11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
that second dissonant chord construction is tense or intense or extensively extreme// this is so neat of a composition it could go on and on IMO :) well done..
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
11 notes per octave (11 edo) has been a tuning that has generated a lot of music later. Not wanting to be left out I decided to take some time to compose a piece in 11 edo using Garritan Personal Orchestra. As a subject matter suitable for…
Great subject matter you have captured the suspense and Mystery and horror....similar in feel not content of the music Jaws the way in which it feels like he is encircling his prey....an excellent feel to this piece.. love it
This starts at essentially the same improvisation pattern and then travels elsewhere - I think I like the Martin version better myself. This one is in stereo.
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
excellent..... love the Conrads poem and the performance of it....a real mystery going on with the sounds in the second half.. Conrads voice reminds of someone of the Lou Reed album the Raven
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
A setting of CA Conrad's poem, Subterrestial Aria, 1st Watch
7/8 90 BPM
CA Conrad's reading of his poem from pennsound
Prepared electric mandolin
Electric guitar looped
Flute
French Horn
Bowed Piano
Tubular Bells
Field recording of an upright…
Well, I feel almost human today. Been a rough few days with the flu or something. I'm running on a baked potato - seems I can't each much else yet. It was ironic that I became sick just when I went to pick up a Boss Loop Station I found for half…
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
i hear a music of, long vistas, desolate but beautiful landscapes,, weither it is internal or external, i can not be sure... Chris, this very will done, on many levels R
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
Well, I feel almost human today. Been a rough few days with the flu or something. I'm running on a baked potato - seems I can't each much else yet. It was ironic that I became sick just when I went to pick up a Boss Loop Station I found for half…
A good friend and percussionist Norm Harris contributed percussion to this track – A Cast of Billions - so I ripped out all of the midi percussion and used Norm’s percussion, added a track where I speak Evan’s poem and did some remastering…
This is wild! Strangely attractive, inspite of the voltage noises you push through my head. A couple of great guitar licks, around 2:30 and love the rhythm guitar riff around 5:45.
Your percussion work is top notch.
For this track I used a scale that John McLaughlin once mentioned in an interview, which I later figured out was a Phrygian Dominant scale with the flat-6 omitted.
Thanks for listening.
Inspired by a "flash of gratitude", to the Universe, God or whatever..sitting in the warm summer heat watching my sweetie tend her plants, puffy clouds filling the sky and surrendering to the momentary bliss.
Legend has it that one day this post will no longer be on the front page of this site. But then it is only legend. It all depends on what you chose believe.
My final comp project of the year!
This is the first movement of my violin sonata. ("Concision" is the second movement).
I incorporated some metal and dubstep elements. It really gets going after 1:30.
Another week of classes and onto…
Another full band cover of an acoustic Kurt song. Apologies to KC for the guesswork.
LYRICS:
One less side of me
Wonder how I breathe
I know that I need
Just because
you want my seed
Seems to me that harvest’s overgrown
Step aside…
a bit of doodling turned into this .....
The clock strikes midnight and Jennys heading home
Peter, makes do with bus and he sits there on his alone
He’s Watching the streets fill with people as the the raindrops form to the glass
the falling…
It has long been the role of the troubadour to challenge and lampoon Authority through music. This is one such piece, written following a speech by the U.S. Secretary of Housing and Urban Development (HUD), in which he spoke of African slaves…
Shout out to Tom Waits, one of my favs. Rumor has it, he has had a similar problem with his piano.
I didnt think I would make it signing this way to the end of the song, lol.
Throat lozenge anyone??
I like your froggy throat! Reminds me of an iron chef where the main course was lobster and one chef took to dunking his live, huge, 30 year old, lobsters into a cask of sake or something alcoholic. You need a similar cask for your Gibson. To answer your question - glass slide.
A crazy little song written while considering Ed Robertson's plane crash from a few years back, "Any Landing" is given much legitimacy by Ashley's incredible voice and Kavin Allenson's (Kavin S. Acoustic Church) guitar.
Any Landing
Learning…
Comments on vaisvil's stuff
that second dissonant chord construction is tense or intense or extensively extreme// this is so neat of a composition it could go on and on IMO :) well done..
Love the Eastern flavours you're cooking with more and more these days - great stuff from El Norm also.
Great subject matter you have captured the suspense and Mystery and horror....similar in feel not content of the music Jaws the way in which it feels like he is encircling his prey....an excellent feel to this piece.. love it
Hypnotic! Wow!! Captured some real power here!
Love this riff - not sure which I prefer, I think the other has the edge...but love the extra improvised bits here.
Totally original - great effect with the mandolin!
Woah, did I? Go me! This is magical - tranquil and mystical with a sting in the tail.
Back for another visit loving this
excellent..... love the Conrads poem and the performance of it....a real mystery going on with the sounds in the second half.. Conrads voice reminds of someone of the Lou Reed album the Raven
7/8 = awesome pick for this song.
Excellent! Percussion is top notch!
Is that you or a vocal-sample?...wow this cool stuff....kick percussion with both hi-hats fit right in...this is intense!
Nuthin' unsteady about those hands. Great work! And what WAS that stuck to the eave?
i hear a music of, long vistas, desolate but beautiful landscapes,, weither it is internal or external, i can not be sure... Chris, this very will done, on many levels R
really really cool. particularly when you start exploring the odd (non tempered?) intervals
Quite the trip! Wonderful groove!
Love the music, flavours of Istanbul. Cool perc. there Norm!
Nice tone there, sounding good to me Chris and I hope you are feeling better.
A fine Asian feel great percussion. Liked it a lot ......
This is wild! Strangely attractive, inspite of the voltage noises you push through my head. A couple of great guitar licks, around 2:30 and love the rhythm guitar riff around 5:45. Your percussion work is top notch.
Comments made by vaisvil
Nice work!
this is sweet! What all are the effects used? It is an incredible soundmass you've created
Nice - must be a cosmic sink!
wonderful!
gosh you sound eerily like Kurt! Great cover yes!
I agree - excellent cover!
lovely!
Great sound!
excellently bizarre!
Legend has it that one day this post will no longer be on the front page of this site. But then it is only legend. It all depends on what you chose believe.
love this!
excellent!
such clean playing!~
some original music here!
A beautifully crafted song.
Someone needs to take the Dr's prescription pad from him. I think Gobbels would appreciate this bold rewriting of history. Its sweep is asphyxiating
Yes!
I like your froggy throat! Reminds me of an iron chef where the main course was lobster and one chef took to dunking his live, huge, 30 year old, lobsters into a cask of sake or something alcoholic. You need a similar cask for your Gibson. To answer your question - glass slide.
This is really great!
Nice work!