This one almost got abandoned, I didn't seem to be getting anywhere with it.
It started as I was looking for a sound for another track (which really isn't getting anywhere) and I came across a chime sound that I thought would be lovely with a…
This one almost got abandoned, I didn't seem to be getting anywhere with it.
It started as I was looking for a sound for another track (which really isn't getting anywhere) and I came across a chime sound that I thought would be lovely with a…
Never throw anything you've created away.
I've come close and always been happy about keeping stuff later.
As to this track, supercool. Especially when that buzzy thing comes sweeping through. Awesome.
This one almost got abandoned, I didn't seem to be getting anywhere with it.
It started as I was looking for a sound for another track (which really isn't getting anywhere) and I came across a chime sound that I thought would be lovely with a…
Increasingly I think the music I am making is less about sound design and more about expressing some of the things inside of me that want out. I guess I may be starting to know what I want.
This one started with a beat (using Stylus RMX to…
Increasingly I think the music I am making is less about sound design and more about expressing some of the things inside of me that want out. I guess I may be starting to know what I want.
This one started with a beat (using Stylus RMX to…
Increasingly I think the music I am making is less about sound design and more about expressing some of the things inside of me that want out. I guess I may be starting to know what I want.
This one started with a beat (using Stylus RMX to…
Increasingly I think the music I am making is less about sound design and more about expressing some of the things inside of me that want out. I guess I may be starting to know what I want.
This one started with a beat (using Stylus RMX to…
Increasingly I think the music I am making is less about sound design and more about expressing some of the things inside of me that want out. I guess I may be starting to know what I want.
This one started with a beat (using Stylus RMX to…
So far the comments have been about the sounds and their scariness. For me, however, the magic comes from those sounds used with a fairly funky and happy motif. The juxtaposition is very cool. Strange as it sounds, I hear a dub influence (cue you saying WTF?!?)
Increasingly I think the music I am making is less about sound design and more about expressing some of the things inside of me that want out. I guess I may be starting to know what I want.
This one started with a beat (using Stylus RMX to…
OK, eeeeasy. Move away from the sharp objects.
...Possibly reserve more intelligent listens/comments until the morning, but suffice to say, I think you probably achieved what you set out to achieve. *scared*
Increasingly I think the music I am making is less about sound design and more about expressing some of the things inside of me that want out. I guess I may be starting to know what I want.
This one started with a beat (using Stylus RMX to…
Space Trumpet was an excuse to try out my new plugin "Little Spacey" from Expert Sleepers and also to exercise the Kore sounds from Acoustic Refractions.
MIDI was supplied via IAC from Reaktor using Lazyfish's Spiral sequencer. The project…
I'm learning to play piano and my teacher has given me 'Old Joe Clarkes Boogie' to play. For 2 weeks it has kicked my ass. But I'm getting to grips with it now and this is my revenge!
The musical parts were recording using my Kurzweil SP3X…
I'm learning to play piano and my teacher has given me 'Old Joe Clarkes Boogie' to play. For 2 weeks it has kicked my ass. But I'm getting to grips with it now and this is my revenge!
The musical parts were recording using my Kurzweil SP3X…
Honestly I have no idea where this came from or how.
I was messing with Omnisphere patches and came across a lovely, flutey, breathy sound that put me in mind of the scenes inside the monolith at the end of 2001. I setup a Rytme pattern to…
I'm learning to play piano and my teacher has given me 'Old Joe Clarkes Boogie' to play. For 2 weeks it has kicked my ass. But I'm getting to grips with it now and this is my revenge!
The musical parts were recording using my Kurzweil SP3X…
I'm learning to play piano and my teacher has given me 'Old Joe Clarkes Boogie' to play. For 2 weeks it has kicked my ass. But I'm getting to grips with it now and this is my revenge!
The musical parts were recording using my Kurzweil SP3X…
Ooh twinkly and thought-provoking. Makes me think of the ghost of a child following someone and hiding quickly behind corners and in doorways whenever the person being followed turns to look. I hear churchbells too. Haunting!
Honestly I have no idea where this came from or how.
I was messing with Omnisphere patches and came across a lovely, flutey, breathy sound that put me in mind of the scenes inside the monolith at the end of 2001. I setup a Rytme pattern to…
Honestly I have no idea where this came from or how.
I was messing with Omnisphere patches and came across a lovely, flutey, breathy sound that put me in mind of the scenes inside the monolith at the end of 2001. I setup a Rytme pattern to…
Honestly I have no idea where this came from or how.
I was messing with Omnisphere patches and came across a lovely, flutey, breathy sound that put me in mind of the scenes inside the monolith at the end of 2001. I setup a Rytme pattern to…
Honestly I have no idea where this came from or how.
I was messing with Omnisphere patches and came across a lovely, flutey, breathy sound that put me in mind of the scenes inside the monolith at the end of 2001. I setup a Rytme pattern to…
This is the first of several songs in a collaboration with Laura Kepner-Adney. Laura has a beautiful voice and a gift for arranging music. It is an exciting project with more to come.
Featuring Ryan Anderson on harmonica.
Lyrics:
As a boy…
After several listens I am better able to describe my reactions. I love the way you let the track build up in it's own time, unhurried. I love the sound, the rhythm, and the desolate, but stoic, feelings you evoke. Kudos to both of you!
This is the first of several songs in a collaboration with Laura Kepner-Adney. Laura has a beautiful voice and a gift for arranging music. It is an exciting project with more to come.
Featuring Ryan Anderson on harmonica.
Lyrics:
As a boy…
Starting out as a simple and awe inspiring invention, progressing to a more chaotic and demanding machine driven future. - people becoming enslaved to these devices. Feeding the machine.
Phone samples were recorded from the output jack of my…
Another in my series of evolving sonic noise experiments.
The source for this piece was a recording from my latest Reaktor instrument [TMA-2](http://www.youtube.com/watch?v=lyEEW-tCNL4) with a sample map constructed from [Richard Devines](http…
@NebulonicAlchemy: I've no recollection of the conversation you're talking about. I use a lot of effects in Live and Logic so it doesn't sound like me.
My point is about creating an arrangement where there is more control over sonic density. Particularly intense points should not be clustered together or they become overwhelming.
I think the issue is with taking a single, long, piece of audio and trying to treat give it a different structure.
I'm not quite sure where I was going with this. I love the Abaska Bong sound and was trying to pair it with something complementary. After going through some truly weird combinations I came up with this.
If you read my post in that thread I talked about one of my tracks being downloaded over & over again by Chinese spammers/spambots. This is that track.
Jason Sloan and I recorded this track in March 2010 as an improvisation in preparation for our performances on The Vigil all-night music festival at MICA. Jason describes the session:
"Erik and I come from very different backgrounds in our approach…
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.
Another slice of Reaktor based weirdness from the particle collider ensemble I am tentatively naming TMA-2.
You can't tell from how it sounds I guess but the latest development is that particle energy now governs velocity, i.e. more energetic…
The idea came to me in a conversation as a kind of silly thing to do. I was thinking about how to mess with samples and the idea of slicing them and trigger them by collisions just popped into my head.
At the moment the energy levels are fixed. One of the things to complete the model is for collisions to drain energy. Then I plan to add "warming" that is a constant influx of energy which will be controllable.
Beyond that I really want to play with having the collision sequencer drive other things like a bank of oscillators. I'm also considering how it could sensibly output MIDI.
This is made with a very experimental Reaktor instrument I am building.
It uses a very simple particle collision model with 64 particles in a 100x100 box. When two particles collide they trigger a sampler to play a slice of either of two samples…
Thanks guys.
Wildgeas: Yeah I got a definite "It's full of stars" vibe and I'm thinking of renaming the Reaktor ensemble TMA-2. I suspect the sampler based version will always be a bit this way because of the granular nature of the sounds. When I use the collision sequencer to drive an additive oscillator bank it might get more interesting. Or not ;-)
Nebulonic: Glad you like it. As to the type of equations it is an incredibly simple analog of a 2D gas. 64 particles are represented by (X,Y,direction,energy) in a 100x100 vessel. Brighter particles have more energy and travel faster.
CR/SS: Thanks... I find some of the tones generated remind me of the background sounds from David Lynch's Dune movie (a favourite when I were a lad).
Johnny: Thanks man. More to come.
Took sandbag's [Andromeda 1](http://alonetone.com/sandbags/tracks/andromeda-1) and applied some BigSeq2 and LiveCut.
Added a little FM8 underneath.
And this happy little accident came out.
This is our little bundle of joy now grown up to be 10 years old. She took up the flute this year at school and this is her first effort in front of my microphone.
She decided on the flute after watching some vids of Ian Anderson and Jethro Tull…
You may hate me for this but I am getting a definite Buck Rogers in the 25th Century vibe here. Which reminds me of Erin Gray in a figure hugging spandex outfit...MMmmmm... I fear I have shared too much!
I made this track back in nineties with sort of tongue in cheek -mentality. I accidentally found it and it still sounded so fresh that i decided to upload it.
Funny how it's generally the songs that I spend the most time on, where I hardly write any story.
So I'll just briefly say this is the [songfight.org](http://songfight.org) song that I hadn't even intended to write.
Hey there. Thanks for the comment on my practice session. You're right that we piano strugglers need a support & self-help group! Maybe something in the forums, a "practice" top-level topic might be good enough.
Comments on Mr Sandbags's stuff
The mannequins! They're ALIVE!!!!!!!!!!!!!!!!!!
Never throw anything you've created away. I've come close and always been happy about keeping stuff later. As to this track, supercool. Especially when that buzzy thing comes sweeping through. Awesome.
whew, good thing you kept this one. I like the chime.
grimey!
Like it! Especially the beats, halfway through I was thinking of wailing robots echoing through a very large spaceship
And thank you all guys. It's great to get feedback :)
MM: Well ... it hadn't occurred to me but I did just buy my first dub album and listen to it today ... maybe it did influence me.
So far the comments have been about the sounds and their scariness. For me, however, the magic comes from those sounds used with a fairly funky and happy motif. The juxtaposition is very cool. Strange as it sounds, I hear a dub influence (cue you saying WTF?!?)
OK, eeeeasy. Move away from the sharp objects. ...Possibly reserve more intelligent listens/comments until the morning, but suffice to say, I think you probably achieved what you set out to achieve. *scared*
okay, sandbags, time for a scary clown avatar. this one will make it difficult to turn out the light tonight.
So *that's* what a space trumpet sounds like. I had always wondered.
Like this nice and raw nice one
Hard to pass up a great title like this one. ;) (Excellent use of Augustus Loop, btw...)
*hides*
I never know what to say while I'm listening to this but I have to keep coming back and listen again!
Ooh twinkly and thought-provoking. Makes me think of the ghost of a child following someone and hiding quickly behind corners and in doorways whenever the person being followed turns to look. I hear churchbells too. Haunting!
Suspenceful...with ambient and cinematic overtones. One to really get the imagination working.
Atmospheric with a world beauty.
Wow- There should be a film to go with this. I'm not going to see it alone though!! Great sounds
Sounds good here! It turns my sunny green garden into the Outback!!
Comments made by Mr Sandbags
After several listens I am better able to describe my reactions. I love the way you let the track build up in it's own time, unhurried. I love the sound, the rhythm, and the desolate, but stoic, feelings you evoke. Kudos to both of you!
OMG utterly fantastic!
That's great, love what you've done here.
@NebulonicAlchemy: I've no recollection of the conversation you're talking about. I use a lot of effects in Live and Logic so it doesn't sound like me. My point is about creating an arrangement where there is more control over sonic density. Particularly intense points should not be clustered together or they become overwhelming. I think the issue is with taking a single, long, piece of audio and trying to treat give it a different structure.
If you read my post in that thread I talked about one of my tracks being downloaded over & over again by Chinese spammers/spambots. This is that track.
This is really awesome guys, lovely range of sounds blending together perfectly in the moment. Maximum kudos.
The samples were not carefully chosen just a few random snippets I had lying around and some vocal samples I've been collecting for another project. I just needed something to feed into it.
The idea came to me in a conversation as a kind of silly thing to do. I was thinking about how to mess with samples and the idea of slicing them and trigger them by collisions just popped into my head. At the moment the energy levels are fixed. One of the things to complete the model is for collisions to drain energy. Then I plan to add "warming" that is a constant influx of energy which will be controllable. Beyond that I really want to play with having the collision sequencer drive other things like a bank of oscillators. I'm also considering how it could sensibly output MIDI.
Thanks guys. Wildgeas: Yeah I got a definite "It's full of stars" vibe and I'm thinking of renaming the Reaktor ensemble TMA-2. I suspect the sampler based version will always be a bit this way because of the granular nature of the sounds. When I use the collision sequencer to drive an additive oscillator bank it might get more interesting. Or not ;-) Nebulonic: Glad you like it. As to the type of equations it is an incredibly simple analog of a 2D gas. 64 particles are represented by (X,Y,direction,energy) in a 100x100 vessel. Brighter particles have more energy and travel faster. CR/SS: Thanks... I find some of the tones generated remind me of the background sounds from David Lynch's Dune movie (a favourite when I were a lad). Johnny: Thanks man. More to come.
Rather groovy.
From the edges of Eno to the realms of Vangelis, nice!
Dreamy. Just perfect for this lovely spring day.
Dead catchy CG!
Enjoyed listening to that, could have listened a good while longer.
That's brilliant!
Catchy little number this.
You may hate me for this but I am getting a definite Buck Rogers in the 25th Century vibe here. Which reminds me of Erin Gray in a figure hugging spandex outfit...MMmmmm... I fear I have shared too much!
Great track I love it.
Hey there. Thanks for the comment on my practice session. You're right that we piano strugglers need a support & self-help group! Maybe something in the forums, a "practice" top-level topic might be good enough.
I think Kirk just about nailed and, yeah, the guitar comes in just right.