Pop-rock song. Recorded 2009.
I wrote this several years earlier and rehearsed it with the last band I was in.
The recording was my first "serious" project on my Boss MBR, I was stunned that you could do something like this on a little silver…
First new one from me in a long time.
Kind of a love song, I guess.
Recorded in my new "studio" (3rd bedroom in the new house). Almost up and running now... shine and don't stop wondering!
****
**Shine - A A J Russe**
On my way…
First new one from me in a long time.
Kind of a love song, I guess.
Recorded in my new "studio" (3rd bedroom in the new house). Almost up and running now... shine and don't stop wondering!
****
**Shine - A A J Russe**
On my way…
Acoustic blues. Recorded in 2005. I was trying to record something else, can't remember what, and the missus was going out. She had cyclist Lance Armstong's book, or was talking about it. Sounded like a great title for a song as well as his book…
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
The tension in this is palpable from the first question. The quiver in the voice. The nakedness of the questions. "Often forget you understand." Hard to hear as just another blues song.
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
So I was locked in the broom-cupboard, checking out some old songs that need recording.
I'd just picked one and then suddenly this thing came out of nowehere. It started with one of those guitarist doodles that other musicians love so much…
New one from me. It's ended up as a bit of a "crying into yer beer at Bob's Country Bunker" sort of song lol...
I've been sat on these lyrics in some form or another for absolutely years. I first wrote them one very dark night a few years after…
Here we go.
This one started out one morning several weeks ago when the sun was still shining...
If it's as wet and dark as it is here, just close your eyes, I'm sure you can imagine it if you try hard enough...
Lollies, chips, and beer…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
lol - the bass was an organ set to "hammer house of horrors", perhaps I overdid it! (The reverb on the vox is deliberately "chilly" as well)
I wanted stark and lonely in the verses. But I also wanted comfort in the choruses - which is what the other instrumentation was intended to bring... but I've given up on that idea... it now sounds to me like the singer is incapable of bringing the comfort he offers, and he knows it... so I'll leave it them both to it :)
And nope, I didn't steal the teddy bear... But mine were removed from me and given to my sister when I was about 8 years old... so I do know exactly what I'm talking about lol
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I'm reaching that conclusion too :)
If I'd held it back and put the parts on that I was rehearsing that day it would have been fine... and possibly better...
But I was trying them out today, and they seem surplus to requirements now!
(Mrs R has got her way lol)
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
I've posted this "Naked" version because Mrs Russe wanted me to... :-)
It wasn't "finished" in my mind - there was a certain amount of "orchestration" to come.
But I ended up liking the starkness of this version.
The original intention…
Lovely melody (and you carry it very well). Though I can 'hear' some more instrumentation and harmonies, this 'naked' version is not so shamed to be that way.
GORGEOUS guitar sound. And cool song. VERY cool song.I found the problem round the other way... too much interest in living (well, sleeping) resulted in an unbalanced something or other.
Midday field. I watch the lark, which serenely rises in circles up to dissolve there, forever. He sees no danger around. Why [should] I care?
---
I recall that in childhood we all watch adventure films (or performances), and here the children…
There is almost no snow this year, it appears for some time from nowhere and immediately disappears. I look at this all out the window, and found myself looking more and more often back at the past experience. Is this a sign of age? Hmm, I certainly…
A worship song for the times you feel hopelessly lost.
V i
Oh Lord I don't know what to do
When I find myself, far away from you
and every prayer always comes back to this
I don't know what to do please pull me through
and I 'm so tired…
I listened on Friday, and I've been trying to figure out what happened so fast... and then seeing jimgoodinmusic's comment "...reflective of the street", on this relisten I ended up stood there with the same "hey what happened?" ... but a passer-by said "I don't really know - it all happened so fast" ...
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
I hadn't realised Colleen was listening same time... I was off checking out Mary Oliver... but yes, after the initial scratchiness that I got used too, I agree, very quickly the cacophony did seem "normal" to me and even commonplace... and the poem Egrets (I had to look up what an Egret was, I didn't know! I knew the word, but not that it was a white bird) ... that kinda emphasised it... there was magical, but normal, and natural, stuff going on, and even the cacophony itself was natural - as in not necessarily man-made - the thorns and mosquitos...
As the title suggests mixing 4 spontaneous played violin parts with sample CNN newsreel and the poem Egrets by Mary Oliver www.poetseers.org/contemporary-poets/mary-oliver/mary-oliver-poems/egrets/
Created under Creative Commons for Sound-In…
I wrote this song as a way to process some of the feelings of sadness, dismay, anger, fear and love that were brewing inside my heart this past week. I live in Minneapolis, where the terrible killing of George Floyd occurred, and the subsequent…
I think I remember it? Mighty cool anyways. I'm kinda jealous, though - all my old ones aren't that easy to post here... they're all recorded on pieces of A4 paper, in the metaphorical "shoe-box" (actually, it's not not that metaphorical, it is a box, several actually, they've just never held any shoes)
Comments on Andrew Russe's stuff
Those chords would take some working out...great song and passion in your voice too. Sweet
...and great words and story telling!
Great track Andrew...downloading now! Thanks for your continued support and kind words. Very nicely produced your stuff is.
Damn fine blues!
The tension in this is palpable from the first question. The quiver in the voice. The nakedness of the questions. "Often forget you understand." Hard to hear as just another blues song.
cool soulful serenade
wow. this song is so cool and delivered in just the right style. hats off to you, andrew!
Fine song, fine, fine song. I love your slight country feeling here, really true sounding. This really works for me.
fun lyrics, Vox, cool tune!
Does for me..... a little light, a little dark.....
A little Purple sounding! Pretty FN cool.
lol - the bass was an organ set to "hammer house of horrors", perhaps I overdid it! (The reverb on the vox is deliberately "chilly" as well) I wanted stark and lonely in the verses. But I also wanted comfort in the choruses - which is what the other instrumentation was intended to bring... but I've given up on that idea... it now sounds to me like the singer is incapable of bringing the comfort he offers, and he knows it... so I'll leave it them both to it :) And nope, I didn't steal the teddy bear... But mine were removed from me and given to my sister when I was about 8 years old... so I do know exactly what I'm talking about lol
odh is right; the bass feels a little sinister. Did you steal the teddy bear, Andrew?
Something slightly unsettling. Which is a good thing. Could be the treatment on the bass. I like...
"I dream you every Day" Some tunes dont need a lot of stuff. Focused and moving
I'd agree with G. Connor: it already is a very nice song as is. And the relative nakedness of it fits the story pretty well.
I'm reaching that conclusion too :) If I'd held it back and put the parts on that I was rehearsing that day it would have been fine... and possibly better... But I was trying them out today, and they seem surplus to requirements now! (Mrs R has got her way lol)
I like it. Why fill it up with more than you need. I think you captured it perfectly.
Wow this is awesome! Thanks for the comments on my tracks.. theres more on soundcloud if you like :) https://soundcloud.com/peterdonaghey
Lovely melody (and you carry it very well). Though I can 'hear' some more instrumentation and harmonies, this 'naked' version is not so shamed to be that way.
Comments made by Andrew Russe
Also... "Grrrreat" :)
Nice. (one needs to be a fan of the Fast Show - an old TV program in the UK - to fully appreciate the delivery of that word).
Oh yeah. This is my favourite one so far. OR... it's the one that fitted my mood best at the time I decide to listen to it? :)
GORGEOUS guitar sound. And cool song. VERY cool song.I found the problem round the other way... too much interest in living (well, sleeping) resulted in an unbalanced something or other.
I only really know the Thin Lizzy version... and this one!
Nice one.
It's like there are voices... and I can't quite reach out to hear them.
I'd forgotten what it was like listening to your pieces. Magical.
Wow
That's pretty powerful.
Wow. Haunting sounds.
I listened on Friday, and I've been trying to figure out what happened so fast... and then seeing jimgoodinmusic's comment "...reflective of the street", on this relisten I ended up stood there with the same "hey what happened?" ... but a passer-by said "I don't really know - it all happened so fast" ...
I hadn't realised Colleen was listening same time... I was off checking out Mary Oliver... but yes, after the initial scratchiness that I got used too, I agree, very quickly the cacophony did seem "normal" to me and even commonplace... and the poem Egrets (I had to look up what an Egret was, I didn't know! I knew the word, but not that it was a white bird) ... that kinda emphasised it... there was magical, but normal, and natural, stuff going on, and even the cacophony itself was natural - as in not necessarily man-made - the thorns and mosquitos...
I read the description and thought "ummmm, ok"... and, indeed, it did start like that for me. But then it was strangely compelling.
I was looking for a word to describe the feel... and Colleen's already got it - "slinky cool".
Very refreshing sound - but the heavy breathing reminds of someone... not sure it's Colleen though! lol
This is still making me tingle. Those first two lines... I want everyone to feel it.
I think I remember it? Mighty cool anyways. I'm kinda jealous, though - all my old ones aren't that easy to post here... they're all recorded on pieces of A4 paper, in the metaphorical "shoe-box" (actually, it's not not that metaphorical, it is a box, several actually, they've just never held any shoes)
Wow, yes. It's a gorgeous song.
I like both. This one sounds more summery though!