Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
Graphic by William Newbold
Genre:
Electronica: Ambient
Year: 2009
Album:
Tritium Crystals
Artist's description:
William Newbold's performance modified by Chris Vaisvil
Scored for amplified prepared piano and choir ensemble…
Choir and French Horn ensemble using a basic just intonation tuning.
! ji_12.scl
!
Basic JI with 7-limit tritone
12
!
16/15
9/8
6/5
5/4
4/3
7/5
3/2
8/5
5/3
9/5
15…
Dead to the World
Just a shade
A specter, a ghost
No place amongst the society of perfect being!
Dead to the World
Alien, unwanted
Not here, unseen
Untagged, uncounted
Lost, unwanted, despised, no home, no place, no Soul!
Dead…
the end of this is best --- It just works in there--- the this type of buzz saw like noises OGM I love these things.. --- I get these when I tweak the supernova II and use the max feedback for digital delay and level maxed out with the time at like zero to 1 to two .. the smallest intervals for that .. it is greatness. these sounds.
Two tracks recorded with my bohlen-pierce travel guitar in cubasis on an ipad using Zoom UAC-2 interface and ammooon wireless set. Reverb is cubasis default.
Dead to the World
Just a shade
A specter, a ghost
No place amongst the society of perfect being!
Dead to the World
Alien, unwanted
Not here, unseen
Untagged, uncounted
Lost, unwanted, despised, no home, no place, no Soul!
Dead…
this sounds just fun... -- I like this... there maybe be ways to intermix the changes at the 12 bar interface with a kind of blending maybe? course that would be a different song,..
I was listening to Jesmiaus earlier Trick of your love (RPM2012) and it gave me an idea for my first RPM this year...so thanks Will...... hope you all enjoy this....i did doing it...they say smoking weed can make you schitzophrenic but i’m not…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
*Pilón* reveals a Cuban pattern, traditionally played on Timbales, but in this case on Jr. Congas & Congas (with gated reverberation and flanger effect). The rhythm of Pilón is based on the motions of pounding sugar cane.
A new son reveals…
This is a live cut from an NPR radio broadcast back in 1988 while my Irish Trad group Scartaglen was on one of its first east coast tours. Found recently on a cassette tape. Musically this was one of my favorite periods in the history of the band…
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings.
On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
2011 according to Regs research was pretty shit for most apart from the couple from England......it thought i would use a Chinese theme to the music being that they own it and it was the year they were able to buy most of it cheap.....note to…
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Spare a thought for those with nothing this Christmas..... Homeless with no family.........and no one to help.......
CHRISTMAS ALONE (Lyrics)
Nobody is listening no body knocking on my door
nobody is near me nobody wants me
i’m nobody’s…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
Original song using:
Martin 12 String Guitar
Gibson J 200 Guitar
Deering Senator Open Back Banjo
Gibson SG Bass Guitar
Lyrics:
Tonight - Written by Greg Connor
The wind is blowing hard tonight
The moon and stars are shining…
This is a “cross-over” pattern. Cross-over patterns are a type of enharmonic polymeter, where 2 rhythms with different numbers of beats/measure are played at the same tempo: the measures do not line up each time. These rhythms have measures…
This rough track uses my Blue Just Tuning system (go to www.johnsmusic7.com for details and a photo of the guitar). This is the same tuning Chris Vaisvil used in his Excluded By Peers piece. I hope to add some lead to the track soon.
Comments on vaisvil's stuff
Exactly what are we ending like this?? It's a very tight performance you have created.. What seems good in both forward and reverse directions and safe at any bpm we can think of. I am hearing that mesmerizing sonic swirl going on.---ฯ§¥~~ is that a setting on one of the boxes being used???
great!! maybe one day they will make 17 tone african thumb Pianos --- but until then we can dream-
a mesmerizing sonic swirl!
do you have a page on wikipaedia?
I think these sounds seem so slippery between each other and sliding into and out of the song.--- great end to this song 🙂
I believe you
pretty and very mmmm Large sounds very big and open like tones.. here
nice synth sounds going on- ===
I like this too.
incredible most incredible === it is like this sometimes.. yes-
the end of this is best --- It just works in there--- the this type of buzz saw like noises OGM I love these things.. --- I get these when I tweak the supernova II and use the max feedback for digital delay and level maxed out with the time at like zero to 1 to two .. the smallest intervals for that .. it is greatness. these sounds.
nice---
Powerful and good groove, out of the dark much light!
I like this
this sounds just fun... -- I like this... there maybe be ways to intermix the changes at the 12 bar interface with a kind of blending maybe? course that would be a different song,..
yeah the end tabla is sweet .. just perfect mix into this type of ending.. what is up with the light cone or time bending swirles ??
great beats and sounds.. great guitars going on- great -
That was a mystic ride
Quite a sonic journey!
I thought I commented on this yesterday? Apologies, I listened and thought WOW! ... I can confirm it has the same effect on me today.
Comments made by vaisvil
beautiful!
Love the vocal split - excellent rock ballad
hi Kavin, Wondering Aloud is on my list!
Hi Kirk, typically it is easiest to start talking about notes as numbers in the tuning. So say for instance a a fifth would be from note 1 (or 0) to note 12 (11). This page may help http://xenharmonic.wikispaces.com/19edo
Norm, just how many chickens have you raised? ;-)
this is an awesome tune!
Wow NPR - how cool!! And the music is great!!
Hi Kavin, if your new tuning changed the length between the 5th and 6ths fret for instance then, no you could not accomplish this by changing the tuning of the open strings. On the other hand you can make a small trip into microtonality by retuning the open strings a quarter flat or sharp relative to each other.
very good - very very good!
good blues - could be longer with MTC shredding some blues licks
nice work!
excellent song!
Quite excellent and I'm only 2 minutes in. This is an amazing composition of ever changing aural landscapes. Wonderful!! and I'm 14 minutes in. At 15 minutes in I downloaded this piece. By 21 minutes you have taken me to a new never seen before aural vista overlooking the eternal. What an incredible transformation to an organ-ish sound at 25 minutes. Wow... the symphonic length was filled with symphonic sound. I love your piece! The closing flute like tones from your ebow is just perfect.
Thanks again! And I usually don't like banjo - but love it here!
Sad Reg, but so true for too many.
This a beautiful and indeed your arrangement is spotless
Thanks for the listen and comment - now to listen to your piece.
thanks for the listen and rating!
Hi John, thanks for listening. The tuning is 11 EDT and uses 0, 2, 3, 5, 6, 7, 9, 10 as scale degrees.
wow! a beautiful memory - very cool. I've only seen just a few meteors so I'm glad to hear your story!