Found this little chappie while I was preparing my latest original for loading.
It was a quick demo recorded on my Boss Micro BR sometime in October or so last year (2011) while I was working on Shine.
It was a sort of "blow the cobwebs out…
Found this little chappie while I was preparing my latest original for loading.
It was a quick demo recorded on my Boss Micro BR sometime in October or so last year (2011) while I was working on Shine.
It was a sort of "blow the cobwebs out…
This is a remix of this song.
It was recorded in 2010, and I was in a hurry to post it elsewhere because I'm so fond of the song itself. But I've always hated the old mix - I lost the essence of the guitars and choirs during mastering because…
Well, here we go then...
****
**Cobwebs - A A J Russe**
Yeah you know what it is that I want
Oh you knew, didn't you, before I did?
How many times did you wonder whether I would dare?
Oh never mind...
Take off your underwear
Over…
New original from me, hot off the old wotsit.
When it was half written yesterday, I was considering binning it as a throwaway exercise - I do that quite often. But I played the songwriting demo to someone else and, er, apparently I should finish…
Well, here we go then...
****
**Cobwebs - A A J Russe**
Yeah you know what it is that I want
Oh you knew, didn't you, before I did?
How many times did you wonder whether I would dare?
Oh never mind...
Take off your underwear
Over…
I wrote this thing in 1994. When I played it to some friends back then they went "yeah, but where's the rest of it?"
I've been struggling with that concept ever since. Then, a while ago, a couple of kindly souls removed that worry from me…
I wrote this thing in 1994. When I played it to some friends back then they went "yeah, but where's the rest of it?"
I've been struggling with that concept ever since. Then, a while ago, a couple of kindly souls removed that worry from me…
I wrote this thing in 1994. When I played it to some friends back then they went "yeah, but where's the rest of it?"
I've been struggling with that concept ever since. Then, a while ago, a couple of kindly souls removed that worry from me…
This is a pretty intense listen for something written 25 years ago! You have a wonderful gift for making every word sound completely in the moment and real.
I wrote this thing in 1994. When I played it to some friends back then they went "yeah, but where's the rest of it?"
I've been struggling with that concept ever since. Then, a while ago, a couple of kindly souls removed that worry from me…
I wrote this thing in 1994. When I played it to some friends back then they went "yeah, but where's the rest of it?"
I've been struggling with that concept ever since. Then, a while ago, a couple of kindly souls removed that worry from me…
I wrote this thing in 1994. When I played it to some friends back then they went "yeah, but where's the rest of it?"
I've been struggling with that concept ever since. Then, a while ago, a couple of kindly souls removed that worry from me…
I wrote this thing in 1994. When I played it to some friends back then they went "yeah, but where's the rest of it?"
I've been struggling with that concept ever since. Then, a while ago, a couple of kindly souls removed that worry from me…
New one from me. It's ended up as a bit of a "crying into yer beer at Bob's Country Bunker" sort of song lol...
I've been sat on these lyrics in some form or another for absolutely years. I first wrote them one very dark night a few years after…
I wrote this thing in 1994. When I played it to some friends back then they went "yeah, but where's the rest of it?"
I've been struggling with that concept ever since. Then, a while ago, a couple of kindly souls removed that worry from me…
Mrs R is right . . . *"It's ready"*
You have acomplished what many can not; Offer a complete thought in a succinct manor.
Nice going Andrew! You make it sound easy.
I wrote this thing in 1994. When I played it to some friends back then they went "yeah, but where's the rest of it?"
I've been struggling with that concept ever since. Then, a while ago, a couple of kindly souls removed that worry from me…
Well, here we go then...
****
**Cobwebs - A A J Russe**
Yeah you know what it is that I want
Oh you knew, didn't you, before I did?
How many times did you wonder whether I would dare?
Oh never mind...
Take off your underwear
Over…
Well, here we go then...
****
**Cobwebs - A A J Russe**
Yeah you know what it is that I want
Oh you knew, didn't you, before I did?
How many times did you wonder whether I would dare?
Oh never mind...
Take off your underwear
Over…
Well, here we go then...
****
**Cobwebs - A A J Russe**
Yeah you know what it is that I want
Oh you knew, didn't you, before I did?
How many times did you wonder whether I would dare?
Oh never mind...
Take off your underwear
Over…
New original from me, hot off the old wotsit.
When it was half written yesterday, I was considering binning it as a throwaway exercise - I do that quite often. But I played the songwriting demo to someone else and, er, apparently I should finish…
Fresh breeze on Lake Superior
And waves collide with the shore
The sailor must be watching
For gusting wind we can’t ignore
Loose the main, correct the healing
Point the bow to the wind
Recognize the peaceful feeling
In this sacred…
You know this story the apple tree, the snake.
it takes Hope and latin drums to kill a snake
don't leave home without your hand drum and you will thrive
Wow. Amazing track. Starts all fairytale-like, then it evolves into something entirely different - can't make my mind up whether it's threatening or "hey let's party whether you like it or not"... but it's certainly insistent... And then I'm back home to fairytale land... but I feel slightly changed and not quite the innocent I was before... The tinkly little theme that I enticed me earlier sounds a little more sinister now.
Overall this one seems okay to me. The performance is pretty awful, but this song is all right. I don't like the transition from the first hook into the first verse. It feels awkward, but the second time seems better. Weird. Is it just a…
Cool chorus on this one... but you're right there's something... It really shines later on after the bridge- I like the interaction between the vocal, bass and guitar - really bounces. But earlier it doesn't have the same effect and I can't really spot the difference - except the later one is surrounded by instrumental and maybe feels looser? The earlier ones feel a bit "held back" and "correct", and they don't draw attention to themselves like the later one. They also leads straight into and out of a verse section that doesn't sound a lot different - maybe you're right, maybe volume? Maybe take the drums down on the sung verses? Something to make the chorus stick out more? But yeah, this is a cool one.
The desert heat can twist a mode as the ears suffer a mirage .
Twist twisted spin in the heat your senses are turned senselessly swirling octaves high
Made possible by Gibson’s brilliant P - 90 ‘s
Another voyage out into the unknown with my newly acquired guitar that I'm learning to play... The first part reminds me a bit of 'Will You' by Hazel O'Connor...
Lyrically it starts quite bleakly but goes on a bit of journey, ending on a positive…
Here's a new song.
Just me...
KC
------------------------------------
I've been callin' your number – I was so alone
I've been callin' all night long – You didn't pick up your phone
I want to hear you whisper – Sweet things in my ear…
DJチーズ2600 approached So?ing Machine with some song seeds. Their care instructions involved atypical rituals. Once performed, songs rapidly sprouted forth. (This is one of them. You must sit and listen.) Then a guy in a suit leaned out of a helicopter…
I agree with Guest (47.189.109.204) - "you're not done with this one" - I think there's another version, somewhere between the original and this one. It's a gorgeous song.
BEAVERS AND WILLOWS
Capo @ 5 in C
FCG FC FCFG
F C G F C
Like beavers and willows
Bats and mosquitos
F) Toad C) frogs and F) flies (G
DA DA - E Am G C
Algae and oil spills
Shovels and coal hills
Black holes…
I found this kinda challenging at first... so I listened to it again, (and again!)... and now I'm kinda "WOW!" about it. The melodies and chords are amazing.
Another song that doesn't really stand out to me. This one is a little embarrassing though. The tempo is set at 85 beats per minute. Originailly it was 95 beats per minute. Why did I change it? Because I couldn't pick the guitar part in the…
Comments on Andrew Russe's stuff
We're digging the other trax too!!!!
The Bee Gees meet the big bad-ass wooolf. Very cool.
I like the guitar, and range of vocals
Great sound there
I really like this tune. Your music is super! Very, very cool! All of it!
Fantastic!
Nice one Andrew great track
Magic.
This is a pretty intense listen for something written 25 years ago! You have a wonderful gift for making every word sound completely in the moment and real.
Very nice Andrew , must have been difficult to sing man , i think the length of the song suits the content and style , fab
ahhhh,,, isn't this often the case?? nicely done
Love it. What a vocal on this. You always connect the listener with the song. Another beauty added to the catalog.
Heart-felt springs to mind, love it
This one got to me right away. Wow, great song!
Mrs R is right . . . *"It's ready"* You have acomplished what many can not; Offer a complete thought in a succinct manor. Nice going Andrew! You make it sound easy.
I'm with Mrs R on this one... it was ready! x
Crying Babies webs.
nice nice slide...oh my those guitars!!...so very rockin
Not enough wahwah these days...thankyou Andrew...stellar vx...what power!
I Like I Like This Song..
Comments made by Andrew Russe
LOVE those sounds.
Oh yeah, smooth sounds.
And this gives me some release - but not loads! I was going to ask if it's an ebow, but it's not is it? Sounds like a real bow?
I find this one a slightly more challenging listen!
This one follows Hopey Changey really well
I listened to these the other day while I was doing something else... I forgot to come back and comment. This is a gorgeous sound.
Wow. Amazing track. Starts all fairytale-like, then it evolves into something entirely different - can't make my mind up whether it's threatening or "hey let's party whether you like it or not"... but it's certainly insistent... And then I'm back home to fairytale land... but I feel slightly changed and not quite the innocent I was before... The tinkly little theme that I enticed me earlier sounds a little more sinister now.
Cool chorus on this one... but you're right there's something... It really shines later on after the bridge- I like the interaction between the vocal, bass and guitar - really bounces. But earlier it doesn't have the same effect and I can't really spot the difference - except the later one is surrounded by instrumental and maybe feels looser? The earlier ones feel a bit "held back" and "correct", and they don't draw attention to themselves like the later one. They also leads straight into and out of a verse section that doesn't sound a lot different - maybe you're right, maybe volume? Maybe take the drums down on the sung verses? Something to make the chorus stick out more? But yeah, this is a cool one.
Foot-tapping and exotic. Loving those p90 vibes.
Oh yeah, nice one.
Aha! Can't beat a falling bass line (I'm working on several things at the moment, and they've all got falling bass lines) ... Nice one, like it.
Intriguing sounds, quite a ride.
I agree with Guest (47.189.109.204) - "you're not done with this one" - I think there's another version, somewhere between the original and this one. It's a gorgeous song.
And a new verse! I listened to all three versions again - this is the one (which is probably a good thing, as it's the latest!!)
Oh yeah, I remember this from the other day on songcrafters. Love it.
Oh yeah, gorgeous sounds.
Cool sounds
Like I said - WOW!
I found this kinda challenging at first... so I listened to it again, (and again!)... and now I'm kinda "WOW!" about it. The melodies and chords are amazing.
Wow - those leads! Nice one