alonetone radio: Popular
Popular
I made the beat for a male singer but he was a kno show so i did a lilsumthing kinda of a nice cool mollow layed back type of track hope you like 8580 Rec.T2 ThaLabRat
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made the beat let my mind go and this is the outcome
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nice beat lyricz&hook by myself T2 check me out
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This is a collaboration between me and guitarist Kerry Hoke. Kerry did all the guitar work, with me adding some simple bass and drums.
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Fun song...recording the guitars was a pain, though. On my SG (right channel in this recording) I use .009's, and I tuned down 1 1/2 steps for this...you should be able to fill in the blanks from here. I had to re-do it about five times before…
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Solo piano improvisation exploring polytonality and the fact that I visited my dad in the hospital and he had bruises on his arm. Restraints.
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Second half of a solo piano improvisation exploring bitonality and bruises.
E
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Soundtrack for the video version of a shadow puppet show ("Awake", below, was an excerpt/prototype for this piece). A link to the YouTube video of the show is below!
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From 2005 - One of the first pieces I wrote and the first one I licensed. Written on an old version of Fruity Loops (pre FLStudio). Probably should have added this to my "For the Sake of Posterity" playlist...
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I like the flow of this song...its pretty rough but the structure will most likely remain and just have some melodies added...
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Scored narrative, featuring Alan Watts' "Who Am I" and sampled piano.
Logic 9, 2009
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From 2005 - Another one of my early pieces written on Fruity Loops, I believe written along side Morning at the Quay. As much as I detest re-recording things, I could probably do it justice now (for what it is, but I cringe at the step programming…
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Sound 4 project - not musical, but a spoken narrative. I think I'm better at story telling than music making, hahaha
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I told the [good Sister](http://alonetone.com/sistersavage) that I wanted to try using vocals in a track and she offered to do me some abstract, stylized, vocals that I could play with and this little number is the result.
Working with wet (pre…
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I wrote this in Tombstone Ariz.
Lyrics never came. A buddy of mine had a studio and we played with this song for about 16 hours.
It's a good song to drive to.
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It's the "short" story of good and evil.
I liked the way it turned out. Sometimes "less" is "more".
The whole track is me. Had fun recording it.
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I like the sound of the "Native American" flute.
I feel relaxed when I play.
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I tried to write this song in the vain of the Cowboy Ballads. It was used as a title song in a film. I tried to put all the energy, mystique, and subtle undertones into this song without going overboard. I wanted to give it strength but at the…
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I actually got the inspiration for this song from watching a soybean herbicide commercial.
DON'T ASK...:)
You wouldn't believe it if I told you.....
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This is my Project 4 for Sound 1 class. The assignment was to make a soundtrack for a spoken word type of thing. I chose to lay down a fat beat with Al Gore from An Inconvenient Truth.
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One of my "Celtic" tracks - "Tomorrow Shall Be My Dancing Day" is an old English carol and I think the melody is beautiful in its elegance and simplicity. I recorded this in the basement in 2005 or 2006. Penny whistle, bells, guitars and strings…
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A song about dieing slowly after being skinned alive.
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Instrumental song written around '97 shortly after My Dad died.
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This Track is about this BullS#!T war The US Is waging over nothing! (I Don't Trust Obama at all, too many lies!)
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About My Past Struggles With Meth Addiction. (I Haven't Touched It In 16 Years.)
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A Psychotic rant that became our name. Dark & Sick!
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Inspired by a poem written by Evin Watson (a ten year old boy).
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Disclaimer! If you are religious, avoid this song. If your not religious, turn it up and headbang responsibly.
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"Fordham & Walton" is a slinky, earthy groove with concise and funky guitar work, dynamic pocket drums, head-nodding bassline, authentic percussion and raw, soulful vocals.
From Soulganic's debut album "All Directions Forward".
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A raw, gritty Chicago-style blues composition with open and honest musicianship, interesting chord progressions and soulful vocals.
From Soulganic's debut album "All Directions Forward".
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This song has hints of Prince in the intro but then quickly moves into a funky, dynamic groove with changes, breaks, fills, set ups and riffs that make it hard to sit still and listen. Positive lyrics enhance the experience.
From Soulganic's…
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A dynamic rhythmic soul groove with a blistering rock hook.
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Ross Gay poem "Dying is an Art" used as the narrative in the piece. In making this piece I listed to the audio of Ross Gay over and over and really attempted to not listen to the words and their meanings but how i felt by the way he said the words…
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Trance Psychedelic Club
SK Infinity World Media
http://skivamusic.com
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Ragnarok Title Theme But Remixed to make it sweeter
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THE WALTON & JOHNSON RADIO PROGRAM - 7AM 10/14/09
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After finishing Karmabomb (first album, released early 2009), a friend mentioned that "En Route", the last track, made him think of grizzled vets mumbling on the bus... so I ran with the idea.
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Demo for an upcoming satirical Christmas album a friend and I are working on.
2009
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WELL....I wrote this song waaaayyy back when.
I was NOT happy with the mix at all. BUT, all I had money for was a two track studio, AND ABOUT AN HOUR OF TIME.
A good music friend of mine said it reminded him of an old live radio show. Like when…
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An old Rodeo cowboy thinking about his life, and how he'll get to the next Rodeo to maybe make some money.
I was traveling down the interstate and happened to look out my window. Just by chance this fellow in an old pickup truck passed us. In…
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Left over audio from "How to Glu"
This one is about power and resistence.. which I find to be quite sexy when I think about it.
Instrumentation: distorted and clean acoustic guitar, swords, tabla, synth, drum programming, clapping, vocals.
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This is a song about what I couldn't do for my lady love. The lyrics were written in a hotel room while I was missing her.
ER
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a bit too much goin' on, perhaps, but maybe bits and pieces for something later
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featuring the ever-wonderful Talbolt! + Jackie! on vocals!
Garagebandy, Korgy, etc
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this is a segment of the soundtrack for this video:
http://vimeo.com/5714354
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pudding & pancakes sketch.
guitar + vocals | kevin staab; piano | me
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A Very Dark Track Inspired From The Dee Snider Movie "Strangeland"!!
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Slack key guitar and baritone ukulele.
Before modern Honolulu, there was a small 700 foot wooded island often populated with musicians and people with romance on their minds. Progress has overtaken the scenic island, but it is remembered in…
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Slack key guitar and tenor ukulele. Hula version.
This song is about a home in Lahaina, on the island of Maui. Surrounded by fragrant flowers, coconut trees and the ocean shore, it is filled with happiness. The meaning of the two words Pua…
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Recorded using: 4track cassette recorder, sp-202, sp-303, audiomulch, hub caps, moog theremin, found cassettes, other found objects, and field recordings.
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People kept asking for something commercial-sounding. This was my response.
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Already have an animation storyboard ready for this one. Sure hope to use it one day!
Wrote this track to fill the void that is 8-bitty goodness.
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Wrote the original for a Sectionz.com Onyx Theme compo - this one was for the 2009 SEMG.
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"Serene" was one of the first songs I ever wrote in Orion. 8 years later, it's still my weapon of choice, and the only software used to make this remix.
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Wrote the original "Burning Down" in late 2007, and did this remix almost exactly a year later for use in a Fallout 3 video I created at the same time.
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was making music tonight when my dog started barking for no reason, but mild paranoia convinced me of the possibility that i did not hear anything outside of my headphones. i then made this song...
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actually, i already had the song half-finished…
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I was baptized by the Deep Goddess, she anointed me with her blood and I healed the world.
Dream: I was the savior of a dying, post apocalyptic world. My job was to go into the basement of a large demolited building. When I got down to the…
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This is a song that has been in "development" for a while. The music was written by Ewan Crossan while I wrote the lyrics and vocal melody as well as the middle 8 part that comes after the second chorus. The final version is quite different from…
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Another collab. Words by Gordy Macdonald. Music by yours truly.
You said you hate me when I sing
So I scream myself hoarse for you
Until my voice breaks like the morning
But I'll never hate you too
(Chorus)
This is where I'd tell you
All that…
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This song was recorded week two, and while it only has one different musician from week one, the songs ended up being very different. This song has a much greater risk factor, in that it does not have one steady rhythm or anchor, and therefore…
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Nother solo piano, I had been listening to Jarrett on McPartland, Quartet for the End of Time, In A Silent Way, and that great audio effect where it sounds like everything is continually descending, but it isn't.
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dance the destruction www.myspace.com/beyondperceptionband
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by the power of the engine www.myspace.com/beyondperceptionband
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A very special love song.
Featuring Ewan Crossan on guitar.
One touch
Can make you do anything
Your light shows me everything
Please know i'll carry you everywhere
I go, my plaything
Chorus:
And i knew i'd have you
moment my eyes…
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A very rough demo. Programmed the drum kit live in one cut. I messed up on the guitar part at one point too. Oh well.
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Because of its structural simplicity, I put this one first. It's kind of a playful electronic piece that eventually builds to something more powerful.
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This one's got a solid beat and some wailing guitars - just jammin' out.
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A very electronic piece, with just a synth and a drum.
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My first "lyrical" track on the album. The voice is philosopher Alan Watts. This was probably the most fun to make, especially once I stopped worrying about the measure structure. I think it's appropriate to the subject matter to chop up the…
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Very systematic, but still one of my favorites. What started as a practice in progression ended with something I'm quite happy with.
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This one's more danceable than a lot of my music, although it's the shortest of the bunch. I tried to give it a sci-fi feel.
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The title comes from a fear of the car wash as a little kid - my parents used to give it that name. I had fun with the distortion, especially on the drums, which I tried to add some variety to.
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Playing around with instruments, mainly piano and guitar. I really had fun trying out different distortion on the guitar parts to give it that warm fuzzy feeling.
I kind of envision someone walking through freshly mown grass on a sunny day.
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(A remastered version of a Sound 1 Project 3)
I wanted to try something different with this one. The album is so packed with digital-sounding songs that I just needed to mix things up.
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