alonetone radio: Popular
Popular
This is a love song made for a girl...
No guitar on this tune...
Made with FL Studio
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this instrumentless is about going to the nut bar, or eating a nut bar. A bar just for psychos. Psycho on psycho.
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do it . buy them . they all want desperately to be bought out . an excuse for selling off paradigm .
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Jonathan Thomas preaches a mothers day special.
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Frostbite (Bringin That Sick Shit Again)-
Produced By Jreap
Co-produced by Bradley Logan
Lyrics by Bradley Logan
Recorded Feb 2010 at belowzero studios
coptyright 2010
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Check The Steez-
Produced By Adam West
Lyrics by Bradley Logan
Recorded Feb 2010 at belowzero studios
coptyright 2010
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Bitches Touch Their Self To My Music-
Produced by Adam West
Co-produced by Bradley Logan
Lyrics by Bradley Logan
Recorded At Belowzero Studios
Feb 2010
copyright 2010
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this is what happens when you mix wheaties n=and v8
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Loved playing this Bass line, overandoverandoverandover...
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I wrote this song after listening to some fine Italo Disco. I love the focus of those songs. It's strictly melody. Always melody. Lyrics are an after thought. Sometimes I feel like that for my music. This song is a break-up song about someone…
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My girlfriend came to the music store with me yesterday to get my new delay pedal and she patiently waited while i checked it out.. so this is dedicated to her.
Musically, I tried to create a rhythm and texture using only natural harmonics…
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This track and the entire EP can be downloaded for free at Marsmelons.com
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the beats part is worked by my friend using fruityloops and the guitar part is done by me.ENJOY!!!!
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i love animalism in pop music. pere ubu good example/ this song sounds like a large room full of cluckin chickens.
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A Scottish sea shantey, in an arrangement by Michael Goffioul. From the 2006 album "On the shore"
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spent some time on this one. going for a trance dance feel. done with ableton and synths
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i'm referring to malcom x's red hair. it's poetry
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when i hear this it gives me chills, i love this sample, it's truely epic!
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i love this song, it's sort of along the lines off mobb deeps "shook ones" as far as beat wise but lyrically, we are in a different dimension coming soulful and poetical!
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breathe in... breathe out
breathe in... breathe out
take a look at at me
tell me what you see now
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Song from 2007 when I went under the name Mantraversal.
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Ambient tones and spoken word, a spell by Deborah Blake from her book Everyday Witchcraft. Synth tones created in Pure Data.
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Meant to re-record this for years, trouble was forgot how to play it. Had to start from scratch, that was hard work.
Video here https://youtu.be/qBnc4DOCGf4
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The third part of the "Magnolia Delighted" trilogy.
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The first part of the "Magnolia Delighted" trilogy.
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catscans on this dogday
reveal the zero brainwaves
can you come out to play
on the living side
the still line lingers sideways
whatever thoughts left far away
is my message making it through
to a mind content to hide?
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The madman looks distorted in all mirrors but the funhouse variety.
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Get entertained with exiting movies and TV shows by carrying out crackle.com/activate on Roku. If you want to Activate Crackle channel on your Roku Streaming Devices to call us toll-free no @ +1-844-558-1010 or visit here @ https://roku.techpal365…
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I HAD FUN CREATING THIS TRACK - AND A VIDEO
https://www.youtube.com/watch?v=7cR_F8ycooo&feature=youtu.be
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Prepare for GRE with the help of the experts who can guide you with your practice tests and other analytical studies. Prepare for your GRE with the best coaching institute to crack the highest GRE score for your MS admissions aboard.
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These lyrics are quite old - I originally wrote them about 10 years ago in the form of a "poem", in order to troll a vanity publisher. I always wanted to set them to music, and they happened to fit the drum loop and harmonica piece I was working on.
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Managed to slip another one in for FAWM. Started as a little doodle with a wacky module chain coming off of a single microtonal synth - much of the loop here is just that. Was too catchy to ignore.
Probably the most blatantly Actress-influenced…
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I was practicing and decided to record and improvise - after a transformation to Just Intonation in Melodyne here is the result.
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My skin gets thicker, covered in needles and spikes.
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Like the dog outside that says it owns the street.
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I can't stop this wagon we're on. This ride might be our last.
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Sea-monkeys, blue Mr.Freeze. A permanent stain on the carpet of my memory.
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We'll dot the eye and we'll give it some life. Bring it to life.
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Break the cycle of work and sleep and work and sleep
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I've been waiting so long
On a world you couldn't see
But it's time I stop writing love songs
For the girl you never were or wanted to be
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So you wanted your freedom
What from the past were you willing to take?
I'm sure you had your reasons
Too many promises you swore you'd never break
The world that you know is not coming back
Maybe it's time you start burning the tracks…
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Robbie R. - Vocals, Guitars, Bass, Lyrics
Margaret B. - Background Vocals
Kenny T. - Background Vocals
Kevin C. - Drums, Recording, Mixing
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Kenny T. - Lyrics, Vocals, Rhythm Guitar, Bass, Casaba
Margaret B. - Keys, Background Vocals
Robbie R. - Lead Guitar, Background Vocals
Kevin Craig - Djembe, Recording, Mixing
This one goes through my head a lot. :)
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"Cabbage Face" was one of the "what words can we spell only using A through G?" chord sequences we came up with during the Spice Rack Collective recording sessions at the Mixing House in Milford, MA. I used it kind of a lot when I got back home. :)
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Looped and mangled field recording of my coffee grinder, toaster, and environs. I sneezed during the recording, so of course I had to use it. :)
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I love MIDI, I love FL Studio, and I'm fond of Cabbage Face. :)
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Looped and mangled field recording of the shower in my hotel room during my work trip. It's a walk-in shower with a wide metal plate covering the drain under the shower head.
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Another cat-inspired MIDI piece. RIP, sweet little Willow. :(
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Dan wrote this one, Kevin exported it, changed the name, and added it to the album.
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Kevin did this one. The "guitar" part was recorded on a keyboard at a Spice Rack Collective recording session, then Kevin added a bass part, used a drum plugin to generate the drum part, gave the thing a name, and added it to the album.
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Kevin threw this one together while getting familiar with Dan's DAW software. (Could easily be called "Loops and Fades" on an album with a different theme...)
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Kevin used a drum plugin and keyboard loops on this one.
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Kevin repurposed the same MIDI track from "At Least We Still Have Power" to make this one - change instruments and tempo, and gentle chamber music becomes a tense nightmare.
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Kevin recorded this one in two takes on his Cathead Lowebow #4, as featured on the larger group's RPM efforts a couple of years ago.
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