'Tis the gift to be simple, 'tis the gift to be free
'Tis the gift to come down where we ought to be,
And when we find ourselves in the place just right,
'Twill be in the valley of love and delight.
When true simplicity is gain'd,
To bow and…
Copland, not "Copeland" -- atone for your spelling sin and honor this dearly departed patriotic pinko by listening to his Symphony No. 3 TODAY!!! -- DrBill
Antoinette plays keys, Anonymous plays drums, Evan is guitar left, Chris is guitar right (sorry I was a jerk and too loud) - This dates from 1977 when I was a classical major and Antoinette a piano major. Even though this improvisation was from…
This is some good fu-fu with good ju-ju. Thank the Almighty for the "minor miracle" of magnetic tape, which the Library of Congress well-knows may need baking from time to time but is a format that bonehead computer-science nerds can't render obsolete by declaring it no-longer-supported. Thinking of you, my one-time Ivy brother. -- DrBill
Winter 1977 / 1978 - band is Clay percussion, Evan guitar and guitar pedals (synth sounds), Mike Barry piano, Mike Craddock bass, and Chris guitar (with echo / volume pedal)
This was the next to last jam of the night
Only just seen your reply on this one - about HAIM's version of the Fleetwood Mac song... I keep getting recommended it on youtube - I shall press play ..... WOW! The reason I keep getting recommended it is because I'm a big fan of Larkin Poe, have you heard of them? Check out their "Tip O the Hat" series of home vids - two sisters, lead and backing vox, six string and... a KILLER lap-steel player (thinking of getting one)(a lap-steel, not a Megan Lovell, she's already taken!)
wow---Darmok with hands held open.. :)
It could have a counterpoint track added from a synthesizer performance that could happen-- maybe using this work as part of the synth construction--???
Winter 1977 / 1978 - band is Clay percussion, Evan guitar and guitar pedals (synth sounds), Mike Barry piano, Mike Craddock bass, and Chris guitar (with echo / volume pedal)
This was the next to last jam of the night
Andrew, sorry - I wasn't even think of that even though I saw a live show video by HAIM where some young ladies from southern California ripped that cover song up! Worth a search!
Winter 1977 / 1978 - band is Clay percussion, Evan guitar and guitar pedals (synth sounds), Mike Barry piano, Mike Craddock bass, and Chris guitar (with echo / volume pedal)
This was the next to last jam of the night
So I put 77/78 together with the title "Oh Well" and came up with... "wow! they played that?... ummm... er... ok... when does the riff start then??" lol ... Once I got to the end, I realised it obviously wasn't ever going to burst into "I can't help about the shape I'm in / I can't sing, I ain't pretty and my legs are thin"... So I went round again... and appreciated some very cool sounds. In fact, this is mighty cool.
Thank you Greg, Colleen, and Andrew for your comments. I need to add a little more from that day so long ago.
The Battle for Layfayette Square were improvisational warm ups and cool downs for practicing this progressive rock attempt that clocks…
Thank you Greg, Colleen, and Andrew for your comments. I need to add a little more from that day so long ago.
The Battle for Layfayette Square were improvisational warm ups and cool downs for practicing this progressive rock attempt that clocks…
This is a recording from my i phone off my back deck at home in Mill Valley tonight. Everyone howls at 8 pm for 1 minute in solidarity for the healthcare providers during this pandemic with COVID 19. its been going on for over 2 weeks now…
Ukulele and vocals performed by Jazz, 12.
She's starting to write her own stuff (proud!) but just to get her in the studio for the first time, here is a cover of a song by Vance Joy.
the first Acid pro 10 stuff where I rework a recent work using the stretch effect and algorithms
this is the original work here
https://alonetone.com/acid/tracks/process+on+1
this is the selection that resulted in stretching, in high resolution…
I put together a patch of 6 oscillators using frequencies 198, 210, 220, 228, 230 and 280. I recorded the piece interactively playing as I felt them by triggering. A previously recorded loop often playing in reverse was also used. Produced…
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
No one's left
and I'm afraid
I've got no choice.
I've got it made.
But I've known for a very long time
that I can't consent to the shape
that I've been assigned
without a chance to really define...
Comments on vaisvil's stuff
great it is true mostly the repeating --- why is the barrel empty ? or most empty?
yeah it is good these notes work together nicely --
nice stuff
And this gives me some release - but not loads! I was going to ask if it's an ebow, but it's not is it? Sounds like a real bow?
I find this one a slightly more challenging listen!
This one follows Hopey Changey really well
I listened to these the other day while I was doing something else... I forgot to come back and comment. This is a gorgeous sound.
love the groove, add some lyrics to this Chris!
Neat guitar sound.
Copland, not "Copeland" -- atone for your spelling sin and honor this dearly departed patriotic pinko by listening to his Symphony No. 3 TODAY!!! -- DrBill
This is some good fu-fu with good ju-ju. Thank the Almighty for the "minor miracle" of magnetic tape, which the Library of Congress well-knows may need baking from time to time but is a format that bonehead computer-science nerds can't render obsolete by declaring it no-longer-supported. Thinking of you, my one-time Ivy brother. -- DrBill
Loving the sounds
Only just seen your reply on this one - about HAIM's version of the Fleetwood Mac song... I keep getting recommended it on youtube - I shall press play ..... WOW! The reason I keep getting recommended it is because I'm a big fan of Larkin Poe, have you heard of them? Check out their "Tip O the Hat" series of home vids - two sisters, lead and backing vox, six string and... a KILLER lap-steel player (thinking of getting one)(a lap-steel, not a Megan Lovell, she's already taken!)
Cool sounds.
wow---Darmok with hands held open.. :) It could have a counterpoint track added from a synthesizer performance that could happen-- maybe using this work as part of the synth construction--???
Andrew, sorry - I wasn't even think of that even though I saw a live show video by HAIM where some young ladies from southern California ripped that cover song up! Worth a search!
So I put 77/78 together with the title "Oh Well" and came up with... "wow! they played that?... ummm... er... ok... when does the riff start then??" lol ... Once I got to the end, I realised it obviously wasn't ever going to burst into "I can't help about the shape I'm in / I can't sing, I ain't pretty and my legs are thin"... So I went round again... and appreciated some very cool sounds. In fact, this is mighty cool.
This washes over you in a kind of all-enveloping way
yes very powerful music and lyrics.. can't quite hear the lyrics but I am glad you wrote them out the lyrics are the best I have seen ..-- wow
I thought I'd commented?! .... anyways, WOW that's a monster. I'll give it another listen over the next few days.
Comments made by vaisvil
certainly Clapton has nothing on you!
this is great!
There is something compelling about your calm reflective pieces like this :-)
every cat has at least one... its were the 9 lives are stored...
enjoyed!
Nice sample! You gotta put it in a tune!
This is great!
great performance!
I like this one a great deal. The sections are more defined than usual And I like the character of each. I too listened several times.
Cool sounding!
amazing work!
really good composition with excellent production. I heard sounds coming from beyond my monitors - phase shifting?
great music, it is like a speech. Prodding, pleading, shouting.
nice vamp!
Such a huge expanse is painted here!
A cool microtonal experimental piece!
This is beautiful!
starts out with a hint of Ludwig and becomes full on contemporary classical. Really like the quiet part at ~2 with the sustain pedal down. I don't know why - 3:18 started to echo Gershwin for me though it really doesn't sound like his style. Overall its a really nice piece with a multifaceted set of moods and thoughts - I enjoyed this very much!
This is really an intriguing piece as the song writing is somewhat Beatlesque with a totally modern sound. I love this even more than the previous view into this piece.
I really like how unusual this sounds