Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
Inspired by Joel Taylor's piece in scala's 12-22h.scl tuning 12-22hexachordal sonatina I tried my hand at it and came up with this piano improvisation called "Smoke Filled Bar". I found this excellent drawing of a femme fatale in a smoke filled…
A homage to Steve Hackett (who wrote this piece)
http://en.wikipedia.org/wiki/Steve_Hackett
This is played using John O'Sullivan's Blue JI tuning. Pianoteq and Kontakt didn't play nice together so I had add 4.81 cents to all of the flute notes.
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
This is a serial improvisational piece (excepting some drum loops) in John O’Sullivan’s Blue JI tuning (which I rather like) – all of the instruments, African log drum, Nigerian log drum, Krin slit drum, Teponaxtli, Toere, Kaekeeke, Kalaau…
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Fantasy for Piano in 25 Note per Octave Tuning is a short piece I composed in Sibelius 7 using Pianoteq 4 in 25 note per octave (edo) tuning. This composition was created per a request in the Xenharmonic Alliance as a response to my piece in…
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
The Metaphysical Evaporation of Wells Street is an ambient piece devised by mashing Summer Sky by Paul H. Muller, Sweeping the Clouds by Lydia Busler-Blais, I Half Remember Why I Got the Blues by Steve Layton, Blue Mountain by Diego Monroy…
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
We got together to ruin "No Time" by The Guess Who
I doubt I have to say who did what... :-)
But I will
Stunning vocals by Reg
Awesome Percussion by Norm and his son
I an responsible for acoustic guitar and 5 string bass
Inspired by a "flash of gratitude", to the Universe, God or whatever..sitting in the warm summer heat watching my sweetie tend her plants, puffy clouds filling the sky and surrendering to the momentary bliss.
Legend has it that one day this post will no longer be on the front page of this site. But then it is only legend. It all depends on what you chose believe.
My final comp project of the year!
This is the first movement of my violin sonata. ("Concision" is the second movement).
I incorporated some metal and dubstep elements. It really gets going after 1:30.
Another week of classes and onto…
Another full band cover of an acoustic Kurt song. Apologies to KC for the guesswork.
LYRICS:
One less side of me
Wonder how I breathe
I know that I need
Just because
you want my seed
Seems to me that harvest’s overgrown
Step aside…
a bit of doodling turned into this .....
The clock strikes midnight and Jennys heading home
Peter, makes do with bus and he sits there on his alone
He’s Watching the streets fill with people as the the raindrops form to the glass
the falling…
It has long been the role of the troubadour to challenge and lampoon Authority through music. This is one such piece, written following a speech by the U.S. Secretary of Housing and Urban Development (HUD), in which he spoke of African slaves…
Shout out to Tom Waits, one of my favs. Rumor has it, he has had a similar problem with his piano.
I didnt think I would make it signing this way to the end of the song, lol.
Throat lozenge anyone??
I like your froggy throat! Reminds me of an iron chef where the main course was lobster and one chef took to dunking his live, huge, 30 year old, lobsters into a cask of sake or something alcoholic. You need a similar cask for your Gibson. To answer your question - glass slide.
A crazy little song written while considering Ed Robertson's plane crash from a few years back, "Any Landing" is given much legitimacy by Ashley's incredible voice and Kavin Allenson's (Kavin S. Acoustic Church) guitar.
Any Landing
Learning…
Old Age is a bitch.....
As this game of truth, slowly fills up with lies
As the happy ever after gets more and more disguised
The inner truth will pull the mind closed tight
As we introduced ourselves to the end of the night
Somedays…
Comments on vaisvil's stuff
every body polka.
One of your oriental flavoured pieces Chris. Well played, it must be difficult. I like the way it boings at the end!
Nice playing Chris..........
Just wait until Pepé Le Pew gets a load of her!!
Purrrrfectly performed!
Great feel! Great playing! (Can't read much info about this track as the link seems to be broken.)
I love this!
Lovely! Well played Chris!
parts of this remind me of something from Michael Hedges' taproot album.... nice track!
Ooo, well played!
Nice warm groove.
Now that's cool
well Chris, i find this rather interesting,
This has inspired me to get my guitar out :)
Such an incredible mix of sounds. It felt like a junkyard in space. Then when the music came in I thought it fitted really well, music all in bits like the gramaphones. Ooo, the swaying from one ear to the other at the end is effective too.
Such an emotive piece. Beautifully performed. The ending is very different from the main part, almost like a new beginning.
An excitingly mysterious ride, perfectly formed.
Mighty cover!!!
Excellent cover great vocals Reg.
great track!
Comments made by vaisvil
this is sweet! What all are the effects used? It is an incredible soundmass you've created
Nice - must be a cosmic sink!
wonderful!
gosh you sound eerily like Kurt! Great cover yes!
I agree - excellent cover!
lovely!
Great sound!
excellently bizarre!
Legend has it that one day this post will no longer be on the front page of this site. But then it is only legend. It all depends on what you chose believe.
love this!
excellent!
such clean playing!~
some original music here!
A beautifully crafted song.
Someone needs to take the Dr's prescription pad from him. I think Gobbels would appreciate this bold rewriting of history. Its sweep is asphyxiating
Yes!
I like your froggy throat! Reminds me of an iron chef where the main course was lobster and one chef took to dunking his live, huge, 30 year old, lobsters into a cask of sake or something alcoholic. You need a similar cask for your Gibson. To answer your question - glass slide.
This is really great!
Nice work!
so cheery and bright!