Oh very cool intro! Great re-imagining of a Gumbo classic!

with the manipulated concertina/accordion and the harpsichord and synths, i was going to try and describe this, but i think you say it best in the about section.

i'm supposed to go practice guitar, but i can't stop listening to this album. it's captivating.

i love that patch you're using, it's sublime, you know, the gurgly one.

the way you juxtapose your half-sung/half-spoken vocals with such original music is uncanny and quite an accomplishment.

love that exotic lead rhythm, that could've kept going, and the beats...reminds me of my own stuff :)

AMUC, you're right on my wavelength: bizarre, original, intriguing, crazy out there...speak to me o strange one.

My favorite so far.

Very interesting. I like the alterations in the vocal as different "speakers". What's a "freesound credit?"

flange me baby, yeah. very original like it

wow cosmic man. very cool

Is this what is known as an eclectic album - well I like it :)

Dark, brooding. This is not a car I want to ride in.

Great intro. Love the metal percussion.

What an experience.. glad i had my headphones on for this one. Alot of it would have been lost on my crappy laptop speakers. Nothing obvious here... was literally surprised every couple of seconds. class.

hope you are enjoying the month of music writing. I am really digging your track on Myspace-Trapped Behind a Mask. cheers

This is ameeeeeeezin!

Wow- an awful lot going on with this one. Love it. Very ambitious

Yes, I'd say you have. GREAT track.

Bright! Expansive. This is wide and really nice! Great images. Nice vox. Effective simplicities and rhythms. Jazzyishness!

I want quantum knees. That sounds cool.

This totally kicks posterior. =)

This really appeals to my Irish half. There's something about Irish folk music that brings a smile to one's face.

For a 'not professional' singer, you sound great, IMHO. The whole song flows well - you can tell a lot of effort was put into the sound production.

Listening to this, I feel the need to hang up the disco ball while playing ample amounts of 8 bit Nintendo. =)

I like the trippily-demented jazz section around 4:45.. That caught my attention.

Thanks for the feedback on this one - I'm rewriting it, though. I thought it came out sort of rough around the edges.

I envision this is probably what heaven sounds like, assuming the place exists. Fantastic harmonies..

I like the percussion on this one -- it sounds very real. (I'm a dumb sucker for conga drums.)

I like this - it's very immersive. It sounds like it should be the score for some 2001-esque space movie.

I originally thought this would be way too long to hold my attention, but it's done a surprisingly good job - I'm at the 11 minute mark now. I'm impressed how clear the high end is - you can hear all the hi-hats and cymbals very clearly. You really have to be in the right sort of mood to absorb something like this, though. It feels like the sort of thing that would be great listening to while nearly asleep. (It would make for some interesting dreams.)

In reference to your question on the vocals, you might want to raise them slightly, but they're not that bad. It's not so low in volume that you're straining to hear it.

This is very catchy, in an off-kilter sort of way. I like how it straddles the fine-line between electronic and rock. (It sounds like a crossbreed of Self and VAST.)

The interplay of the different voices creates a nice texture. It reminds me of Ayreon - how he uses different vocalists to establish different moods.

Wow. This totally mucks with your brain - I feel like I'm drowning in it by wearing headphones.

Quirkily harmonic. This one sounds like it deserves a music video (and a really strange one at that.)

Well done. The vocals/lyrics are haunting. I like how it goes from symphonic to crunchy at about the two minutes mark.

This is catchy - it has a trip-hoppy Beach Boys sort of feel.

I remixed this RPM track - sounds a lot better now..

I love the wordplay here. "A part" vs "Apart"..