitar. Fun stuff!
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I love the Commodore 64. Still have two of them. And a C-128. For me, this song captures the loony spirit of some of the Commodore games I loved playing.
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Distorted synths and drums, with some grit and an e. e. cummings poem read by the man himself. I am particularly fond of how this one came together, especially at the end.
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A dance sundae with some samples sprinkled on top. Not my favorite, but was fun to record.
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A lonely, slow, tune... with a forlorn and sometimes tense distorted guitar (actually my bass). Good music to listen to as you zone out and stare into space.
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This is the first track I recorded for my 2009 RPM Challenge CD. The music was written in January, but the lyrics were written by a good friend of mine, Sparky Adams, in 1972 right after he returned from Vietnam. Check it out!
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Written and performed quickly (approx 2 hours) during a "dark day". This is not a political song but rather a song about the "helpless feeling" during the current strange economic times.
When I used to get down I'd put on an old song I loved…
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Track 2 from the 2005 RMR release "Spoke Of Shadows".
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Track 3 from the 2005 RMR release "Spoke Of Shadows".
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Track 7 from the 2005 RMR release "Spoke Of Shadows".
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Track 6 from the 2005 RMR release "Spoke Of Shadows".
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A song about spies, Godzilla, zombies, Ms Pac Man, moustaches, and aliens... possibly with moustaches.
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If my surname were plural, I could have a five of my own.
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Beep. Boop. We are robots and we want to make babies!
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This was supposed to be a tribute to Daft Punk, the kings of the talking robots, but we ran out of time. Instead it's half a joke.
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This is a full joke. I apologize for saying that I want to hold your hair.
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music from the album Inside Words.
Instrumental and ambient sound
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It's actually a redo of one of my earlier songs. I changed the lyrics a bit, the title and rerecorded the whole thing. The original is called, "I've Changed."
I've got a really painful head cold right now. I thought between bouts of pain I would…
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Goth/folk...Vocals and lyrics by Laura Aalto
This is a companion piece to "Vision in Silver"
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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A dark ambient/ritual track.
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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Instrumental goth/industrial
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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A dark ambient/ritual track.
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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A dark ambient/ritual track.
From the 2009 Alchemist Corpse Rite entry in the RPM Challenge: "A True and Faithful Relation"
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2009 Record Production Month Challenge offering. Very pleased with the collective results. I do have a green-ish sweater.
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2009 Record Production Month Challenge offering. Very pleased with the collective results. Ode to girls in glasses. Love you all!
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From Risky Business, 2002 --This also features John Caruana on bass (note John & Greg have another band, a blues unit called BassBoards that is worth a listen.)
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This, from the 2005 CD, Alan"s Trial, is a variation on a few measures from Lee Andrew's "Girl around the corner"
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this songs was written after robbie was left at a bar after a fight with his girlfriend and sounds like it too
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This song was written and recorded for my 2009 RPM Challenge album "Relative Polyphonic Mutiny".
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This is a pop country song written in the mid 90's but never recorded and I recorded it for my 2009 RPM Challenge album "Relative Polyphonic Mutiny".
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This little song was written and recorded for my 2009 RPM Challenge album "Relative Polyphonic Mutiny".
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Tartessos (possibly the "Tarshish" of the Bible) was a fabulous city in Southern Spain that the Greeks and Phoenecians often visited. I wanted to evoke a sense of adventure.
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The grandiflora rose, Shining Hour, is extremely floriferous with high-centered yellow blooms. The bush has good vigor with medium green, glossy foliage and an upright, dense habit.
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Perfect Moment features a unique yellow-based bloom with red tips. Its buds open in a slow spiral to show high-centered, heavy blooms that last well. The plant has dark green, leather-like foliage and excellent disease resistance.
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Read the Stanislaw Lem novel. Memories sometimes have lives of their own. A vast, intelligent ocean.
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This was done using a vocal track that Imogen Heap put up. This is my music to back that up. 90% of it was done using a roland guitar synth, the gr20
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Started this track the last week in February in the middle of hurrying around, trying to finish the challenge. I put a complete backing track together and it seemed to fit the album as an instrumental. If anyone wants to contribute lyrics or…
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I recorded a demo of this in 2006 with a friend of mine. Never being satisfied with it, I've worked at it on and off over the last couple of years. I used my friends original vocal (which I ran through a vocoder) and rebuilt the backing tracks…
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A surf instrumental written during a snowstorm.
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An instrumental track recorded for the RPM Challenge 2009.
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An instrumental track recorded for the RPM Challenge 2009.
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reading too much sci-fi makes you paranoid and using too many effects pedals can make your songs repetitive, loud, and long.
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This is a track of serendipity (is that how you spell that?) I was hours from deadline, lots of mixing left to do, and this track was FAR from done. I love the congas in this one. In general, this is a fun one for me. For once I actually don't…
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Wanted to make this one drive. It's meant to be listened to as loud as possible.
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The closing track of Dearly Departed. I will come back, but I don't know where or when. Open, ethereal, a departure in terms of tone, and for me.
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Stripped down, I almost did this one as a live, one take vox and gtr "on-mike" bit. I did the song, kind of liked, but decided to do a tracked version, just to see what it would sound like. Ended up liking it more.
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Written by D. Oettinger, this performance by Helen Sventitsky is different from any version we'd recorded --& is better
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I should mention I was thoroughly tanked on sangria when I made this one. It just seemed appropriate...
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The darkness was all encoumpassing in the west fork of Oak Creek
Canyon. The party cougar visited us that first night. He drank all of
our whiskey and stole all of our women. The party cougar cares only
about himself.
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It's about getting lost in the big city, about knowing the way through, and about the Last Chance Saloon.
This is now a tidied up version 18/3/09
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This is the finished version of Trance-Indental. the second half has come out very different to what I thought it would, but I like it. Give it time to build as it progresses.
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