Poem by Francis Duggan
Poem selected and recited by Bethan Mathis
Music composed by Chris Vaisvil
Selected for the ANDREAS N°15 – 14?-?18 First World War – FRACTION STUDIO COMPILATION
details / poem
http://chrisvaisvil.com/along-the-war-avenue…
In nuclear physics, a magic number is a number of nucleons (either protons or neutrons) such that they are arranged into complete shells within the atomic nucleus. The seven most widely recognised magic numbers as of 2007 are 2, 8, 20, 28, 50…
Poem by Francis Duggan
Poem selected and recited by Bethan Mathis
Music composed by Chris Vaisvil
Selected for the ANDREAS N°15 – 14?-?18 First World War – FRACTION STUDIO COMPILATION
details / poem
http://chrisvaisvil.com/along-the-war-avenue…
You have interpreted the poem perfectly Chris. The poignant strings, military drum rolls and booming explosions set the scene most sympathetically. It's rather haunting! Lovely job indeed.
@Kavin, ha ha, it's the accent! Bethan
Poem by Francis Duggan
Poem selected and recited by Bethan Mathis
Music composed by Chris Vaisvil
Selected for the ANDREAS N°15 – 14?-?18 First World War – FRACTION STUDIO COMPILATION
details / poem
http://chrisvaisvil.com/along-the-war-avenue…
Thaks to Christiane Offenbar at Sound-In details
http://chrisvaisvil.com/thin-ice-for-alto-female-choir-harp-and-percussion-in-adaptive-ji-16-edo-and-8-edo/
Chris and Bethan - Spellbinding collaboration... Dramatic, exciting, and beautifully performed. Love the reverse vocals at the end - sounds French! Super cool.
Tess x
Crumbs Chris, that's incredible. Sounds really good, the music is superb, very nightmarish but dreamy too. Yeah, most impressed.
@Jane, Trev and Kavin, thank you, we had a great time.
I've been going to a lot of performance poetry nights recently, and this is amazing, Bethan. You'd go down a storm at my local Art House! Great collab :)
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
For a friend who touched my heart
Emotion - 1975
Delicatly, softly,
Not knowing where she wants to be
Confusing, disillusioning,
Not knowing who she wants to be
Pulled from side to side
And inside about to die
She screams, I can't take it…
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings.
On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
2011 according to Regs research was pretty shit for most apart from the couple from England......it thought i would use a Chinese theme to the music being that they own it and it was the year they were able to buy most of it cheap.....note to…
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Spare a thought for those with nothing this Christmas..... Homeless with no family.........and no one to help.......
CHRISTMAS ALONE (Lyrics)
Nobody is listening no body knocking on my door
nobody is near me nobody wants me
i’m nobody’s…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This rough track uses my Blue Just Tuning system (go to www.johnsmusic7.com for details and a photo of the guitar). This is the same tuning Chris Vaisvil used in his Excluded By Peers piece. I hope to add some lead to the track soon.
Well heres my attempt at singing Jerusalem....i would have liked to have performed it better so that the vocal would have done Chris's music more Justice but sometimes you just have to do what you can and go with the flow........thanks Chris…
Comments on vaisvil's stuff
Good stuff
Compelling interpretation of a powerful poem. Great job, guys! Tess
Great track, Vaisvil. Strong sounds, well constructed... evocative without having to do too much.
You have interpreted the poem perfectly Chris. The poignant strings, military drum rolls and booming explosions set the scene most sympathetically. It's rather haunting! Lovely job indeed. @Kavin, ha ha, it's the accent! Bethan
Brilliant, yawl. I swear I could be happy listening to B read a phone book.
like it good mood
Just realized I really like this song, but rarely hear it. You may have topped the original.
Definitely sounds like an Indian influence here. Nice work Chris. I like the tone too, sounds like a really good guitar. Bethan
Really nice! I gotta get me an old electric and pull the frets off sometime!
Not what I was expecting at all but they are there, on the end.I think you are getting good at this Chris. Yes, very clever. Cheers Bee
Chris and Bethan - Spellbinding collaboration... Dramatic, exciting, and beautifully performed. Love the reverse vocals at the end - sounds French! Super cool. Tess x
Beautiful art work, by the way! Cheers Bethan
Crumbs Chris, that's incredible. Sounds really good, the music is superb, very nightmarish but dreamy too. Yeah, most impressed. @Jane, Trev and Kavin, thank you, we had a great time.
I've been going to a lot of performance poetry nights recently, and this is amazing, Bethan. You'd go down a storm at my local Art House! Great collab :)
Nice to hear you back Bethan.....Excellent phrasing.....great job on the soundscape Chris......
Wonderful. Good job, Bethan and Chris!
Rockingly super sonic sounding. Well, I was thinking sounds great to me. Bethan
15 edo
I should mention the echo was a real echoplex... I do miss it.
OOOOh Bethan - the equipment was so bad it picked up Citizen's Band radios that were over-driven beyond the legal limit. Nonetheless. I still had the crush :-)
Comments made by vaisvil
hi Kavin, Wondering Aloud is on my list!
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
Norm, just how many chickens have you raised? ;-)
this is an awesome tune!
Wow NPR - how cool!! And the music is great!!
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings. On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
very good - very very good!
good blues - could be longer with MTC shredding some blues licks
nice work!
excellent song!
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Thanks again! And I usually don't like banjo - but love it here!
Sad Reg, but so true for too many.
This a beautiful and indeed your arrangement is spotless
Thanks for the listen and comment - now to listen to your piece.
thanks for the listen and rating!
Hi John, thanks for listening. The tuning is 11 EDT and uses 0, 2, 3, 5, 6, 7, 9, 10 as scale degrees.
wow! a beautiful memory - very cool. I've only seen just a few meteors so I'm glad to hear your story!
excellent! great vocals and guitar!
Thanks for making this happen!